Warning! The directory is not yet complete and will be amended until the beginning of the term.
124080 VK BEd 08a.3: VK Literature and Language Education (2024W)
Poetry off the Page
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Mo 09.09.2024 12:00 to Mo 23.09.2024 12:00
- Deregistration possible until Th 31.10.2024 23:59
Details
max. 25 participants
Language: English
Lecturers
Classes (iCal) - next class is marked with N
- Thursday 10.10. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Thursday 17.10. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Thursday 24.10. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Thursday 31.10. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Thursday 07.11. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Thursday 14.11. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Thursday 21.11. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Thursday 28.11. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Thursday 05.12. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Thursday 12.12. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Thursday 09.01. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Thursday 16.01. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- N Thursday 23.01. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Thursday 30.01. 12:15 - 13:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Information
Aims, contents and method of the course
Assessment and permitted materials
Active participation (regular attendance; participation in class discussions of set readings); written tasks (bibliography, abstract, lesson plans, reflection task), oral presentation of term paper; BEd thesis or term paper.
Minimum requirements and assessment criteria
Active participation = 15%
Oral presentation = 15%
Lesson plans & reflection task = 15%
Bibliography & abstract = 5%
BEd paper/ term paper = 50%
You need to complete and pass all individual requirements to complete the course.
Marks:
1 (very good): 90-100
2 (good): 80-89
3 (satisfactory): 70-79
4 (pass): 60-69
5 (fail): 0-59
Oral presentation = 15%
Lesson plans & reflection task = 15%
Bibliography & abstract = 5%
BEd paper/ term paper = 50%
You need to complete and pass all individual requirements to complete the course.
Marks:
1 (very good): 90-100
2 (good): 80-89
3 (satisfactory): 70-79
4 (pass): 60-69
5 (fail): 0-59
Examination topics
There will be no written exam. Participants are expected to study set materials and additional secondary/theory sources, take active part in class discussions, produce a ppt presentation for the mini conference, and hand in assignments on time.
Reading list
Poetry and songs by
- Billie Holiday, Adrian Mitchell, John Hegley, U2, Patricia Smith, Kat Francois, Ray Antrobus, Chris White, Brenna Twohy, Taylor Mali, Beau Sia, Ty’rone Haughton, and others.
Extracts from theory and critical literature, including
- Aptowicz, Cristin O'Keefe. “Funny Poetry Gets Slammed: Humor as Strategy in the Poetry Slam Movement.” Humor (Berlin, Germany), vol. 22, no. 3, 2009, pp. 381–93.
- Coppola, Manuela, "Spelling out Resistance Dub Poetry and Typographic Creativity", Post-colonial Creativity: Language, Politics and Aesthetics, Vol 17 No 2 (2013), p. 7-18
- Eckstein, Lars. Reading Song Lyrics. Rodopi, 2010.
- English, Lucy, and Jack McGowan, eds. Spoken Word in the UK. Routledge, 2021.
- Larkin, Steve. “Suffering Fools: The Survival and Adaptation of British Absurd, Comic, and Satirical Traditions in the Era of Poetry Slams.” Spoken Word in the UK, 1st ed., vol. 1, Routledge, 2021, pp. 27–40, https://doi.org/10.4324/9780429330223-4.
- Mervyn Morris, ‘“Dub Poetry”?’, Caribbean Quarterly, 43 (1997), pp. 1-10
- Novak, Julia. Live Poetry: An Integrated Approach to Poetry in Performance. Rodopi 2011.
- Somers-Willett, Susan. The Cultural Politics of Slam Poetry. University of Michigan Press, 2009.
- Tegge, Friederike. “Pop Songs in the Classroom: Time-Filler or Teaching Tool?” ELT Journal 72.3 (2018): 274-284.
- Thaler, Engelbert. Singer-Songwriters: Music and Poetry in Language Teaching. Narr-Francke, 2018.
- Billie Holiday, Adrian Mitchell, John Hegley, U2, Patricia Smith, Kat Francois, Ray Antrobus, Chris White, Brenna Twohy, Taylor Mali, Beau Sia, Ty’rone Haughton, and others.
Extracts from theory and critical literature, including
- Aptowicz, Cristin O'Keefe. “Funny Poetry Gets Slammed: Humor as Strategy in the Poetry Slam Movement.” Humor (Berlin, Germany), vol. 22, no. 3, 2009, pp. 381–93.
- Coppola, Manuela, "Spelling out Resistance Dub Poetry and Typographic Creativity", Post-colonial Creativity: Language, Politics and Aesthetics, Vol 17 No 2 (2013), p. 7-18
- Eckstein, Lars. Reading Song Lyrics. Rodopi, 2010.
- English, Lucy, and Jack McGowan, eds. Spoken Word in the UK. Routledge, 2021.
- Larkin, Steve. “Suffering Fools: The Survival and Adaptation of British Absurd, Comic, and Satirical Traditions in the Era of Poetry Slams.” Spoken Word in the UK, 1st ed., vol. 1, Routledge, 2021, pp. 27–40, https://doi.org/10.4324/9780429330223-4.
- Mervyn Morris, ‘“Dub Poetry”?’, Caribbean Quarterly, 43 (1997), pp. 1-10
- Novak, Julia. Live Poetry: An Integrated Approach to Poetry in Performance. Rodopi 2011.
- Somers-Willett, Susan. The Cultural Politics of Slam Poetry. University of Michigan Press, 2009.
- Tegge, Friederike. “Pop Songs in the Classroom: Time-Filler or Teaching Tool?” ELT Journal 72.3 (2018): 274-284.
- Thaler, Engelbert. Singer-Songwriters: Music and Poetry in Language Teaching. Narr-Francke, 2018.
Association in the course directory
Studium: BEd 046/407
Code/Modul: BEd 8a.3
Lehrinhalt: 12-4683
Code/Modul: BEd 8a.3
Lehrinhalt: 12-4683
Last modified: Th 26.09.2024 11:05
Paying close attention to the medial specificities of oral poetry performance, we will critically interrogate ideas around the ‘authenticity’ of the performing voice in relation to the generic conventions of lyric poetry and the dramatic monologue. We will further examine the identity politics enacted by poetry performances, which can often be understood as forms of socio-political activism, resonating, for instance, with #MeToo and the Black Lives Matter movement.
The course will include guest appearances by Shefali Banerji, M.A. and Dr. Rachel Bolle-Debessay, as well as by Mag. Claire Palzer, who will guide students’ didactic work on poetry performance and song lyrics in two sessions.
AIMS:
Students will become familiar with a range of spoken word texts and audiotext formats (partly of their own choosing). They will learn to apply various critical perspectives to these texts, such as media studies, performance analysis, genre theory, gender studies, life writing studies, and postcolonial criticism. Students will also become familiar with a range of methods for incorporating spoken word poetry and song lyrics in the EFL classroom and will have the opportunity to implement, and reflect on, some of these methods.
METHODS:
Short lectures, classroom discussions, group work, presentations, individual research/writing/teaching assignments.
-- The course further includes one teaching session at a school of your choice (contacts can be provided, if required), between 18 November 2024 and 31 January 2024. These sessions must be arranged by the students, and you are advised to schedule your session as soon as possible. You must have set the date, school and age group by 31 October!