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130094 PS PS Literary Cross-Currents: An Introduction to the Romantic Movement (2016W)
(1770 to 1860). Part I: The Romantic Hero
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Th 01.09.2016 01:00 to Fr 23.09.2016 23:59
- Deregistration possible until Mo 31.10.2016 23:59
Details
max. 30 participants
Language: English
Lecturers
Classes (iCal) - next class is marked with N
- Wednesday 05.10. 18:30 - 20:30 Seminarraum 3 Sensengasse 3a 1.OG
- Wednesday 12.10. 18:30 - 20:30 Seminarraum 3 Sensengasse 3a 1.OG
- Wednesday 19.10. 18:30 - 20:30 Seminarraum 3 Sensengasse 3a 1.OG
- Wednesday 09.11. 18:30 - 20:30 Seminarraum 3 Sensengasse 3a 1.OG
- Wednesday 16.11. 18:30 - 20:30 Seminarraum 3 Sensengasse 3a 1.OG
- Wednesday 23.11. 18:30 - 20:30 Seminarraum 3 Sensengasse 3a 1.OG
- Wednesday 30.11. 18:30 - 20:30 Seminarraum 3 Sensengasse 3a 1.OG
- Wednesday 07.12. 18:30 - 20:30 Seminarraum 3 Sensengasse 3a 1.OG
- Friday 09.12. 18:30 - 21:30 Seminarraum 3 Sensengasse 3a 1.OG
- Wednesday 14.12. 18:30 - 20:30 Seminarraum 3 Sensengasse 3a 1.OG
- Wednesday 11.01. 18:30 - 20:30 Seminarraum 3 Sensengasse 3a 1.OG
- Wednesday 18.01. 18:30 - 20:30 Seminarraum 3 Sensengasse 3a 1.OG
- Wednesday 25.01. 18:30 - 20:30 Seminarraum 3 Sensengasse 3a 1.OG
- Friday 27.01. 18:30 - 20:00 Seminarraum 3 Sensengasse 3a 1.OG
Information
Aims, contents and method of the course
Assessment and permitted materials
The final grade for this course comprises the following parts:
- Ten five-minute quizzes: 10%
- Research assignment (750-1000 words): 20%
- Essay (1500-2000 words): 30%
- Final exam: 40%Final Exam Details:
Multiple Choice 20%
Short Answer 30%
Essay 50%
- Ten five-minute quizzes: 10%
- Research assignment (750-1000 words): 20%
- Essay (1500-2000 words): 30%
- Final exam: 40%Final Exam Details:
Multiple Choice 20%
Short Answer 30%
Essay 50%
Minimum requirements and assessment criteria
see under: Art der Leistungskontrolle
Examination topics
This particular Seminar will begin at 18:30 (or soon thereafter, depending on the time at which the room is vacated) and will extend until at least 20:30, very likely 20:45, and, occasionally, 21:00. An individual presentation will not be required of students in this Seminar; however, be advised that the course has been specifically designed as an evening class in order to provide sufficient flexibility for discussion and debate, so please do not anticipate leaving prior to half-past eight. There is one scheduled optional presentation on the evening of Friday, December 2nd; although attendance for this 'lecture' is by no means obligatory for those who may have prior commitments, the presented materiala film presentationis relevant contextually and will be discussed and referenced under the broader canopy of the course. The works listed below comprise the ‘tentative’ schedule, which will alter in content pursuant to student interest and discussion; however, any and all textual material contained in this initial reading may be used as a basis for the term paper and essay composition on the final exam.October 5th, 2016
A Pictorial Introduction to Romanticism and the Romantic HeroOctober 12th, 2016
Sturm and Drang
Thomas Chatterton
The Rowley Poems (1770)
Johann Wolfgang von Goethe
The Sorrows of Young Werther [Die Leiden des jungen Werthers] (1774)
François-René de Chateaubriand
With excerpts from René (1802)October 19th, 2016
The Byronic Hero and Orientalism
George Gordon, Lord Byron
With excerpts from Childe Harold’s Pilgrimage (1812-18)
The Giaour (1813)November, 9th 2016
*Research Assignment Due
Madness and the Cloister
Matthew Gregory Lewis
With excerpts from The Monk; A Romance (1796)
Percy Bysshe Shelley
Julian and Maddalo (1818-19)November 16th, 2016
The Romantic Fairytale
E. T. A. Hoffmann
The Golden Pot [Der goldne Topf. Ein Märchen aus der neuen Zeit] (1814)November 23rd, 2016
Romantic Mediævalism
With reference to The Nazarenes
John Keats
Isabella or The Pot of Basil (1818)
"La Belle Dame sans Merci" (1819)
The Eve of St Agnes (1820)
Lamia (1820)November 30th, 2016
Romantic Gothic
Mary Shelley
Frankenstein (1818)*Friday, December 2nd, 2016
Friday Evening Film Presentation: The Count of Monte CristoDecember 7th, 2016
Revenge and Love
Alexandre Dumas
With reference to the film version of The Count of Monte Cristo (1844)
Mikhail Lermontov
With excerpts from A Hero of Our Time (1839)December 14th, 2016
*Essay Due
Wanderlust and Love
Joseph, Freiherr von Eichendorff
Memoirs of a Ne’er-do-well [Aus dem Leben eines Taugenichts] (1826)January 11th, 2017
Mémoires d'Outre-Tombe
François-René de Chateaubriand
With reference to Memoirs from Beyond the Grave (1849 & 1850)
Emily Bronte
Wuthering Heights (1847)January 18th, 2017
The Romantic Agony
Ivan Turgenev
First Love (1860)January 25th, 2017
Final Exam
Multiple Choice 20%
Short Answer 30%
Essay 50%
A Pictorial Introduction to Romanticism and the Romantic HeroOctober 12th, 2016
Sturm and Drang
Thomas Chatterton
The Rowley Poems (1770)
Johann Wolfgang von Goethe
The Sorrows of Young Werther [Die Leiden des jungen Werthers] (1774)
François-René de Chateaubriand
With excerpts from René (1802)October 19th, 2016
The Byronic Hero and Orientalism
George Gordon, Lord Byron
With excerpts from Childe Harold’s Pilgrimage (1812-18)
The Giaour (1813)November, 9th 2016
*Research Assignment Due
Madness and the Cloister
Matthew Gregory Lewis
With excerpts from The Monk; A Romance (1796)
Percy Bysshe Shelley
Julian and Maddalo (1818-19)November 16th, 2016
The Romantic Fairytale
E. T. A. Hoffmann
The Golden Pot [Der goldne Topf. Ein Märchen aus der neuen Zeit] (1814)November 23rd, 2016
Romantic Mediævalism
With reference to The Nazarenes
John Keats
Isabella or The Pot of Basil (1818)
"La Belle Dame sans Merci" (1819)
The Eve of St Agnes (1820)
Lamia (1820)November 30th, 2016
Romantic Gothic
Mary Shelley
Frankenstein (1818)*Friday, December 2nd, 2016
Friday Evening Film Presentation: The Count of Monte CristoDecember 7th, 2016
Revenge and Love
Alexandre Dumas
With reference to the film version of The Count of Monte Cristo (1844)
Mikhail Lermontov
With excerpts from A Hero of Our Time (1839)December 14th, 2016
*Essay Due
Wanderlust and Love
Joseph, Freiherr von Eichendorff
Memoirs of a Ne’er-do-well [Aus dem Leben eines Taugenichts] (1826)January 11th, 2017
Mémoires d'Outre-Tombe
François-René de Chateaubriand
With reference to Memoirs from Beyond the Grave (1849 & 1850)
Emily Bronte
Wuthering Heights (1847)January 18th, 2017
The Romantic Agony
Ivan Turgenev
First Love (1860)January 25th, 2017
Final Exam
Multiple Choice 20%
Short Answer 30%
Essay 50%
Reading list
Association in the course directory
BA M4
Last modified: Th 04.07.2024 00:13
There is no coursebook. However, students should attempt to procure copies of those novels that are not available electronically. The preparatory material for each lectureincluding relevant ‘excerpts from’ selectionswill be sent to students by email on the Thursday prior to Wednesday’s seminar; should PDF files be available online, a suitable link will be provided. Discussion will take place in English based on the translated versions of non-English readings; however, as the instructor has at least a reading familiarity with French, Italian and German, students are reminded of the comparative nature of this course and are strongly advised to pursue the works in their language of composition; written submissions may also include quoted passages from the original texts. Given the restrictions of time, the occasional listed work may be reduced to a cursory reading and will not be discussed in depth by the instructor; nonetheless, as discussion and debate are expected and indeed required, students are encouraged to open and advance dialogue on any subject pertaining to the course material.
The final grade for this course comprises the following parts:
•Ten five-minute quizzes: 10%
•Research assignment (750-1000 words): 20%
•Essay (1500-2000 words): 30%
•Final exam: 40%
There will be a brief quiz at the beginning of each lecture based on the weekly readings; the overall grade will be drawn from the highest eight. There will not be a formal oral component to this course; in lieu of the presentation, each student will complete a brief research assignment. Essay topics will be broad and should enable students to develop a topic based on their own interest in Romanticism.
As the lectures are a combination of visual presentation material and oral supplement, it is worth stating from the outset that regular attendance is essential to a proper understanding of this course; those who enrol are advised to clear their Wednesday evening schedules as classes will not close before half-past eight and, on occasion (and perhaps even frequently), may extend until nine.