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080065 UE Course: Exhibiting Egon Schiele. Backstage (2024W)
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Mo 02.09.2024 10:00 to Mo 09.09.2024 10:00
- Registration is open from Fr 13.09.2024 10:00 to Fr 20.09.2024 10:00
- Deregistration possible until We 09.10.2024 10:00
Details
Language: German
Lecturers
Classes (iCal) - next class is marked with N
02.10.2024: Egon Schiele Museum Tulln, Donaulände 28, 3430 Tulln, Meeting point on the forecourt.
06.11.2024: Oberes Belvedere, Prinz Eugen-Straße 27, 1030 Wien, Meeting point entrance area. Attention: changed meeting point!
13.11.2024: Wien Museum, Karlsplatz 8, 1040 Wien, Meeting point foyer.
04.12.2024: Leopold Museum, Museumsplatz 1, 1070 Wien, Meeting point foyer.
11.12.2024: Albertina, Albertinaplatz 1, 1010 Wien, Meeting point foyer.
- Wednesday 02.10. 12:45 - 17:15 Ort in u:find Details
- Wednesday 23.10. 14:15 - 17:15 Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
- Wednesday 06.11. 14:15 - 15:45 Ort in u:find Details
- Wednesday 13.11. 14:15 - 15:45 Ort in u:find Details
- Wednesday 20.11. 14:15 - 15:45 Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
- Wednesday 27.11. 14:15 - 15:45 Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
- Wednesday 04.12. 14:15 - 15:45 Ort in u:find Details
- Wednesday 11.12. 14:15 - 15:45 Ort in u:find Details
- Wednesday 08.01. 14:15 - 17:15 Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
- Wednesday 15.01. 14:15 - 15:45 Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
- N Wednesday 29.01. 14:15 - 15:45 Seminarraum 1 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-07
Information
Aims, contents and method of the course
Assessment and permitted materials
Attendance is required (two units may be missed without excuse)
Presentation of the core arguments and content of two texts (40 %)
Regular and active participation in the discussions (30 %)
Written thesis (30 %)
Presentation of the core arguments and content of two texts (40 %)
Regular and active participation in the discussions (30 %)
Written thesis (30 %)
Minimum requirements and assessment criteria
Minimum requirements and assessment standard:
- Compulsory attendance. In the event of absence due to illness or exceptional family circumstances, written proof must be submitted.
- Regular attendance and reading of all texts covered.
- Completion of a presentation and a written thesis in accordance with the standards of good scientific practice.Grading scale:
1 (very good) 100-90 points; 2 (good) 89-81 points; 3 (satisfactory) 80-71 points; 4 (sufficient) 70-61 points; 5 (insufficient) 60-0 points
- Compulsory attendance. In the event of absence due to illness or exceptional family circumstances, written proof must be submitted.
- Regular attendance and reading of all texts covered.
- Completion of a presentation and a written thesis in accordance with the standards of good scientific practice.Grading scale:
1 (very good) 100-90 points; 2 (good) 89-81 points; 3 (satisfactory) 80-71 points; 4 (sufficient) 70-61 points; 5 (insufficient) 60-0 points
Examination topics
Prüfungsstoff ist der Inhalt der Lehrveranstaltung.
Reading list
- Christian Bauer (Ed.), Egon Schiele. Almost a Lifetime, Munich 2015
- Elisabeth Dutz, Schiele und die Folgen, Wien 2021
- Jane Kallir, Egon Schiele: The Complete Works. Including a Biography and a Catalogue Raisonné. With an Essay by Wolfgang G. Fischer,
New York-Milano-Amsterdam-Madrid-London 1990
- Rudolf Leopold, Egon Schiele. Gemälde, Aquarelle, Zeichnungen, (Erstausgabe Salzburg 1972), überarbeitete, von Elisabeth Leopold
herausgegebene 2. Ausgabe, München 2021
- Tobias G. Natter, Die Welt von Klimt Schiele und Kokoschka Sammler und Mäzene, Köln 2003
- Renée Price (Ed.), Egon Schiele. The Ronald S. Lauder and Serge Sabarsky Collections, München-Berlin-London-New York 2005
- Stella Rollig, Kerstin Jesse (Ed.), Egon Schiele. The Making of a Collection , München 2018
- Elisabeth Dutz, Schiele und die Folgen, Wien 2021
- Jane Kallir, Egon Schiele: The Complete Works. Including a Biography and a Catalogue Raisonné. With an Essay by Wolfgang G. Fischer,
New York-Milano-Amsterdam-Madrid-London 1990
- Rudolf Leopold, Egon Schiele. Gemälde, Aquarelle, Zeichnungen, (Erstausgabe Salzburg 1972), überarbeitete, von Elisabeth Leopold
herausgegebene 2. Ausgabe, München 2021
- Tobias G. Natter, Die Welt von Klimt Schiele und Kokoschka Sammler und Mäzene, Köln 2003
- Renée Price (Ed.), Egon Schiele. The Ronald S. Lauder and Serge Sabarsky Collections, München-Berlin-London-New York 2005
- Stella Rollig, Kerstin Jesse (Ed.), Egon Schiele. The Making of a Collection , München 2018
Association in the course directory
Last modified: We 06.11.2024 12:25
The artist is ideally suited to raise questions about concepts, provenance and restitution processes, insurance and private and public collections. It is about dealing with a glorious chapter of art that has long since become one of Austria's main exports.