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124264 KO Critical Media Analysis (2021S)
'When They See Us'- streaming and cultural politics beyond Netflix and chill
Prüfungsimmanente Lehrveranstaltung
Labels
DIGITAL
An/Abmeldung
Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").
- Anmeldung von Do 18.02.2021 00:00 bis Do 25.02.2021 12:00
- Abmeldung bis Mi 31.03.2021 23:59
Details
max. 30 Teilnehmer*innen
Sprache: Englisch
Lehrende
Termine
Vorläufig online
Montag 10:15-11:45
Beginn: 08.03.2021
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
Art der Leistungskontrolle und erlaubte Hilfsmittel
Part 1 (30 credits) participation: continuous preparation for class via moodle, in-class discussions, in-class presentation, feedback
Part 2 (30 credits) midterm reading cards: hand in 3 digitally annotated readings (individual or collaborative)
Part 3 (40 credits) final essay (take home and open book) - based on readings and presentations
Part 2 (30 credits) midterm reading cards: hand in 3 digitally annotated readings (individual or collaborative)
Part 3 (40 credits) final essay (take home and open book) - based on readings and presentations
Mindestanforderungen und Beurteilungsmaßstab
Students must pass with more than 50% in every part and overall, (extra-credits possible in part 1)89-100 credits: 1
76-88 credits: 2
63-75 credits: 3
50-62 credits: 4
0-49 credits: 5
76-88 credits: 2
63-75 credits: 3
50-62 credits: 4
0-49 credits: 5
Prüfungsstoff
material covered in class
Literatur
Assigned and recommended readings will be made available on moodle.
Zuordnung im Vorlesungsverzeichnis
Studium: UF 344, BA 612, BEd 046/407
Code/Modul: UF 4.2.5-426, BA07.3; BEd 08a.2, BEd 08b.1
Lehrinhalt: 12-4260
Code/Modul: UF 4.2.5-426, BA07.3; BEd 08a.2, BEd 08b.1
Lehrinhalt: 12-4260
Letzte Änderung: Mi 21.04.2021 11:26
We will address how the series calls out biased media coverage, harmful stereotypes and institutional racism through storytelling and its careful representations of the intersections of race, class, and gender back in the 1980s, as much as we will consider the media landscape today. More generally, we will interrogate the reputation of Netflix as a global streaming provider championing inclusion and diversity and how the educational and activist motivations driving a series like ‘When They See Us” do or do not complicate ideas linked to streaming like binge-watching, comfort TV and a profit-driven entertainment industry.
The series is a rich example for analysis, because it artistically employs televisual, cinematic and social media practices to foreground black experiences, to connect history and the present, and to force us to reflect on our own privileges.Students will be equipped with a number of analytical skills to train critical media literacy in terms of tools for ‚close reading’ the series, but also in gaining a better understanding and conceptual repertoire of how to approach the wider cultural and (anti)racist context and politics of the series informed by cultural studies, media studies and critical race theory.Students are required to have access to Netflix and watch the series at their own pace.
Trigger warning: the series has been described hard to watch, especially for people traumatized by police violence and institutional racism