Achtung! Das Lehrangebot ist noch nicht vollständig und wird bis Semesterbeginn laufend ergänzt.
123045 PS PS Literary Studies (2024S)
New Dimensions of Terror: Weird Fiction
Prüfungsimmanente Lehrveranstaltung
Labels
An/Abmeldung
Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").
- Anmeldung von Mo 12.02.2024 00:00 bis Mo 19.02.2024 12:00
- Abmeldung bis So 31.03.2024 23:59
Details
max. 25 Teilnehmer*innen
Sprache: Englisch
Lehrende
Termine (iCal) - nächster Termin ist mit N markiert
- Montag 11.03. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Montag 18.03. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Montag 08.04. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Montag 15.04. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Montag 22.04. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Montag 29.04. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Montag 06.05. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Montag 13.05. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Montag 27.05. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Montag 03.06. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Montag 10.06. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Montag 17.06. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Montag 24.06. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
Art der Leistungskontrolle und erlaubte Hilfsmittel
The assessment methods will consist of• Active class participation (10%);
• Oral presentation (15%);
• Writing portfolio (close reading exercize and essay proposal) (25%);
• Final term paper (50%) (3,500 words and a +/- 10%-word allowance).Active class participation: attend every session prepared to offer thoughts on the chosen texts, engage with group discussions, and pose questions to others.Oral presentation: a secondary source evaluation, delivered as a 8-10 minute presentation to the class in groups of two, covering either a source listed for the week on which the presentation is being given or a new one of the group's choosing.Writing portfolio: this comprises two parts: (i) a 500-word close reading exercize due 03.05 and (ii) a 2-page essay proposal due 07.06. The requirements and grading will be discussed in a session.Final term paper: this is an argumentative essay of 3,500 words (with a +/- 10% limit) that engages with one or two of the primary texts. The requirements and grading will be discussed in the session.NOTE: Assessment deadlines are final and extensions may only be granted under exceptional circumstances.
• Oral presentation (15%);
• Writing portfolio (close reading exercize and essay proposal) (25%);
• Final term paper (50%) (3,500 words and a +/- 10%-word allowance).Active class participation: attend every session prepared to offer thoughts on the chosen texts, engage with group discussions, and pose questions to others.Oral presentation: a secondary source evaluation, delivered as a 8-10 minute presentation to the class in groups of two, covering either a source listed for the week on which the presentation is being given or a new one of the group's choosing.Writing portfolio: this comprises two parts: (i) a 500-word close reading exercize due 03.05 and (ii) a 2-page essay proposal due 07.06. The requirements and grading will be discussed in a session.Final term paper: this is an argumentative essay of 3,500 words (with a +/- 10% limit) that engages with one or two of the primary texts. The requirements and grading will be discussed in the session.NOTE: Assessment deadlines are final and extensions may only be granted under exceptional circumstances.
Mindestanforderungen und Beurteilungsmaßstab
Students must submit and pass each of the assessment requirements outlined above and obtain a 60% overall grade to pass the course.
Assessments must be submitted by the agreed deadline. Any instance of plagiarism or use of software such as ChatGPT in submitted assessments will result in an automatic fail grade.Grade scale (%)1. (very good) 90-100
2. (good) 80-89
3. (satisfactory) 70-79
4. (pass) 60-69
5. (fail) 0-59Students cannot miss more than two sessions. De-registration from the class is possible until 31.03.
Assessments must be submitted by the agreed deadline. Any instance of plagiarism or use of software such as ChatGPT in submitted assessments will result in an automatic fail grade.Grade scale (%)1. (very good) 90-100
2. (good) 80-89
3. (satisfactory) 70-79
4. (pass) 60-69
5. (fail) 0-59Students cannot miss more than two sessions. De-registration from the class is possible until 31.03.
Prüfungsstoff
There is no written exam. This course is structured with ongoing assessment ("Prüfungsimmanent"), meaning that your final grade will be based on your performance throughout the course.
Literatur
The primary texts are available on Moodle, except for The Great God Pan and At the Mountains of Madness which require purchasing. To ensure consistency, please purchase the Oxford World's Classics edition of The Great God Pan and the Penguin English Library edition of At the Mountains of Madness; these are available at thalia.at and amazon.de if you cannot find them at a local bookshop.Arthur Machen, The Great God Pan (1894) (novella)*
Edith Nesbit, ‘The Three Drugs’ (1908) and ‘The Five Senses’ (1909) (short stories)
Algernon Blackwood, ‘The Wendigo’ (1910) (short story)
H. P. Lovecraft, ‘The Colour Out of Space’ (1927) (short story)
H. P. Lovecraft, At the Mountains of Madness (1936) (novella)*
Shirley Jackson, ‘The Demon Lover’ (1945) and ‘The Lovely House’ (1950) (short stories)Note: These texts contain imagery and themes that some students may find distressing. If this is a cause for concern, please email or see me in person to discuss possible accommodations.Secondary sources will be made available on Moodle. These are copyrighted material and by accessing them you agree to use them for private study only (i.e., no circulation).
Edith Nesbit, ‘The Three Drugs’ (1908) and ‘The Five Senses’ (1909) (short stories)
Algernon Blackwood, ‘The Wendigo’ (1910) (short story)
H. P. Lovecraft, ‘The Colour Out of Space’ (1927) (short story)
H. P. Lovecraft, At the Mountains of Madness (1936) (novella)*
Shirley Jackson, ‘The Demon Lover’ (1945) and ‘The Lovely House’ (1950) (short stories)Note: These texts contain imagery and themes that some students may find distressing. If this is a cause for concern, please email or see me in person to discuss possible accommodations.Secondary sources will be made available on Moodle. These are copyrighted material and by accessing them you agree to use them for private study only (i.e., no circulation).
Zuordnung im Vorlesungsverzeichnis
Studium: BA 612; BEd 046 / 407
Code/Modul: BA10.1; BEd 08a.1, BEd 08b.2
Lehrinhalt: 12-3041
Code/Modul: BA10.1; BEd 08a.1, BEd 08b.2
Lehrinhalt: 12-3041
Letzte Änderung: Do 04.04.2024 11:25
• Recognize core characteristics and examples of weird fiction, and be able to explain these in relation to genre, form, and period-specific contexts;
• Find and cite sources, formulate a research question, and structure a research paper, among other core academic skills;
• Apply close reading strategies with secondary sources to develop a written analysis of a case study.