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124080 VK BEd 08a.3: VK Literature and Language Education (2025S)
Acting Out: Teaching Theatre and Drama in the EFL Classroom
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Mo 10.02.2025 00:00 to Mo 24.02.2025 12:00
- Deregistration possible until Mo 31.03.2025 23:59
Details
max. 25 participants
Language: English
Lecturers
Classes (iCal) - next class is marked with N
The class consists of 8 regular weekly sessions of 90 minutes (taking place on Thursdays) and two Saturday workshops of 3x90 minutes (plus breaks, i.e. a slot of 6 hours).
Students need to be able to participate in both Saturday workshops, as these form the foundation for the lesson plans and their enacting and feedbacking. Students may only miss 2x90 minutes (= two regular 90-minute sessions).
- N Thursday 06.03. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Saturday 22.03. 10:00 - 16:00 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Thursday 03.04. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Thursday 10.04. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Thursday 08.05. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Thursday 15.05. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Thursday 22.05. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Thursday 05.06. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Saturday 14.06. 10:00 - 16:00 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
- Thursday 26.06. 10:15 - 11:45 Raum 4 Anglistik UniCampus Hof 8 3E-EG-19
Information
Aims, contents and method of the course
Assessment and permitted materials
(1) Participation: general attendance (no more than 2x90 minutes of classes may be missed), continuous contribution to class
(2) Written Portfolio Tasks: research proposal (for the short research paper or BEd paper) and lesson plan for an in-class theatre/acting activity
(3) One expert group session with a 10-minute oral presentation
(4) BEd paper (6.500-7.000 words) or final essay (3.000-3.500 words)AI tools like ChatPDF, ChatGPT, Research Rabbit, or EducationCopilot etc. might be used as augmented research and writing strategies. A compulsory AI statement and documentation reflecting the use and implementation of tools and their results needs to be included in both the portfolio tasks and the BEd Thesis/final essay.
(2) Written Portfolio Tasks: research proposal (for the short research paper or BEd paper) and lesson plan for an in-class theatre/acting activity
(3) One expert group session with a 10-minute oral presentation
(4) BEd paper (6.500-7.000 words) or final essay (3.000-3.500 words)AI tools like ChatPDF, ChatGPT, Research Rabbit, or EducationCopilot etc. might be used as augmented research and writing strategies. A compulsory AI statement and documentation reflecting the use and implementation of tools and their results needs to be included in both the portfolio tasks and the BEd Thesis/final essay.
Minimum requirements and assessment criteria
(1) Participation: 10 points (attendance, preparation, contributions in class, as well as in works in groups or partner activities)
(2) Research Proposal: 10 points
(3) Lesson Plan for Theatre/Acting Activity: 20 points
(4) Expert Group Presentation: 10 points
(5) Final Essay/BEd Paper: 50 pointsOverall Score of 100 Points.
Pass-Mark: 60 Points.The overall grading scheme is (1): 100-91, (2): 90-81, (3): 80-71, (4): 70-61, (5): 60-0All of the course requirements (participation, research proposal, lesson plan, expert group session, the final paper/BEd paper) need to be fulfilled! Not showing up for your expert group session or not handing in the final assignment means dropping out of the course and being assessed with a negative grade!You may miss two sessions, i.e. 2x90 minutes. Term papers and BEd theses will be checked with TurnitIn.Note: Students with disabilities or mental health issues may be granted special conditions. Please approach me at the beginning of term to assess your needs.
(2) Research Proposal: 10 points
(3) Lesson Plan for Theatre/Acting Activity: 20 points
(4) Expert Group Presentation: 10 points
(5) Final Essay/BEd Paper: 50 pointsOverall Score of 100 Points.
Pass-Mark: 60 Points.The overall grading scheme is (1): 100-91, (2): 90-81, (3): 80-71, (4): 70-61, (5): 60-0All of the course requirements (participation, research proposal, lesson plan, expert group session, the final paper/BEd paper) need to be fulfilled! Not showing up for your expert group session or not handing in the final assignment means dropping out of the course and being assessed with a negative grade!You may miss two sessions, i.e. 2x90 minutes. Term papers and BEd theses will be checked with TurnitIn.Note: Students with disabilities or mental health issues may be granted special conditions. Please approach me at the beginning of term to assess your needs.
Examination topics
This is an interactive course with continuous assessment. There will be no written exam. Students are expected to actively participate in class, engage with the class readings, and prepare for the sessions by reading up on the material, working on a wide range of different tasks, giving peer feedback, etc. They will present an oral expert presentation in one session. They will have to produce an individual research proposal, a final term paper/BEd-paper at the end of term showcasing their academic writing skills, and create a lesson plan for one short theatre or acting activity that we will try out in the June workshop on theatre pedagogy.
Reading list
Primary Texts:
Haddon, Mark. The Curious Incident of the Dog in the Night-Time. Adapted by Simon Stephens. Bloomsbury, 2012.
O'Rourke, Samantha. Our Town Needs a Nandos. Methuen, 2023.
Webster, Bea. Is This A Fairytale? in: Positive Stories for Negative Times: Five Plays for Young People to Perform in Real Life or Remotely. Bloomsbury, 2020.The full texts of these plays are all available on the Drama Online database available via the university library (and easy to find via u:search).Secondary Texts:
Fleming, Mike. Starting Drama Teaching. Routledge, 2017.
Hart, J., Onuscheck, M., Christel, M. T. Acting It Out. Routledge, 2017.
Further secondary reading and material from theatre pedagogy will be announced at the beginning of class. The relevant excerpts will be available on moodle.
Haddon, Mark. The Curious Incident of the Dog in the Night-Time. Adapted by Simon Stephens. Bloomsbury, 2012.
O'Rourke, Samantha. Our Town Needs a Nandos. Methuen, 2023.
Webster, Bea. Is This A Fairytale? in: Positive Stories for Negative Times: Five Plays for Young People to Perform in Real Life or Remotely. Bloomsbury, 2020.The full texts of these plays are all available on the Drama Online database available via the university library (and easy to find via u:search).Secondary Texts:
Fleming, Mike. Starting Drama Teaching. Routledge, 2017.
Hart, J., Onuscheck, M., Christel, M. T. Acting It Out. Routledge, 2017.
Further secondary reading and material from theatre pedagogy will be announced at the beginning of class. The relevant excerpts will be available on moodle.
Association in the course directory
Studium: BEd 046/407
Code/Modul: BEd 8a.3
Lehrinhalt: 12-4683
Code/Modul: BEd 8a.3
Lehrinhalt: 12-4683
Last modified: Th 30.01.2025 08:46
(1) In a first thematic block at the beginning of the semester, we will explore the basics of theatre pedagogy in a workshop with theatre professionals from the Vienna-based "Theater der Jugend" (https://www.tdj.at/theaterpaedagogik/tdj-du). Here, we develop a toolbox of methods and activities for acting with students in the classroom.
(2) In a second block, we read and discuss three plays for learners between the age of 12 and 19. The plays cover issues of disability, discrimination faced by queer teenagers, racial and gender inequalities, or they challenge traditional narratives such as the fairy tale. Two of the plays feature teachers or are set in school.
(3) In the third block, participants develop their own short classroom activities based on one of the three plays, using the toolbox from the first workshop to create an acting activity for their students. In peer-to-peer teams, participants give feedback on each other's activities and lesson plans. We then try out, feedback and further develop these activities in a second workshop with the theatre professionals from Theater der Jugend.In the class, participants therefore reflect on themselves on three levels:
1) as prospective teachers of English at Austrian schools (in their development of theatre pedagogical teaching activities and in the peer-to-peer teams that feedback and develop each other's lesson plans),
2) as performers of dramatic texts (by carrying out the activities of their peers and adopting the perspective of their students),
3) as academics who reflect on the plays and classroom activities with each other and with the workshop leaders, learning to link literary studies and theatre pedagogy.