Universität Wien
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120088 AR Literature Course (interactive) 323/324: "Entropy " (2008W)

The "Heat-Death" of Master-Narratives in (Post-)modernist Poetics of Deconstruction and Immediacy.

1.50 ECTS (1.00 SWS), SPL 12 - Anglistik
Prüfungsimmanente Lehrveranstaltung

Diese LVA gilt für das Diplomstudium (UniStG) und das Lehramt UF Englisch (UniStG).

Dates for 2 film-screenings will be announced in the first session.

An/Abmeldung

Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").

Details

max. 30 Teilnehmer*innen
Sprache: Englisch

Lehrende

Termine (iCal) - nächster Termin ist mit N markiert

  • Mittwoch 08.10. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
  • Mittwoch 22.10. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
  • Mittwoch 05.11. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
  • Mittwoch 19.11. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
  • Mittwoch 03.12. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
  • Mittwoch 17.12. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
  • Mittwoch 14.01. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
  • Mittwoch 28.01. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17

Information

Ziele, Inhalte und Methode der Lehrveranstaltung

This interdisciplinary workshop centres on an in-depth discussion of the meanings of terms such as "deconstruction", "master-narrative", and "entropy" in the context of poststructuralist theories and how these can be applied in an interpretative reading (post)-modernist novels and dramas. For a start, we will consider Pynchon's 1960s application of the term "entropy" to critically describe cultural processes determined by master-narratives as closed systems that inevitably progress to an (inner) chaotic orderlessness. In an analysis of texts by D. Barnes, A. Miller, E. Albee, J. Winterson, we will explore how diverse closed systems are portrayed on narrative levels, thematic levels, and the level of claustrophobic depictions of intra- and interpersonal relations. Central to our analysis will be the post-modernist examination of the textual versus metaphorical significance and how binary oppositions are negotiated and destablised in the texts - such as: consumerism/consumption; nature/culture; the sexual/the spiritual; otherness/identity; science-irrationality/desire; reality/illusion; game/war; the social/the private; religion/politics.

Art der Leistungskontrolle und erlaubte Hilfsmittel

regular attendance, reading of assigned texts, participation in discussions and film-screenings, oral (interactive) presentation of a chosen topic (10-15 mins), final portfolio on a chosen topic.

Mindestanforderungen und Beurteilungsmaßstab

Introducing and/or advancing students' skills in applying deconstructivist reading-techniques to the interpretation of literary texts and films. In-depth discussion of postmodernist theories and literary texts with special attention to students' questions and elaborations in an interactive discussion with the lecturer and the workshop-group.

Prüfungsstoff

Multi-media based course (PPT, film-screenings); interactive teaching (discussions and group-work); guided reading (web-based).

Literatur

1.) Required Readings (texts available at Kuppitsch am Campus):
Djuna Barnes. Nightwood (1937); Albee, Edward. Whose Afraid of Virginia Woolf? (1962); Pynchon,Thomas.The Crying of Lot 45. (1966); Winterson, Jeanette.Gut Symmetries (1997)
[optional: Arthur Miller. The Crucible. (1953)]
2.) A "Reader" including Pynchon's "Entropy" and theoretical texts will be provided in the copy-studio "Schwarzspanierstrasse".

Zuordnung im Vorlesungsverzeichnis

323, 324

Letzte Änderung: Mo 07.09.2020 15:33