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080012 VO+UE B330 Special Methods: Sound Studies: Theories, Methods and Practices (2019S)
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Fr 01.02.2019 08:00 to We 20.02.2019 23:59
- Deregistration possible until Mo 11.03.2019 12:00
Details
max. 50 participants
Language: German, English
Lecturers
Classes (iCal) - next class is marked with N
- Wednesday 06.03. 14:30 - 16:00 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Wednesday 13.03. 14:30 - 16:00 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Wednesday 20.03. 14:30 - 16:00 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Wednesday 27.03. 14:30 - 16:00 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Wednesday 03.04. 14:30 - 16:00 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Wednesday 10.04. 14:30 - 16:00 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Wednesday 08.05. 12:45 - 14:15 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Wednesday 08.05. 14:30 - 16:00 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Wednesday 29.05. 12:45 - 14:15 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Wednesday 29.05. 14:30 - 16:00 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Wednesday 05.06. 14:30 - 16:00 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Wednesday 12.06. 14:30 - 16:00 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Wednesday 26.06. 12:45 - 14:15 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
- Wednesday 26.06. 14:30 - 16:00 Seminarraum 1 (2.Stock, rechts) EE Hanuschgasse
Information
Aims, contents and method of the course
Assessment and permitted materials
Die Lehrveranstaltung ist prüfungsimmanent. Anwesenheitspflicht (2x Fehlen erlaubt)Die Punkte für die PL werden wie folgt vergeben:
* 20 Punkte/points for/für aktive Mitarbeit/active participation
* 30 Punkte/points for/für Übungen/Exercises
* 50 Punkte/points for/für eigenes Soundprojekt (Soundwerk + Begleittext)/Own sound project (Soundwork + short paper)
* 20 Punkte/points for/für aktive Mitarbeit/active participation
* 30 Punkte/points for/für Übungen/Exercises
* 50 Punkte/points for/für eigenes Soundprojekt (Soundwerk + Begleittext)/Own sound project (Soundwork + short paper)
Minimum requirements and assessment criteria
The participants shall get an opportunity to deepen their methodological knowledge and to practice experimental and innovative empirical procedure.
Examination topics
Reading list
Augoyard Jean-François, Torgue Henry, Sonic Experience: A guide to everyday sounds, translated by McCartney Andrea and Paquette David, McGill-Queen's University Press, 2005Chion Michel, Audition and Ergo-Audition:Then and Now, edited by Daniels Dieter, Naumann Sandra, See This Sound, Audiovisuology: A Reader, Ludwig Boltzmann Institute, 2015LaBelle Brandon, Acoustic Territories: Sound Culture and Everyday Life, Bloomsbury Publishing, 2010Oehme-Jüngling Karoline, “Auditive Feldforschung,” Methoden der Kulturanthropologie, herausgegeben von Christine Bischoff, Karoline Oehme-Jüngling, Walter Leimgruber, 351-366. Haupt Bern, 2014Schafer R. Murray, The Soundscape: Our Sonic Environment and the Tuning of the World, Rochester, Vt. : Destiny Books, 1994Voegelin Salomé, Listening to Noise and Silence: Towards a Philosophy of Sound Art, Bloomsbury Publishing, 2010
Association in the course directory
EC 130 Grundlagen Europäischer Ethnologie
Last modified: Mo 07.09.2020 15:31
No practical preknowledge is required.