080059 UE Women Art Collectors: Modernity, Fashion and Taste (2010S)

Selected bibliography (full list included with syllabus at the semesterapparat):
Achenbaum, Andrew W., "The Spiritual Lanscapes of Dominique de Menil," in: Journal of Religion, Spirituality and Aging, University of Houston, Houston, Vol. 21, Issue 3, July 2009, 145-158.
Alpern, Sara (ed.,) The Challenge of Feminist Biography, Urbana: University of Illinois Press, 1992 (Lois Rudnick, „The Male-Identified Woman and Other Anxieties: The Life of Mabel Dodge Luhan“) (ONB, OBW Geschichtswissenschaft)
Altschuler, Bruce (ed.,) Museums of Contemporary Art – Collecting the New, Princeton, 2005.
Barr, Alfred & Jerome Klein, The Lillie P. Bliss Collection, New York, MOMA, 1934.
Barter, Judith, Mary Cassatt: Modern Woman, New York: Abrams, 1998.
Bay-Cheng, Sarah, Mama Dada: Gertrude Stein’s Avant-Garde Theater, New York and London, Routledge, 2004 (UBW)
Bayer, Waltraud, "Im Schatten der Erinnerung: Kunstsammlerinnen in der Sowjetunion, 1917-1991," in: Österreichische Osthefte, 3-4/2003, 447-467.
Beauvoir, Simone de, The Second Sex, London: Pan Books, 1988.
Belk, Russell W., Collecting in a Consumer Society, London: Routledge, 1995. (UBW)
Belk, Russell W., and Melanie Wallendorf, "'of Mice and Men': Gender Identity in Collecting," in: The Material Culture of Gender/ The Gender of Material Culture, Katherine Martinez and Kenneth L. Ames (eds.,) Winterthur, DE: Henry Francis du Pont Winterthur Museum, 1997 (Angewandte)
Belmont, Eleanor in Memorial Exhibition: The Collection of the Late Miss Lillie P. Bliss, Vice-President of the Museum. New York, Museum of Modern Art, 1931.
Bergmann, Ulrike, "Das Bild von Gertrude Stein von Picasso. Picassos Porträt und Steins Frage nach der Autorschaft" in: Hoffmann-Curtius, Kathrin (ed.,) Mythen von Autorschaft und Weiblichkeit im 20. Jahrhundert, Marburg: Junas-Verlag, 1997 (UBW, Angewandte)
Berman, Avis, Rebels on the Eighth Street, Juliana Force and the Whitney Museum of Art, New York: Atheneum Press, 1990 (Kunstgeschichte Institute)
Biddle, Flora Miller, The Whitney Women and the Museum They Made: A Family Memoir, Arcade Publishing, 1999
Biedermann, Heike, Von Monet bis Mondrian: Meisterwerke der Moderne aus Dresdner Privatsammlungen der ersten Hälfte des 20. Jahrhunderts, München: Deutscher Kunstverlag, 2006.
(Ida Bienert, Akademie)
Bilski, Emily and Emily Braun (ed.,) Jewish Women and their Salons: The Power of Conversation, Yale University Press, 2005; (Angewandte, Judaistik)
Bloom, Harold, Gertrude Stein, New York, 1986. (Salzburg University)
Borcherdt, Gesine and Silke Hohmann, "Ingvild Goetz und Julia Stoscheck: Zwei Generationen, eine Leidenschaft," in: Monopol, 6/2007, 80-89.
Brentzel, Marianne, Ute Ruscher, "Ich habe mich geirrt. Was soll's," Margherita Sarfatti Jüdin, Mäzenin, Faschistin, Zürich: Atrium Verlag, 2009.
Calas, Nicolas, The Peggy Guggenheim Collection of Modern Art, New York; Rizzoli, 2001 (ONB)
Clifford, James, "Collecting Ourselves,"in: Idem, The Predicament of Cutlure, Harvard Uni Press, 2002 (Akademie der bildenden Künste, Germanistik)
Clifford, Marie J., "Helena Rubinstein's Beauty Salons, Fashion, and Modernist Display,"Winterthur Portfolio, Vol. 38, No. 2/3, Summer – Autumn, 2003, 83-108. (Jstor)
Csikszentmihalyi, Mikhail and Eugene Rochberg-Halton, The Meaning of Things: Domestic Symbols and the Self, Cambridge: Cambridge University Press, 1981. (Angewandte, TU, UBW, Soziologie)
Danet, Brenda and Tamar Katriel, "Glorious Obsessions, Passionate Lovers, and Hidden Treasures: Collecting, Metaphor, and the Romantic Ethic,"in: Stephen Harold Riggins (ed.,) The Socialness of Things: Essay on the Socio-Semiotics of Objects, Berlin: Mouton deGryber, 1994, 23-61.
Davidson, Susan (ed.,) Peggy Guggenheim & Frederick Kiesler, Ostfildern-Ruit: Katje, 2004. (UBW, Kunstgeschichte, MAK, Angewandte)
Dearborn, Mary V., Mistress of Modernism: the Life of Peggy Guggenheim, Boston: Houg