Universität Wien
Achtung! Das Lehrangebot ist noch nicht vollständig und wird bis Semesterbeginn laufend ergänzt.

240033 VS Critical Arts: Social Conditions of Exclusion (3.3.6) (2022W)

Prüfungsimmanente Lehrveranstaltung
VOR-ORT

Participation at first session is obligatory!

The lecturer can invite students to a grade-relevant discussion about partial achievements. Partial achievements that are obtained by fraud or plagiarized result in the non-evaluation of the course (entry 'X' in certificate). The plagiarism software 'Turnitin' will be used for courses with continuous assessment.

An/Abmeldung

Hinweis: Ihr Anmeldezeitpunkt innerhalb der Frist hat keine Auswirkungen auf die Platzvergabe (kein "first come, first served").

Details

max. 20 Teilnehmer*innen
Sprache: Englisch

Lehrende

Termine (iCal) - nächster Termin ist mit N markiert

If possible, the course is to be conducted in presence. Due to the respective applicable distance regulations and other measures, adjustments may be made.

Update 26.09.2022: Changed dates!

  • Donnerstag 06.10. 11:30 - 13:00 Seminarraum D, NIG 4. Stock
  • Donnerstag 13.10. 11:30 - 13:00 Seminarraum D, NIG 4. Stock
  • Donnerstag 27.10. 11:30 - 13:00 Seminarraum D, NIG 4. Stock
  • Donnerstag 03.11. 11:30 - 13:00 Seminarraum A, NIG 4. Stock
  • Donnerstag 10.11. 11:30 - 13:00 Seminarraum D, NIG 4. Stock
  • Freitag 11.11. 09:45 - 11:15 Übungsraum (A414) NIG 4. Stock
  • Donnerstag 17.11. 11:30 - 13:00 Seminarraum D, NIG 4. Stock
  • Donnerstag 24.11. 11:30 - 13:00 Seminarraum D, NIG 4. Stock
  • Donnerstag 01.12. 11:30 - 13:00 Seminarraum D, NIG 4. Stock
  • Donnerstag 15.12. 11:30 - 13:00 Seminarraum D, NIG 4. Stock
  • Donnerstag 12.01. 11:30 - 13:00 Seminarraum D, NIG 4. Stock
  • Donnerstag 19.01. 11:30 - 13:00 Seminarraum D, NIG 4. Stock
  • Donnerstag 26.01. 11:30 - 13:00 Seminarraum D, NIG 4. Stock

Information

Ziele, Inhalte und Methode der Lehrveranstaltung

Underpinning an intersectional analysis across race, gender, class, (dis)ability, nationality, etc., the students will read and discuss different forms of texts, addressing key issues in social justice in the context of art and culture. The students will get an in-depth training in analyzing visual material through the lens of social theory, an essential skill to practicing contemporary anthropology and to professional life. The aim is to furthermore introduce students to different ways of writing and styles of narration, in order to assist and guide their own writing process, and foster the development of analytical skills and critical approaches to thinking and writing. The class features regular in-class discussions with the instructor, a group art visit, and a workshop to draft the final papers and practice peer-feedback and review.

Three main learning objectives of the course are:

Intersectionality – students will learn to identify the spectrum of diverse and interconnected social justice issues; differentiate among intersecting axes of inequality;

Analyzing visual material – analyze visual material; identify, describe and interpret visual elements and the material context they are embedded in; compare and contrast visual content and the social context it is operating within;

Academic writing – discuss theoretical concepts and ideas; develop an engaging, consistent and justified argument; compose a coherent and conceptually compelling academic text addressing and responding to current issues in social and cultural anthropology.

Art der Leistungskontrolle und erlaubte Hilfsmittel

Students are required to actively and continuously take part in the in-class discussions, and write a 3000 words final paper in which they discuss a cultural product/artwork of their choice. The paper should demonstrate a substantial visual analysis of the cultural product/artwork deploying the skills and methods acquired and practiced in class. The use of theoretical concepts from the reading list is highly encouraged. In the second half of the semester, an in-class workshop will take place where students can share their draft papers and discuss respective paper topics. Peer-feedback and feedback from the instructor will be exchanged during the workshop to guide the students towards the successful completion of the final paper.

Mindestanforderungen und Beurteilungsmaßstab

To pass the course the students require a minimum of 51% partial credit.

90-100 % = 1
77-89 %= 2
64-76 %= 3
51-63 %= 4
0-50 % = 5

Grade breakdown:

In-class participation 30%
Draft paper and workshop 25%
Final Paper 45%

Prüfungsstoff

Students must demonstrate a thorough understanding of the theory and methods acquired in class; take continuous participation in discussions on the provided reading materials; write an analytically firm and academically coherent text deploying the theory and methods acquired in class.

Literatur

*subject to minor changes*

Ahmed, Sara. 2004. “Affective Economies.” Social Text 22 (2): 117–39.
Anzaldúa, Gloria. 1999. Borderlands/La Frontera: The New Mestiza. 2nd ed. San Francisco: Aunt Lute Books.
Berry, Maya J., Claudia Chávez Argüelles, Shanya Cordis, Sarah Ihmoud, and Elizabeth Velásquez Estrada. 2017. ‘Toward a Fugitive Anthropology: Gender, Race, and Violence in the Field’. Cultural Anthropology 32 (4): 537–65.
Drăgan, Mihaela. 2019. “ROMA FUTURISM MANIFESTO.” Giuvlipen. 2019. https://giuvlipen.com/en/roma-futurism/.
Hill Collins, Patricia. 1991. “4: Mammies, Matriarchs, And Other Controlling Images.” In Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment, 69–96. Perspectives on Gender (Routledge, New York). New York: Routledge.
Keeling, Kara. 2019. “1. ‘It’s after the End of the World (Don’t You Know That Yet?)’: Afrofuturism and Transindividuation.” In Queer Times, Black Futures, 53–80. Sexual Cultures Ser. New York, United States: New York University Press.
Mashile, Lebogang. 2022. “Living in a Woman’s Body: Mama’s War – an Original Poem.” The Guardian, February 16, 2022, sec. Life and style. https://www.theguardian.com/lifeandstyle/2022/feb/16/living-in-a-womans-body-mamas-war-an-original-poem.
Piepzna-Samarasinha, Leah Lakshmi. 2018. Care Work: Dreaming Disability Justice. Vancouver: Arsenal Pulp Press. (excerpts: 15–29; 149–62).
Puar, Jasbir K. 2005. “Queer Times, Queer Assemblages.” Social Text 23: 121–39.
Steyerl, Hito. 2011. “Art as Occupation: Claims for an Autonomy of Life.” E-Flux Journal, no. 30 (December). https://www.e-flux.com/journal/30/68140/art-as-occupation-claims-for-an-autonomy-of-life/.
Vaid-Menon, Alok. 2017. Femme in Public. New York, NY: 8-Ball Community.

Zuordnung im Vorlesungsverzeichnis

Letzte Änderung: Mo 24.10.2022 12:29