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135054 PS Sozialgesch. der Literatur (PS): Postcolonial Con-Texts: Writing Back to the Canon (2020S)
Prüfungsimmanente Lehrveranstaltung
Labels
An/Abmeldung
Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").
- Anmeldung von Sa 01.02.2020 00:01 bis Sa 22.02.2020 23:59
- Abmeldung bis Do 30.04.2020 23:59
Details
max. 25 Teilnehmer*innen
Sprache: Englisch
Lehrende
Termine (iCal) - nächster Termin ist mit N markiert
- Montag 09.03. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Montag 16.03. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Montag 23.03. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Montag 30.03. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Montag 20.04. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Montag 27.04. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Montag 04.05. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Montag 11.05. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Montag 18.05. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Montag 25.05. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Montag 08.06. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Montag 15.06. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Montag 22.06. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Montag 29.06. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
Information
Ziele, Inhalte und Methode der Lehrveranstaltung
Art der Leistungskontrolle und erlaubte Hilfsmittel
Final essay, 3500 words
Mindestanforderungen und Beurteilungsmaßstab
• identify, analyse and understand key philosophical, historical, social and aesthetic issues of postcolonial literature
• analyse key postcolonial works in terms of their social, historical, philosophical, and aesthetic significance
• apply close reading skills to a variety of literary texts
• reflect critically on the relations between primary texts and relevant secondary texts
• discriminate between ideas and justify personal positions
• produce well-structured, relevant arguments with an appropriate intellectual framework
• analyse key postcolonial works in terms of their social, historical, philosophical, and aesthetic significance
• apply close reading skills to a variety of literary texts
• reflect critically on the relations between primary texts and relevant secondary texts
• discriminate between ideas and justify personal positions
• produce well-structured, relevant arguments with an appropriate intellectual framework
Prüfungsstoff
Essay topics will be given mid-semester. All topics reflect course readings.
Literatur
Primary:
Chinua Achebe, Things Fall Apart (1958) and “Racism in Conrad’s Heart of Darkness” (1977)
Charlotte Brönte, Jane Eyre (1847)
Aimé Césaire, Une Tempête (1968)
J. M. Coetzee, Foe (1986)
Joseph Conrad, Heart of Darkness (1899)
Daniel Defoe, Robinson Crusoe (1719)
William Shakespeare, The Tempest (1610-1611)
Jean Rhys, Wide Sargasso Sea (1966)Secondary:
Ashcroft, Bill et. al., The Empire Writes Back. Routledge, 1989, 2002.
McLeod, John. Beginning Postcolonialism. Manchester University Press, 2000.
Tiffin, Helen. “Post-Colonial Literatures and Counter-Discourse.” Kunapipi 9(3), 1987)
Said, Edward. Orientalism. London: Keegan & Paul, 1978.
Chinua Achebe, Things Fall Apart (1958) and “Racism in Conrad’s Heart of Darkness” (1977)
Charlotte Brönte, Jane Eyre (1847)
Aimé Césaire, Une Tempête (1968)
J. M. Coetzee, Foe (1986)
Joseph Conrad, Heart of Darkness (1899)
Daniel Defoe, Robinson Crusoe (1719)
William Shakespeare, The Tempest (1610-1611)
Jean Rhys, Wide Sargasso Sea (1966)Secondary:
Ashcroft, Bill et. al., The Empire Writes Back. Routledge, 1989, 2002.
McLeod, John. Beginning Postcolonialism. Manchester University Press, 2000.
Tiffin, Helen. “Post-Colonial Literatures and Counter-Discourse.” Kunapipi 9(3), 1987)
Said, Edward. Orientalism. London: Keegan & Paul, 1978.
Zuordnung im Vorlesungsverzeichnis
BA M5
Letzte Änderung: Do 04.07.2024 00:13
Over the last 30 years, the study of postcolonial rewritings of the English canon has attracted considerable attention. This course will focus on the most famous examples, attempting to survey some of the distinctive characteristics of such writing.