Universität Wien
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080106 EX Viennese Art (2020S)

Sakralensembles des Spätmittelalters in Wien: Räume, Bildmedien, Liturgie

Continuous assessment of course work

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

max. 20 participants
Language: German

Lecturers

Classes (iCal) - next class is marked with N

Group A:
13, 14, 15 July: daily 13:00-17:00
Meeting point: Stephansdom, Riesentor

Group B:
16 July: 10:00-13:00, 14:00-17:00; meeting point: Michaelerkirche
17 July: 13:00-17:00; meeting point: Maria am Gestade

*** Please note that this course will follow the university's rules for events during the pandemic***:
- A distance of 1 m must be maintained between participants
- All participants must bring a mouth-nose mask
- Crowding around art works is to be avoided
- Headsets are to be used (provided by the university)

  • Tuesday 21.04. 14:00 - 15:30 Seminarraum 4 d. Inst. f. Kunstgeschichte (1. Stock) UniCampus Hof 9 3F-O1-27

Information

Aims, contents and method of the course

Sacred Ensembles of Late Medieval Vienna:
Spaces, Imagery, Liturgy

As a princely seat and commercial hub, Vienna's status as a leading art centre in late medieval Central Europe was secure. In the fourteenth and fifteenth centuries, its wealthy elite financed the remodelling or complete rebuilding of all its principal churches and public buildings. This course addresses the most important sacred projects of the period – particularly the ongoing building and manifold remodellings of St Stephen’s as a city church, princely mausoleum, and seat of a collegiate chapter and then bishopric. Analysis of the well-preserved spatial and visual media of this and other Viennese churches will offer insights into processes of creation and reception, and bring us closer to the perspectives of patrons, artists, and congregations.

Assessment and permitted materials

Performance is assessed in the course of the semester on the basis of written work, presentations, and contributions to discussions.

Minimum requirements and assessment criteria

Compulsory attendance
Written work (20%)
Presentations (50%)
Contributions to discussions (30%)

Examination topics

See above

Reading list

J. J. Böker, Der Wiener Stephansdom. Architektur als Sinnbild für das Haus Österreich, (Salzburg, 2007)
Geschichte der bildenden Kunst in Österreich:
- Gotik (Hg. Gunther Brucher, München u.a. 2000)
- Spätmittelalter und Renaissance (Hg. Artur Rosenauer, München u.a. 2003)
R. Perger und W. Brauneis, Die mittelalterlichen Kirchen und Klöster Wiens, (Wien, 1977)
B. Schedl, St. Stephan in Wien. Der Bau der gotischen Kirche (1200-1500), (Wien 2018)

Association in the course directory

Last modified: Mo 07.09.2020 15:20