Universität Wien
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080026 PS Case Study I: The Arts of the Book at the Ottoman, Safavid and Mughal Courts (2020W)

Continuous assessment of course work

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

Language: German

Lecturers

Classes (iCal) - next class is marked with N

Update (2.11.2020): The course will take place online until further notice.

Update (28.9.2020): The class takes place on site at the institute for art history.

First class: 8.10.20

The tutorial takes place from 10:45 to 12:15 and is compulsory.

The class on January 21st 2021 will not take place. Another time slot will be agreed upon with the participants to make up for this class.

  • Thursday 01.10. 09:00 - 10:30 Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
  • Thursday 08.10. 09:00 - 10:30 Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
  • Thursday 15.10. 09:00 - 10:30 Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
  • Thursday 22.10. 09:00 - 10:30 Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
  • Thursday 29.10. 09:00 - 10:30 Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
  • Thursday 05.11. 09:00 - 10:30 Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
  • Thursday 12.11. 09:00 - 10:30 Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
  • Thursday 19.11. 09:00 - 10:30 Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
  • Thursday 26.11. 09:00 - 10:30 Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
  • Thursday 03.12. 09:00 - 10:30 Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
  • Thursday 10.12. 09:00 - 10:30 Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
  • Thursday 17.12. 09:00 - 10:30 Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
  • Thursday 07.01. 09:00 - 10:30 Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
  • Thursday 14.01. 09:00 - 10:30 Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
  • Thursday 28.01. 09:00 - 10:30 Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07

Information

Aims, contents and method of the course

The course provides an introduction to the arts of the book at the Ottoman, Safavid and Mughal Courts. The Ottomans, the Safavids and the Mughals are the most important Muslim dynasties of the Early Modern Period. The centre of the Ottoman Empire lay in a region that corresponds to modern-day Turkey, while the Safavid Empire was centred around what is today Iran. The Mughals for their part ruled over a significant part of the Indian subcontinent.
Books were prestigious objects for all three dynasties. Their special status is evident in the care and costliness of their decoration. The binding of a luxury manuscript is the first thing one sees. Thus, the binding’s design is given special attention in the production process. Bindings from Islamic cultures have a different structure from European ones. This point will be discussed at the beginning although the main focus lies on the bindings’ ornamentation. The various materials and techniques employed to decorate bindings will be studied using Ottoman and Safavid examples.
Several other topics will be discussed in the course of the semester: decorated papers (ex: marble paper), illumination, decorative borders, calligraphy and other artworks made with paper. The examples are taken from princely albums for these discussion points. Artworks were collected and set in decorative borders in the early modern period, creating codices that are referred to as albums in Islamic Art History.

Students are expected to attend the tutorial which goes with this course. The tutorial introduces students to academic research and to academic writing.

The main aims of the course are:
-to impart the basic principles of academic research
-to practise presenting one’s research coherently
-to foster critical reading of scholarly literature

Describing, analysing and interpreting art works is practised with the help of short assignments, a presentation and a final paper. By reading and discussing texts together, the class trains critical thinking. At the same time, the course provides students with foundations in codicology and in the arts of the book under the most important Muslim dynasties of the early modern period. Students are also taught the principles of academic research.

Assessment and permitted materials

- active participation in discussions
- 15-minute presentation including a handout
- written assignments and final paper (15.000-20.000 characters for the main text of the paper)
- By enrolling in this course you agree that the written work handed in in moodle be automatically checked for plagiarism by the software Turnitin.

Minimum requirements and assessment criteria

Minimum requirements:
- Attendance is required. A certificate should be sent to the lecturer in case of illness or family emergencies. If a tutorial session is missed, it must be made up for.
- It is a prerequisite that students complete all the partial requirements to pass this course. The final paper must comply with the citation rules of the Institute for Art History.
- Participants are expected to be able to use scholarly literature both in German and in English.

Course assessment:
- active participation in discussions 15%
- 15-minute presentation and handout 30 %
- written assignments and final paper 55%

Grading scheme for the overall grade for the course:
100 - 87 points = 1, "very good"
86 - 75 points = 2, "good"
74 - 63 points = 3, "satisfactory"
62 - 50 points = 4, "sufficient"
49 - 0 points = 5, "insufficient"
No grade = X, "not graded"

Examination topics

Reading list

François Déroche, Islamic Codicology: An Introduction to the Study of Manuscripts in Arabic Script, London 2006.
Adam Gacek, Arabic Manuscripts: A Vademecum for Readers, Leiden 2009.
Janina Karolewski and Yavuz Köse (eds.), Ausstellungskatalog “Wunder der erschaffenen Dinge: osmanische Manuskripte in Hamburger Sammlungen” : anlässlich der Ausstellung “Wunder der erschaffenen Dinge: osmanische Manuskripte in Hamburger Sammlungen” in der Staats- und Universitätsbibliothek Hamburg vom 15. September 2016 bis 30. Oktober 2016, in: Manuscript cultures, 9, 2016.
Elaine Wright, The Look of the Book: Manuscript Production in Shiraz, 1303 – 1452, Seattle 2013.

Association in the course directory

Last modified: Mo 02.11.2020 14:48