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120132 AR Literature Course (Interactive) = Literature 1/2 (MA) American/North American Lit./Studies (2010S)
"Utopias and Dystopias"
Continuous assessment of course work
Labels
Diese LVA gilt für das Masterstudium Anglophone Literatures and Cultures nach UG2002, das Diplomstudium (UniStG) und das Lehramt UF Englisch (UniStG).
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from We 10.02.2010 06:00 to We 17.02.2010 23:59
- Registration is open from Sa 20.02.2010 10:00 to Th 04.03.2010 16:00
- Deregistration possible until We 31.03.2010 23:59
Details
max. 30 participants
Language: English
Lecturers
Classes (iCal) - next class is marked with N
- Thursday 11.03. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Thursday 18.03. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Thursday 25.03. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Thursday 15.04. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Thursday 22.04. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Thursday 29.04. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Thursday 06.05. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Thursday 20.05. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Thursday 27.05. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Thursday 10.06. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Thursday 17.06. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
- Thursday 24.06. 16:00 - 18:00 Raum 5 Anglistik UniCampus Hof 8 3E-O1-17
Information
Aims, contents and method of the course
Assessment and permitted materials
regular attendance and active participation in class, oral presentation and submission of a short essay (10 to 15 pages) on the topic chosen or assigned, two short session reports (2 pages each).
Minimum requirements and assessment criteria
to introduce students to a very productive form in North America with antecedents in ancient and Humanist thought which reveals much about perennial hopes about the New World but also about disappointments and well-founded fears considering the possible extrapolation from contemporary trends.
Examination topics
interactive class, introductory lecture, presentations by participants and discussions
Reading list
A Reader with excerpts from various utopian texts will be provided. Participants in the course are also expected to acquire paperback copies of the texts by Atwood, Bellamy, Bradbury, Callenbach, and More (Utopia) available, for instance, at Facultas, Uni-Campus, Courtyard 1.
Association in the course directory
Diplom 343, UF 344, MA 844
LI 12-0191, SPCode 325, 323-325, 326/328, 336/338, 426/428, 436/438, 526/528, 721-723 / M05, M07
LI 12-0191, SPCode 325, 323-325, 326/328, 336/338, 426/428, 436/438, 526/528, 721-723 / M05, M07
Last modified: Mo 07.09.2020 15:33
The 19th century saw both the attempted realization of such projects in North America ranging from ascetic communities (such as the Shakers) to notorious communes. The century also witnessed the gradual substitution of the location of such alternative societies in time rather than in space.
The interactive course will provide an opportunity to study the perennial human desire to find or construct such alternative societies and to relate these attempts to the growing awareness of social problems in urban North America and the desire for social and technological improvements but also to various political trends.
Among the texts to be considered will be Edward Bellamy's Looking Backward, 2000-1887, W. F. Skinner, Walden Two, Ernest Callenbach, Ecotopia, Ray Bradbury's Fahrenheit 451. Additional texts by Kurt Vonnegut (Cat's Cradle), Walker Percy (The Thanatos Syndrome), and Margaret Atwood (Oryx and Crake) will illustrate this genre which is earlier represented by Ignatius Donelly, Caesar's Column, and classic dystopias such as Aldous Huxley's Brave New World, George Orwell, 1984, and Jewgenij Samjatin, My. The latter texts mirror the emergence of a genre which extrapolates from undesirable trends and tendencies in contemporaneous societies and often include the depiction of post-nuclear worlds and spaces following an ecological disaster.