080053 EX Art in Vienna (2015S)
Prüfungsimmanente Lehrveranstaltung
Labels
Am 5. und 19. März sowie am 25. Juni findet die LV im Seminarraum des Instituts statt, die übrigen Termine werden im Museum abgehalten.
An/Abmeldung
Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").
- Anmeldung von Do 19.02.2015 10:00 bis Do 26.02.2015 10:00
- Abmeldung bis Mo 16.03.2015 10:00
Details
max. 20 Teilnehmer*innen
Sprache: Englisch
Lehrende
Termine (iCal) - nächster Termin ist mit N markiert
- Donnerstag 05.03. 09:00 - 11:00 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Donnerstag 19.03. 09:00 - 11:00 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
- Donnerstag 25.06. 09:00 - 11:00 Seminarraum 2 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-20
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
The course is devoted to the study of some of the Islamic artworks preserved in museum institutions within the city of Vienna. Islamic artworks vary enormously, ranging from medieval miniatures to war paraphernalia belonging to the Ottoman army. Through a close-study of the objects, students are introduced to different artistic materials, such as textiles, glasses and ivories, and the related artistic techniques. The course is structured so that each artwork is analysed on its own, with a focus on its material quality, formal features and iconography. Artworks have also their own story: seminars also focus on the context of production of the objects as well as on their biography and life that eventually led them to Vienna and, in some cases, to have their form and functions modified. Eventually, the way artworks are displayed nowadays is also discussed.
Art der Leistungskontrolle und erlaubte Hilfsmittel
Participation, oral presentation and written paper.
Mindestanforderungen und Beurteilungsmaßstab
Students are expected to get acquainted with the main collections of Vienna and their Islamic artworks. They are also expected to develop an independent approach to single objects, including a critical analysis ranging from the formal description to the context of production of single artworks.
Prüfungsstoff
After two introductory seminars, students have the privilege to encounter directly the objects and the space in which they are displayed. Each student is supposed to have at least one object-based presentation followed by a general discussion.
Literatur
- Sheila Blair and Jonathan Bloom, The art and the architecture of Islam, 1250-1800, Yale University Press, 1996.
- Stephan Vernoit (ed.), Discovering Islamic Art. Scholars, Collectors and Collections 1850-1950, I.B. Tauris, 2000 (selected chapters).
- David Roxburgh, “Au bonheur des amateurs; collecting and exhibiting Islamic art, ca. 1880-1910, Ars Orientalis 20 (2000), pp. 9-38.
- Barbara Kark, Treasury – Kunstkammer – Museum: objects from the Islamic world in the museum collections of Vienna, Österreiche Akademie der WWissenschaften, 2011.
- Stephan Vernoit (ed.), Discovering Islamic Art. Scholars, Collectors and Collections 1850-1950, I.B. Tauris, 2000 (selected chapters).
- David Roxburgh, “Au bonheur des amateurs; collecting and exhibiting Islamic art, ca. 1880-1910, Ars Orientalis 20 (2000), pp. 9-38.
- Barbara Kark, Treasury – Kunstkammer – Museum: objects from the Islamic world in the museum collections of Vienna, Österreiche Akademie der WWissenschaften, 2011.
Zuordnung im Vorlesungsverzeichnis
Letzte Änderung: Mo 07.09.2020 15:31