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080110 SE Seriality and Innovation in Early Netherlandish Manuscript Illumination and Panel Painting (2023W)
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Mo 18.09.2023 10:00 to Mo 25.09.2023 10:00
- Deregistration possible until Su 08.10.2023 10:00
Details
Language: German
Lecturers
Classes (iCal) - next class is marked with N
Die Sitzung am 13. 10. 2023 fällt krankheitsbedingt aus!
- Friday 06.10. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Friday 13.10. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Friday 20.10. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Friday 27.10. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Friday 03.11. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Friday 10.11. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Friday 17.11. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Friday 24.11. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Friday 01.12. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Friday 15.12. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Friday 12.01. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Friday 19.01. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
- Friday 26.01. 16:00 - 17:30 Seminarraum 3 d. Inst. f. Kunstgeschichte UniCampus Hof 9 3F-EG-25
Information
Aims, contents and method of the course
The starting point and focus of the course are the extensive productions of illuminated books of both the southern and northern Netherlands, which are outstanding in terms of quality and quantity. To this day, the works present us with problems when it comes to the determination of their time and place of origin or their attribution to a certain atelier. The first two points in particular can now be investigated under completely new conditions thanks to the increasing accessibility of illuminated manuscripts in the form of full digital copies available online. This will be attempted in the course. The primary aim is to define advances in the way selected elements (for example, landscape with river, urban space, weather phenomena, seafaring, peasant life, means of transportation, men's fashion, furniture) were depicted on the way from the expressive and focused miniatures of the late fourteenth century to the atmospheric works with their richness of detail in the early sisteenth century. The extent to which shifts/intensifications of meaning or changes in the visual function of the elements may be observed can be another topic. The juxtaposition with examples of panel painting serves above all to raise the question of the developmental relationship between the two media.
Assessment and permitted materials
- active contribution to discussions
- presentation (20 minutes)
- In-depth study in the form of a written paper (approximately 40,000 characters of continuous text).
By registering for this course, you agree that the automated plagiarism checking software Turnitin will check all written submissions you make in moodle.
- presentation (20 minutes)
- In-depth study in the form of a written paper (approximately 40,000 characters of continuous text).
By registering for this course, you agree that the automated plagiarism checking software Turnitin will check all written submissions you make in moodle.
Minimum requirements and assessment criteria
- Mandatory attendance. In case of absence due to illness or exceptional family situation, written proof must be submitted.
- For a positive completion of the course, all parts must be completed.
- Seminar paper: In order to ensure good scientific practice, the lecturer may invite students to a grade-relevant discussion after submission of the paper, which must be completed positively.Evaluation:
- active participation in discussions 15%
- oral presentation 30%
- Consolidation in the form of a written paper 55%.Grading scale:
1 (very good) 100-90 points; 2 (good) 89-81 points; 3 (satisfactory) 80-71 points; 4 (sufficient) 70-61 points; 5 (insufficient) 60-0 points.
- For a positive completion of the course, all parts must be completed.
- Seminar paper: In order to ensure good scientific practice, the lecturer may invite students to a grade-relevant discussion after submission of the paper, which must be completed positively.Evaluation:
- active participation in discussions 15%
- oral presentation 30%
- Consolidation in the form of a written paper 55%.Grading scale:
1 (very good) 100-90 points; 2 (good) 89-81 points; 3 (satisfactory) 80-71 points; 4 (sufficient) 70-61 points; 5 (insufficient) 60-0 points.
Examination topics
The examination subject matter is the content of the course.
Reading list
Specialized vocabulary for book illumination: Christine Jakobi-Mirwald, Buchmalerei. Terminologie in der Kunstgeschichte. Berlin 2008 (dritte, überarbeitete und erweiterte Auflage)
Association in the course directory
Last modified: Fr 13.10.2023 12:47