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120011 VO Approaching Cultural Studies (2024S)
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Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
Details
Language: English
Examination dates
- Monday 24.06.2024 13:15 - 14:45 Hörsaal C1 UniCampus Hof 2 2G-O1-03
- Friday 11.10.2024 15:00 - 16:30 Hörsaal A UniCampus Zugang Hof 2 2F-EG-32
- Friday 15.11.2024 15:00 - 16:30 Hörsaal A UniCampus Zugang Hof 2 2F-EG-32
- Friday 24.01.2025 15:00 - 16:30 Hörsaal A UniCampus Zugang Hof 2 2F-EG-32
Lecturers
Classes (iCal) - next class is marked with N
- Monday 11.03. 13:15 - 14:45 Hörsaal C1 UniCampus Hof 2 2G-O1-03
- Monday 18.03. 13:15 - 14:45 Hörsaal C1 UniCampus Hof 2 2G-O1-03
- Monday 08.04. 13:15 - 14:45 Hörsaal C1 UniCampus Hof 2 2G-O1-03
- Monday 15.04. 13:15 - 14:45 Hörsaal C1 UniCampus Hof 2 2G-O1-03
- Monday 22.04. 13:15 - 14:45 Hörsaal C1 UniCampus Hof 2 2G-O1-03
- Monday 29.04. 13:15 - 14:45 Hörsaal C1 UniCampus Hof 2 2G-O1-03
- Monday 06.05. 13:15 - 14:45 Hörsaal C1 UniCampus Hof 2 2G-O1-03
- Monday 13.05. 13:15 - 14:45 Hörsaal C1 UniCampus Hof 2 2G-O1-03
- Monday 27.05. 13:15 - 14:45 Hörsaal C1 UniCampus Hof 2 2G-O1-03
- Monday 03.06. 13:15 - 14:45 Hörsaal C1 UniCampus Hof 2 2G-O1-03
- Monday 10.06. 13:15 - 14:45 Hörsaal C1 UniCampus Hof 2 2G-O1-03
- Monday 17.06. 13:15 - 14:45 Hörsaal C1 UniCampus Hof 2 2G-O1-03
Information
Aims, contents and method of the course
Assessment and permitted materials
In ON-SITE condition (= exam in classroom)
final 90-minute written examination
6 questions
final 90-minute written examination
6 questions
Minimum requirements and assessment criteria
FINAL WRITTEN EXAM (see above)
Onsite exam: No supportive sources allowed (= no dictionaries, scripts)
Regular Attendance of the lecture HIGHLY RECOMMENDED!!
Onsite exam: No supportive sources allowed (= no dictionaries, scripts)
Regular Attendance of the lecture HIGHLY RECOMMENDED!!
Examination topics
A guidelines-file & a questionnaire for preparation for the final exam will be available by mid-term. Detailed info in the lecture!
Reading list
Primary Reading:
Hebdige, D. “Posing Threats… Striking Poses” (1983)
Ginsberg, A. "HOWL" (1958) - Poem/Beats
Secondary Sources:
Hebdige, D Subculture: The Meaning of Style. (1979)
Storey, John. Cultural Studies and Popular Culture. (1988)
Longhurst, Brian. Introducing Cultural Studies. (2008)
Hall,Stuart. Representation. Cultural Representation and Signifying Practices. (1997)
Struken, Marita & Lisa Cartwright. Practices of Looking. (2001)
Gelder, K. (Ed.) The Subcultures Reader. (2005)
Haenfler, R. Subcultures: The Basics. (2013)Text-excerpts, abstracts, and quotes from & references to the sources above (and others included in the lecture) will be available on the PPTs for individual lectures + accessible via links on moodle in specific sections.
Hebdige, D. “Posing Threats… Striking Poses” (1983)
Ginsberg, A. "HOWL" (1958) - Poem/Beats
Secondary Sources:
Hebdige, D Subculture: The Meaning of Style. (1979)
Storey, John. Cultural Studies and Popular Culture. (1988)
Longhurst, Brian. Introducing Cultural Studies. (2008)
Hall,Stuart. Representation. Cultural Representation and Signifying Practices. (1997)
Struken, Marita & Lisa Cartwright. Practices of Looking. (2001)
Gelder, K. (Ed.) The Subcultures Reader. (2005)
Haenfler, R. Subcultures: The Basics. (2013)Text-excerpts, abstracts, and quotes from & references to the sources above (and others included in the lecture) will be available on the PPTs for individual lectures + accessible via links on moodle in specific sections.
Association in the course directory
Studium: EC 124;
Lehrinhalt: 12-0272
Lehrinhalt: 12-0272
Last modified: We 13.11.2024 16:45
Major Topics:
Historical development of "Culture"
CCCS-concepts of "culture"
Concepts of "folk-culture"
Storey's definitions of Popular Culture
Development of "popular culture"/mass-culture in Modernism & Postmodernism
Postmodern capitalist consumer-culture (perspectives: Marxism, Frankfurt-School, pop-art)
Cultural Icons
Concepts of Subculture & Counter-culture: Historical development, theoretical approaches; example: The Beats (1950s) - Ginsberg "Howl"
- Gendered, Sexed, and Racialized Cultural Concepts of "the Other"We will especially look at meaning making in the production and consumption of cultural artifacts, investigate the dynamics of representation, power and knowledge, and relate these issues to questions of constructions of "race"(vs ethnicity), gender and class. Theoretical models and perspectives will be constantly grounded in practical examples, focused on but not limited to visual cultural material.