Achtung! Das Lehrangebot ist noch nicht vollständig und wird bis Semesterbeginn laufend ergänzt.
123043 PS Literary Studies / Proseminar Literature (2018W)
Introduction to Contemporary Australian Literature since 2000
Prüfungsimmanente Lehrveranstaltung
Labels
An/Abmeldung
Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").
- Anmeldung von Sa 08.09.2018 00:00 bis Di 18.09.2018 23:59
- Abmeldung bis Mi 31.10.2018 23:59
Details
max. 25 Teilnehmer*innen
Sprache: Englisch
Lehrende
Termine (iCal) - nächster Termin ist mit N markiert
Please note that there will be no sessions on 29 November and 6 December. We will make up for lost time in two longer sessions on 13 December and 10 January.
- Donnerstag 11.10. 16:00 - 18:00 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
- Donnerstag 18.10. 16:00 - 18:00 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
- Donnerstag 25.10. 16:00 - 18:00 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
- Donnerstag 08.11. 16:00 - 18:00 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
- Donnerstag 15.11. 16:00 - 18:00 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
- Donnerstag 22.11. 16:00 - 18:00 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
- Donnerstag 13.12. 16:00 - 20:00 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
- Donnerstag 10.01. 16:00 - 20:00 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
- Donnerstag 17.01. 16:00 - 18:00 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
- Donnerstag 24.01. 16:00 - 18:00 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
- Donnerstag 31.01. 16:00 - 18:00 Seminarraum 6 Anglistik UniCampus Hof 8 3E-O1-22.A
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
Art der Leistungskontrolle und erlaubte Hilfsmittel
• Regular attendance (two absences will be excused) and preparation of session material
• General participation in class, including individual contributions as well as work in groups
• Expert work on assigned readings: each student will be assigned to one source material of the syllabus and provide expert input in the respective session (experts are expected to provide everyone with a handout summarising the most important points)
• A written portfolio (students are required to meet up with writing assistants twice to discuss their texts)
• A formal research paper of 3,500 words
• General participation in class, including individual contributions as well as work in groups
• Expert work on assigned readings: each student will be assigned to one source material of the syllabus and provide expert input in the respective session (experts are expected to provide everyone with a handout summarising the most important points)
• A written portfolio (students are required to meet up with writing assistants twice to discuss their texts)
• A formal research paper of 3,500 words
Mindestanforderungen und Beurteilungsmaßstab
• Active participation and contributions in class (including your expert input in your respective session): 20%
• Written portfolio tasks (including willingness to meet up with writing assistants twice): 20%
• Term paper: 60%Students must attain at least 60% of each to pass the course.All written assignments will be checked for plagiarism, using Turnitin on moodle.Marks in %:
1 (sehr gut): 90-100
2 (gut): 80-89
3 (befriedigend): 70-79
4 (genügend): 60-69
5 (nicht genügend): 0-59
• Written portfolio tasks (including willingness to meet up with writing assistants twice): 20%
• Term paper: 60%Students must attain at least 60% of each to pass the course.All written assignments will be checked for plagiarism, using Turnitin on moodle.Marks in %:
1 (sehr gut): 90-100
2 (gut): 80-89
3 (befriedigend): 70-79
4 (genügend): 60-69
5 (nicht genügend): 0-59
Prüfungsstoff
There will be no written exam.
Literatur
Primary Texts
Grenville, Kate. The Secret River. Canongate Books, 2011. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=572060&site=ehost-live. (We will discuss the full novel, so please buy this edition, if you do not want to use the electronic version.)
Rankin, Scott and Trevor Jamieson. “Ngapartji Ngapartji.” Namatjira & Ngapartji Ngapartji, edited by Scott Rankin, 2012, pp. 47-95. (will be available on moodle)
Tsiolkas, Christos. The Slap. Atlantic Books, 2010. (We will discuss the full novel, so please buy this edition. It will be available at Facultas am Campus.)
Wright, Alexis. Carpentaria. Giramondo, 2006. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=516166&site=ehost-live. (We will read this novel only in excerpts.)Theory and Secondary Literature
Attwood, Bain. “Historical Controversies and the History Wars in Australia.” Frontier Skirmishes: Literary and Cultural Debates in Australia after 1992, edited by Russell West-Pavlov and Jennifer Wawrzinek, Universitätsverlag Winter, 2010, pp. 33-44.
Casey, Maryrose. “Ngapartji Ngapartji : Telling Aboriginal Australian Stories.” Get Real: Documentary Theatre Past and Present, edited by Alison Forsyth and Chris Megson, Palgrave Macmillan, 2009, pp. 122-139.
Collingwood-Whittick, Sheila. “The Haunting of Settler Australia: Kate Grenville’s The Secret River.” Postcolonial Ghosts / Fantômes post-coloniaux, edited by Mélanie Joseph-Vilain and Judith Misrahi-Barak, Presses universitaires de la Méditerranée, 2009, pp. 125-142.
Devlin-Glass, Frances. “A Politics of Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s Carpentaria.” Australian Literary Studies, vol. 23, no. 4, 2008, pp. 392-407.
Dunlop, Nicholas. “Suburban Space and Multicultural Identities in Christos Tsiolkas’s The Slap.” Antipodes, vol. 30, no. 1, 2016, pp. 5-16.
Gelder, Ken and Paul Salzman. After the Celebration: Australian Fiction 1989-2007. Melbourne UP, 2009.
Gilbert, Helen. “Indigeneity, Time and the Cosmopolitics of Postcolonial Belonging in the Atomic Age.” Interventions, vol. 15, no. 2, 2013, pp. 195-210.
Huggan, Graham. Australian Literature: Postcolonialism, Racism, Transnationalism. Oxford UP, 2007.
Rodoreda, Geoff. The Mabo Turn in Australian Fiction. Peter Lang, 2018.
Treagus, Mandy. “Queering the Mainstream: The Slap and ‘Middle’ Australia.” JASAL, vol. 12, no. 3, 2012, pp. 1-9.These texts or relevant excerpts from them will be available on moodle at the beginning of term.
Grenville, Kate. The Secret River. Canongate Books, 2011. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=572060&site=ehost-live. (We will discuss the full novel, so please buy this edition, if you do not want to use the electronic version.)
Rankin, Scott and Trevor Jamieson. “Ngapartji Ngapartji.” Namatjira & Ngapartji Ngapartji, edited by Scott Rankin, 2012, pp. 47-95. (will be available on moodle)
Tsiolkas, Christos. The Slap. Atlantic Books, 2010. (We will discuss the full novel, so please buy this edition. It will be available at Facultas am Campus.)
Wright, Alexis. Carpentaria. Giramondo, 2006. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=516166&site=ehost-live. (We will read this novel only in excerpts.)Theory and Secondary Literature
Attwood, Bain. “Historical Controversies and the History Wars in Australia.” Frontier Skirmishes: Literary and Cultural Debates in Australia after 1992, edited by Russell West-Pavlov and Jennifer Wawrzinek, Universitätsverlag Winter, 2010, pp. 33-44.
Casey, Maryrose. “Ngapartji Ngapartji : Telling Aboriginal Australian Stories.” Get Real: Documentary Theatre Past and Present, edited by Alison Forsyth and Chris Megson, Palgrave Macmillan, 2009, pp. 122-139.
Collingwood-Whittick, Sheila. “The Haunting of Settler Australia: Kate Grenville’s The Secret River.” Postcolonial Ghosts / Fantômes post-coloniaux, edited by Mélanie Joseph-Vilain and Judith Misrahi-Barak, Presses universitaires de la Méditerranée, 2009, pp. 125-142.
Devlin-Glass, Frances. “A Politics of Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s Carpentaria.” Australian Literary Studies, vol. 23, no. 4, 2008, pp. 392-407.
Dunlop, Nicholas. “Suburban Space and Multicultural Identities in Christos Tsiolkas’s The Slap.” Antipodes, vol. 30, no. 1, 2016, pp. 5-16.
Gelder, Ken and Paul Salzman. After the Celebration: Australian Fiction 1989-2007. Melbourne UP, 2009.
Gilbert, Helen. “Indigeneity, Time and the Cosmopolitics of Postcolonial Belonging in the Atomic Age.” Interventions, vol. 15, no. 2, 2013, pp. 195-210.
Huggan, Graham. Australian Literature: Postcolonialism, Racism, Transnationalism. Oxford UP, 2007.
Rodoreda, Geoff. The Mabo Turn in Australian Fiction. Peter Lang, 2018.
Treagus, Mandy. “Queering the Mainstream: The Slap and ‘Middle’ Australia.” JASAL, vol. 12, no. 3, 2012, pp. 1-9.These texts or relevant excerpts from them will be available on moodle at the beginning of term.
Zuordnung im Vorlesungsverzeichnis
Studium: UF 344, BA 612; BEd 046 / 407
Code/Modul: UF 3.3.3-304; BA10.1; BEd 08a.1, BEd 08b.2
Lehrinhalt: 12-3041
Code/Modul: UF 3.3.3-304; BA10.1; BEd 08a.1, BEd 08b.2
Lehrinhalt: 12-3041
Letzte Änderung: Mo 07.09.2020 15:33
1. What role does Indigenous storytelling play in contemporary Australian literature and how can we as a non-Indigenous readership approach such texts?
2. How does Australian writing from the twenty-first century engage with the country’s past and what are potential problems when dealing with its colonial legacy?
3. How does contemporary Australian literature engage in the process of nation-making and what versions of Australia does it offer? How aware is it of multicultural concerns?
4. How are all of these concerns treated in aesthetic terms, most specifically with regard to genre?Apart from addressing the primary texts in their form and content, this Proseminar is also designed to introduce you to basic academic skills, including academic writing, thesis formulation and the structuring of a term paper in literary studies.Please note that this Proseminar will be accompanied by the Schreibassistenz programme offered by the Centre for Teaching and Learning (CTL). In this context, students are required to meet up with a writing assistant twice (approx. 50 minutes per meeting) to discuss and receive feedback on two of their written assignments which they will then, after having sufficient time to rework them, have to submit as part of the Proseminar credit requirements.