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120043 AR Literature Course (interactive) - American/North American Lit./Studies (2011S)
"And Then the Child Becomes a Woman": Female Initiation in American Fiction, 1865-2010
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Mo 07.02.2011 00:00 to Su 20.02.2011 23:59
- Registration is open from We 23.02.2011 00:00 to Tu 01.03.2011 23:59
- Deregistration possible until Th 31.03.2011 23:59
Details
max. 30 participants
Language: English
Lecturers
Classes (iCal) - next class is marked with N
- Wednesday 09.03. 15:00 - 16:30 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 16.03. 15:00 - 16:30 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 23.03. 15:00 - 16:30 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 30.03. 15:00 - 16:30 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 06.04. 15:00 - 16:30 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 13.04. 15:00 - 16:30 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 04.05. 15:00 - 16:30 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 11.05. 15:00 - 16:30 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 18.05. 15:00 - 16:30 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 25.05. 15:00 - 16:30 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 01.06. 15:00 - 16:30 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 08.06. 15:00 - 16:30 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 15.06. 15:00 - 16:30 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 22.06. 15:00 - 16:30 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
- Wednesday 29.06. 15:00 - 16:30 Helene-Richter-Saal UniCampus Hof 8 3G-EG-21
Information
Aims, contents and method of the course
In Oscar Wilde's play A Woman of No Importance (1893), the character Lord Illingworth remarks laconically: "The youth of America is their oldest tradition. It has been going on now for three hundred years." And even today, this aphorism does not seem to have lost its relevance. It comes as no surprise, then, that a nation which for centuries was perceived, and stylized itself, as the epitome of newness and youthfulness was also preoccupied with this issue in its cultural products. The coming-of-age of adolescents has thus always been one of the major themes of American literature. Alcott's Jo March, Twain's Huck Finn, Hemingway's Nick Adams, and Salinger's Holden Caulfield are only a few of the myriad of American Adams and Eves that populate the novel and the short story. Contemporary fiction still features the adolescent and the rite-de-passage in new takes on genres such as the novel of development and the story of initiation. This class will trace the development of the literature of "becoming" in the United States from its origins in the 19th century until today. The focus will be specifically on female initiation, as the gender aspects of the literary rite of passage have long been subject to scholarly neglect. Discussions of instances of the genre from the 19th and the 20th century will provide the grounding for the analysis of a number of recent additions to the field. Time and availability permitting, screenings and discussions of filmic adaptations of some of the assigned and further texts such as Little Women, Girl, Interrupted, Smooth Talk, The Virgin Suicides or The Lovely Bones might also be included. Additionally, one class meeting might partly be dedicated to the discussion of the cultural implications of TV-shows such as My So-Called Life, Veronica Mars and Gossip Girl.
Assessment and permitted materials
Regular attendance; active in-class participation; reading assignments; oral presentation of one of the assigned texts, accompanied by a ppt presentation and a comprehensive handout; guiding an in-class discussion of one of the assigned texts; research paper (5-6 pp.).
Minimum requirements and assessment criteria
Students will become acquainted with one of the oldest traditions in American literature and receive an overview of the development of the genres of the story of initiation and the novel of development over the last 150 years.
Examination topics
Theoretical introduction by the lecturer; oral presentations by students, based on ppt presentations and handouts; close readings and critical analysis of the texts; forum discussion; additional screening and discussion of filmic adaptations and TV-shows; moodle.
Reading list
Louisa May Alcott, Little Women (1868)*; Sarah Orne Jewett, "Farmer Finch" (1885)*, "A White Heron" (1886)*; Kate Chopin, "Wiser Than a God" (1889)*; Mary E. Wilkins Freeman, "Louisa" (1891)*; Katherine Anne Porter, "The Grave" (1935); Carson McCullers, "Wunderkind" (1936); Katherine Anne Porter, "Old Mortality" (1938); Eudora Welty, "Moon Lake" (1949); Flannery O'Connor, "Good Country People" (1955); Joyce Carol Oates, "How I Contemplated the World from the Detroit House of Correction and Began My Life Over Again" (1969); Susanna Kaysen, Girl, Interrupted (1993); Alice Sebold, The Lovely Bones (2002); and Lorrie Moore, A Gate at the Stairs (2008). The assigned texts will be discussed in the given, chronological order. Students who plan to attend this class should make sure they have read the texts marked with an asterisk before the beginning of the term. For Alcott's Little Women, please use the Penguin Classics edition, edited by Elaine Showalter. You may use any available editions of the other novels. Most of the short stories can be found in the following editions: Jewett, Sarah Orne. A White Heron and Other Stories (Mineola: Dover, 1999); Porter, Katherine Anne. The Collected Stories of Katherine Anne Porter (San Diego: Harcourt Brace Jovanovich, 1981); McCullers, Carson. Collected Stories (Boston: Houghton Mifflin, 1987); Welty, Eudora. The Collected Stories of Eudora Welty (New York: Harcourt Brace Jovanovich, 1980); O'Connor, Flannery. The Complete Stories (New York: Farrar, Straus and Giroux, 1972); and The Norton Anthology of Short Fiction. Ed. Richard Bausch and R. V. Cassill (New York: Norton, 72006). Jewett's "Farmer Finch," Chopin's "Wiser Than a God," and Freeman's "Louisa" can be found online.
Association in the course directory
Studium: Diplom 343, UF 344, MA 844;
Code/Modul: 323-325, 325, 326/328, 336/338, 721-723, MA5, MA7;
Lehrinhalt: 12-0315
Code/Modul: 323-325, 325, 326/328, 336/338, 721-723, MA5, MA7;
Lehrinhalt: 12-0315
Last modified: We 09.09.2020 00:22