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120088 AR Literature Course (interactive) 323/324: "Entropy " (2008W)
The "Heat-Death" of Master-Narratives in (Post-)modernist Poetics of Deconstruction and Immediacy.
Prüfungsimmanente Lehrveranstaltung
Labels
Diese LVA gilt für das Diplomstudium (UniStG) und das Lehramt UF Englisch (UniStG).Dates for 2 film-screenings will be announced in the first session.
An/Abmeldung
Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").
- Anmeldung von Do 18.09.2008 14:00 bis Fr 03.10.2008 14:00
- Anmeldung von Mo 06.10.2008 17:00 bis Do 09.10.2008 23:59
- Abmeldung bis Do 30.10.2008 23:59
Details
max. 30 Teilnehmer*innen
Sprache: Englisch
Lehrende
Termine (iCal) - nächster Termin ist mit N markiert
- Mittwoch 08.10. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Mittwoch 22.10. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Mittwoch 05.11. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Mittwoch 19.11. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Mittwoch 03.12. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Mittwoch 17.12. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Mittwoch 14.01. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Mittwoch 28.01. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
This interdisciplinary workshop centres on an in-depth discussion of the meanings of terms such as "deconstruction", "master-narrative", and "entropy" in the context of poststructuralist theories and how these can be applied in an interpretative reading (post)-modernist novels and dramas. For a start, we will consider Pynchon's 1960s application of the term "entropy" to critically describe cultural processes determined by master-narratives as closed systems that inevitably progress to an (inner) chaotic orderlessness. In an analysis of texts by D. Barnes, A. Miller, E. Albee, J. Winterson, we will explore how diverse closed systems are portrayed on narrative levels, thematic levels, and the level of claustrophobic depictions of intra- and interpersonal relations. Central to our analysis will be the post-modernist examination of the textual versus metaphorical significance and how binary oppositions are negotiated and destablised in the texts - such as: consumerism/consumption; nature/culture; the sexual/the spiritual; otherness/identity; science-irrationality/desire; reality/illusion; game/war; the social/the private; religion/politics.
Art der Leistungskontrolle und erlaubte Hilfsmittel
regular attendance, reading of assigned texts, participation in discussions and film-screenings, oral (interactive) presentation of a chosen topic (10-15 mins), final portfolio on a chosen topic.
Mindestanforderungen und Beurteilungsmaßstab
Introducing and/or advancing students' skills in applying deconstructivist reading-techniques to the interpretation of literary texts and films. In-depth discussion of postmodernist theories and literary texts with special attention to students' questions and elaborations in an interactive discussion with the lecturer and the workshop-group.
Prüfungsstoff
Multi-media based course (PPT, film-screenings); interactive teaching (discussions and group-work); guided reading (web-based).
Literatur
1.) Required Readings (texts available at Kuppitsch am Campus):
Djuna Barnes. Nightwood (1937); Albee, Edward. Whose Afraid of Virginia Woolf? (1962); Pynchon,Thomas.The Crying of Lot 45. (1966); Winterson, Jeanette.Gut Symmetries (1997)
[optional: Arthur Miller. The Crucible. (1953)]
2.) A "Reader" including Pynchon's "Entropy" and theoretical texts will be provided in the copy-studio "Schwarzspanierstrasse".
Djuna Barnes. Nightwood (1937); Albee, Edward. Whose Afraid of Virginia Woolf? (1962); Pynchon,Thomas.The Crying of Lot 45. (1966); Winterson, Jeanette.Gut Symmetries (1997)
[optional: Arthur Miller. The Crucible. (1953)]
2.) A "Reader" including Pynchon's "Entropy" and theoretical texts will be provided in the copy-studio "Schwarzspanierstrasse".
Zuordnung im Vorlesungsverzeichnis
323, 324
Letzte Änderung: Mo 07.09.2020 15:33