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124261 KO Critical Media Analysis (2022S)
Women and Hollywood. Rethinking the Film Canon
Prüfungsimmanente Lehrveranstaltung
Labels
An/Abmeldung
Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").
- Anmeldung von Di 15.02.2022 00:00 bis Do 24.02.2022 11:59
- Abmeldung bis Do 31.03.2022 23:59
Details
max. 30 Teilnehmer*innen
Sprache: Englisch
Lehrende
Termine (iCal) - nächster Termin ist mit N markiert
- Dienstag 08.03. 12:15 - 13:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Dienstag 15.03. 12:15 - 13:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Dienstag 22.03. 12:15 - 13:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Dienstag 29.03. 12:15 - 13:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Dienstag 05.04. 12:15 - 13:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Dienstag 26.04. 12:15 - 13:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Dienstag 03.05. 12:15 - 13:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Dienstag 10.05. 12:15 - 13:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Dienstag 17.05. 12:15 - 13:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Dienstag 24.05. 12:15 - 13:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Dienstag 31.05. 12:15 - 13:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Dienstag 14.06. 12:15 - 13:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Dienstag 21.06. 12:15 - 13:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Dienstag 28.06. 12:15 - 13:45 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
Women co-created Hollywood, they ran parts of it, and once, they wrote half the scripts. They were and still are makers of fortunes and of careers, discovered new stories and new talents. So how come there’s still such a “paucity” of female directors in all those “100 Must-Watch Movies” lists? Women made films long before Jane Campion made “The Piano” and they are to be found in all genres.We will have a look into film history and films, into the supposed film canon, who wrote it and who has been left out of it. The film industry itself has not been very accessible, neither has film distribution or film criticism. We will investigate the structures that helped diminishing and filtering the work of female producers, writers and directors and still do so, the strategies of gatekeeping from film festivals, film museums to film criticism concerning not only gender but also race, LGBTQ+, disability, age, and body size. Representation off screen influences representation on screen.We’ll discover filmmakers, their oeuvres and biographies and ways to make sure future pupils know about the female ancestors of filmmaking as well as new films and where to find them. We’ll look at the resources and there’s also be the opportunity to listen to the expertise of industry specialists and ask questions.
Art der Leistungskontrolle und erlaubte Hilfsmittel
Students will be required to read primary texts, hold a short presentation in class and hand in three short written assignments (about 1000 words each).
Mindestanforderungen und Beurteilungsmaßstab
60 points 3 short written assignments, 1000 words each.
20 points participation
20 points presentationThe final grades will be based on the written assignments, the presentation and participation in exchange and discussion. The due dates will be announced in the first session.90 – 100: 1
80 – 89: 2
70 – 79: 3
60 – 69: 4
< 60: 5
20 points participation
20 points presentationThe final grades will be based on the written assignments, the presentation and participation in exchange and discussion. The due dates will be announced in the first session.90 – 100: 1
80 – 89: 2
70 – 79: 3
60 – 69: 4
< 60: 5
Prüfungsstoff
Literatur
You can already have a look at the website https://womenandhollywood.com and
browse through „The female gaze: 100 overlooked films directed by women“ here: https://www.bfi.org.uk/sight-and-sound/female-gaze-100-overlooked-films-directed-by-women and make yourself familiar with the work of Geena Davis Institute on Gender in Media at https://seejane.org/ .
browse through „The female gaze: 100 overlooked films directed by women“ here: https://www.bfi.org.uk/sight-and-sound/female-gaze-100-overlooked-films-directed-by-women and make yourself familiar with the work of Geena Davis Institute on Gender in Media at https://seejane.org/ .
Zuordnung im Vorlesungsverzeichnis
Studium: BA 612, BEd 046/407
Code/Modul: BA07.3; BEd 08a.2, BEd 08b.1
Lehrinhalt: 12-4260
Code/Modul: BA07.3; BEd 08a.2, BEd 08b.1
Lehrinhalt: 12-4260
Letzte Änderung: Di 15.03.2022 10:28