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135054 PS Social History of Literature (PS): Postcolonial Con-Texts: Writing Back to the Canon (2020S)
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Sa 01.02.2020 00:01 to Sa 22.02.2020 23:59
- Deregistration possible until Th 30.04.2020 23:59
Details
max. 25 participants
Language: English
Lecturers
Classes (iCal) - next class is marked with N
- Monday 09.03. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Monday 16.03. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Monday 23.03. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Monday 30.03. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Monday 20.04. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Monday 27.04. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Monday 04.05. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Monday 11.05. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Monday 18.05. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Monday 25.05. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Monday 08.06. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Monday 15.06. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Monday 22.06. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
- Monday 29.06. 15:00 - 16:30 Seminarraum 8 Sensengasse 3a 5.OG
Information
Aims, contents and method of the course
Assessment and permitted materials
Final essay, 3500 words
Minimum requirements and assessment criteria
• identify, analyse and understand key philosophical, historical, social and aesthetic issues of postcolonial literature
• analyse key postcolonial works in terms of their social, historical, philosophical, and aesthetic significance
• apply close reading skills to a variety of literary texts
• reflect critically on the relations between primary texts and relevant secondary texts
• discriminate between ideas and justify personal positions
• produce well-structured, relevant arguments with an appropriate intellectual framework
• analyse key postcolonial works in terms of their social, historical, philosophical, and aesthetic significance
• apply close reading skills to a variety of literary texts
• reflect critically on the relations between primary texts and relevant secondary texts
• discriminate between ideas and justify personal positions
• produce well-structured, relevant arguments with an appropriate intellectual framework
Examination topics
Essay topics will be given mid-semester. All topics reflect course readings.
Reading list
Primary:
Chinua Achebe, Things Fall Apart (1958) and “Racism in Conrad’s Heart of Darkness” (1977)
Charlotte Brönte, Jane Eyre (1847)
Aimé Césaire, Une Tempête (1968)
J. M. Coetzee, Foe (1986)
Joseph Conrad, Heart of Darkness (1899)
Daniel Defoe, Robinson Crusoe (1719)
William Shakespeare, The Tempest (1610-1611)
Jean Rhys, Wide Sargasso Sea (1966)Secondary:
Ashcroft, Bill et. al., The Empire Writes Back. Routledge, 1989, 2002.
McLeod, John. Beginning Postcolonialism. Manchester University Press, 2000.
Tiffin, Helen. “Post-Colonial Literatures and Counter-Discourse.” Kunapipi 9(3), 1987)
Said, Edward. Orientalism. London: Keegan & Paul, 1978.
Chinua Achebe, Things Fall Apart (1958) and “Racism in Conrad’s Heart of Darkness” (1977)
Charlotte Brönte, Jane Eyre (1847)
Aimé Césaire, Une Tempête (1968)
J. M. Coetzee, Foe (1986)
Joseph Conrad, Heart of Darkness (1899)
Daniel Defoe, Robinson Crusoe (1719)
William Shakespeare, The Tempest (1610-1611)
Jean Rhys, Wide Sargasso Sea (1966)Secondary:
Ashcroft, Bill et. al., The Empire Writes Back. Routledge, 1989, 2002.
McLeod, John. Beginning Postcolonialism. Manchester University Press, 2000.
Tiffin, Helen. “Post-Colonial Literatures and Counter-Discourse.” Kunapipi 9(3), 1987)
Said, Edward. Orientalism. London: Keegan & Paul, 1978.
Association in the course directory
BA M5
Last modified: Th 04.07.2024 00:13
Over the last 30 years, the study of postcolonial rewritings of the English canon has attracted considerable attention. This course will focus on the most famous examples, attempting to survey some of the distinctive characteristics of such writing.