Universität Wien
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130199 PS Social History of Lit. (PS): South African Apartheid Literature (2016W)

Continuous assessment of course work

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

max. 30 participants
Language: English

Lecturers

Classes (iCal) - next class is marked with N

  • Tuesday 11.10. 12:30 - 14:00 Seminarraum 2 Sensengasse 3a 1.OG
  • Tuesday 18.10. 12:30 - 14:00 Seminarraum 2 Sensengasse 3a 1.OG
  • Tuesday 25.10. 12:30 - 14:00 Seminarraum 2 Sensengasse 3a 1.OG
  • Tuesday 08.11. 12:30 - 14:00 Seminarraum 2 Sensengasse 3a 1.OG
  • Tuesday 15.11. 12:30 - 14:00 Seminarraum 2 Sensengasse 3a 1.OG
  • Tuesday 22.11. 12:30 - 14:00 Seminarraum 2 Sensengasse 3a 1.OG
  • Tuesday 29.11. 12:30 - 14:00 Seminarraum 2 Sensengasse 3a 1.OG
  • Tuesday 06.12. 12:30 - 14:00 Seminarraum 2 Sensengasse 3a 1.OG
  • Tuesday 13.12. 12:30 - 14:00 Seminarraum 2 Sensengasse 3a 1.OG
  • Tuesday 10.01. 12:30 - 14:00 Seminarraum 2 Sensengasse 3a 1.OG
  • Tuesday 17.01. 12:30 - 14:00 Seminarraum 2 Sensengasse 3a 1.OG
  • Tuesday 24.01. 12:30 - 14:00 Seminarraum 2 Sensengasse 3a 1.OG
  • Tuesday 31.01. 12:30 - 14:00 Seminarraum 2 Sensengasse 3a 1.OG

Information

Aims, contents and method of the course

Content: South Africa’s experience of violent British and Dutch settler colonialism and the resulting trauma, racial intermixing and cross-cultural exchange meant that African identity has been particularly contested here. Indigenous Africans were denied citizenship rights in their own territory and had to submit to a rule by a white minority who claimed its right on the land in the name of “civilization” and “Christianity” as well as on the literary representation of the country, while it defined itself in opposition to black Africans who were made outsiders in their own homeland. This schism resulted in opposition movements by black Africans who sought to reclaim not only the land and political freedom, but also the right of self-identification. At the same time, the existence of mixed-raced South Africans who responded with their own cultural identity movements complicated the black struggle for self-determination. A particular case were whites who rejected colonialism, putting themselves into a dangerous dissident position. In addition, gender became a further category determining political identities and relationships in South Africa governed by both traditional and colonial patriarchy. This complex history is reflected in the prolific, diverse, multi-lingual and highly politically engaged writing that emerged from South Africa out of a long tradition of resistance and protest. The course will cover a selection of authors (writing mainly in English, but also in Afrikaans) from the colonial and apartheid era through a comparative perspective, pointing out their parallel concerns and mutual influences. Particular attention will be given to the changing concept of “South African identity” in this literature over time, defined through the ideologies of Christianity, ethnic nationalism, racial nationalism, non-racialism, and multiculturalism.
Method: lecture, discussion and homework
Aims:
• identify, analyse and understand the key historical, political, philosophical and aesthetic issues in South African apartheid literature
• apply close reading skills and critical thinking to a variety of literary texts
• reflect critically on the relations between primary texts and relevant secondary texts
• discriminate between ideas and justify personal positions
• produce well-structured, relevant arguments with an appropriate intellectual framework

Assessment and permitted materials

1) Participation and homework (40%): Homework will be given every week. You must submit at least 6 homeworks (2-page essays, app. 500 words, double-spaced) to receive full credit. Each missing homework will lower your final mark by ½ point. You are also expected to participate in class discussions. 3 absences are allowed in order to get credit.
2) oral presentation (20%): 20 minutes long. If you fail to do oral presentation your final mark will be lowered by a point.
3) argumentative essay, 3, 500 words (40%) due March 30, 2017: There will be at least 7 different topics to choose from. The essay must be supported with evidence from primary texts and engagement with secondary sources. The essay tests the knowledge of the text and context, close reading skills, inference (deduction), ability to think critically, make connections, and express own opinions. Original observations or arguments are not required to pass but are required to earn the highest mark. There are 3 attempts at correction until June 30, 2017.

Minimum requirements and assessment criteria

Assessment criteria for written work:

-Conditions (timely delivery, correct extent, presentable shape, presence of all components of a written work): Here no points can be awarded, but might be deducted!

-Contents (in particular the soundness of the argument, supported with evidence from primary and secondary sources; the ability to read text closely and interpret both form and content; the ability to identify, analyse and understand the context and make connections; the ability to reflect critically on the relations between primary texts and relevant secondary texts, instead of just citing secondary texts as a source of authority and interpretation; clear formulation, structure and organization of the argument; detection of the central points; correctness of methodology; originality; creativity; scope or relevance of the secondary literature used and their methodologically consistent incorporation): Here about 60% of the points will be awarded.

-Format (esp. layout and clarity of presentation; formatting; citation practice; consistency and care): Here about 20% of the points will be awarded.

-Language (particularly scholarly terminology and correct use of technical terms; clear and understandable language; correct spelling, grammar, and composition; care about style): Here about 20% of the points will be awarded.

In all three areas at least 50% of the points must be achieved in order to obtain credit. The mark breakdown is as follows:

Excellent (1) 90-100 %
Good (2) 80-89 %
Satisfactory enough (3) 65-79 %
Unsatisfactory (4) 50-64 %
Fail ( 5) 50 -0 %

Examination topics

Topic 1: White colonial writing
Sarah Gertrude Millin, God’s Step Children (1924)

Topic 2: Black protest literature in the 1950s
Peter Abrahams, Tell Freedom (1954)

Topic 3: Black protest literature in the 1970s
Miriam Tlali, Muriel at Metropolitan (1979)
Mtutuzeli Matshoba, Call Me Not a Man (1979)

Topic 4: Black Consciousness Movement in the 1970s and 1980’s
Mongane Serote, Mafika Gwala, Sipho Sepamla, Christopher van Wyk (selected poetry)
Steve Biko, I Write What I Like (essays from 1969)

Topic 5: Black women’s writing
Lauretta Ngcobo, And They Didn’t Die (1990)

Topic 6: White anti-apartheid writing
André Brink, A Dry White Season (1979)
J.M. Coetzee, Waiting for the Barbarians (1980)

Topic 7: Apartheid and Sexuality
Lewis Nkosi, Mating Birds (1986)

Reading list

Topic 1: White colonial writing
Sarah Gertrude Millin, God’s Step Children (1924)

Topic 2: Black protest literature in the 1950s
Peter Abrahams, Tell Freedom (1954)

Topic 3: Black protest literature in the 1970s
Miriam Tlali, Muriel at Metropolitan (1979)
Mtutuzeli Matshoba, Call Me Not a Man (1979)

Topic 4: Black Consciousness Movement in the 1970s and 1980’s
Mongane Serote, Mafika Gwala, Sipho Sepamla, Christopher van Wyk (selected poetry)
Steve Biko, I Write What I Like (essays from 1969)

Topic 5: Black women’s writing
Lauretta Ngcobo, And They Didn’t Die (1990)

Topic 6: White anti-apartheid writing
André Brink, A Dry White Season (1979)
J.M. Coetzee, Waiting for the Barbarians (1980)

Topic 7: Apartheid and Sexuality
Lewis Nkosi, Mating Birds (1986)

Association in the course directory

BA M5

Last modified: Th 04.07.2024 00:13