140296 PS Introductory seminar: Theatre and performance (2007S)

Beispiele aus der Sekundärliteratur:
Abiodun Rowland & Henry J Drewal & John Pemberton III (eds) 1994. The Yoruba Artist. New Theoretical Perspectives on African Arts. Washington & London: Smithsonian Institution Press. (W.2.2.51.)
Abodurin Femi/ Olu Obafemi/ Wole Ogundele (eds) 2001. Character is Beauty. Redefining Yoruba Culture and Identity. Iwalewa-Haus, 1981-1986. Trenton & Asmara: Africa World Press. (W.0.2.49.)
Adeyemi L 2004. Traditional Music. /Yoruba/ in: Lawal u.a.(eds): 589-598. (W.0.2.55.)
Àjàyí Omófolábò S 1998. Yoruba Dance. The Semiotics of Movement and Body Attitude in a Nigerian Culture. Trenton & Asmara: Africa World Press. (W.3.2.13.)
Arntsen Hilde & Knut Lundby 1993. The "Electronic Church" in a Zimbabwean Communication Environment. In: Granqvist (ed): 45-67. (W.0.0.85.)
Asante Kariamu Welsh 2000. Zimbabwe Dance. Rhythmic Forces, Anestral Voices- An Aesthetic Analysis. Trenton & Asmara: Africa World Press. (W.3.5.4.)
Axelsson Olof 1993. Christian Poetry and Music Drama: Black Cultural Expression in Zimbabwe. In: Granqvist (ed): 15-44. (W.0.0.85.)
Bourgault Louise M 2003. Playing for Life: Performance in Africa in the Age of Aids. Durham: Carolina Academic Press, USA. (mit CD-ROM) (T.0.0.14.)
Boyd-Buggs D & J Hope Scott (eds) 2003. Camel Tracks. Critical Perspectives on Sahelian Literatures. Trenton & Asmara: Africa World Press. (S.6.2.14.)
Boyd-Buggs D 2003. Aids and Social Intervention Theater in Niger. In: Boyd-Buggs & Hope Scott (eds): 143-143-153. (S.6.2.14.)
Breitinger E (ed) 2003. Theatre and Performance in Africa: Intercultural Perspectives. Bayreuth African Studies. (T.0.0.13.)
Brown duncan 1999. Orality and Christianity. The Hymns of Isaiah Shembe & the Church of the Nazarithes. In: Brown (ed): 195-219. (S.10.8.10.)
Conteh J M/ T Olaniyan (eds) 2004. African Drama and Performance. Indiana University Press. (S.0.0.39.)
Derive J 1995. The Function of Oral Art in the Regulation of Social Power in Dyula Society. In: Furniss/ Gunner (eds): 122-129. (S.10.0.54.)
Dopamu P A 2004. Traditional Festivals. /Yoruba/ in: Lawal u.a.(eds): 651-668. (W.0.2.55.)
Drewal H/ M T Drewal 1983. Gelede: Art and Female Power Among the Yoruba. Bloomington: Indiana University Press.
Ebron PA 2002. Performing Africa. Princeton & Oxford: Princeton University Press. (W.3.2.19.)
Erlmann Veit 1991. African Stars. Studies in Black South African Performance. Chicago & London: University of Chicago Press. (W.3.4.5.)
Euba Akin 1994. Drumming for the Egungun: The Poet-Musician in Yoruba Masquerade Theater. in: Abiodun & Drewal & Pemberton III (eds): 161-169. (W.2.2.51.)
Fabian Johannes 1990. Power and Performance. Ethnographic Explorations through Proverbial Wisdom and Theater in Shaba, Zaire. Madison: University of Wisconsin Press. (S.10.4.7.)
Finnegan R 1978/1970/. Oral Literature in Africa. Nairobi/ Dar es Salaam/ Ibadan: Oxford University Press. (S.10.0.4.)
Frederiksen Bodil Folke 1993. Living in the Neighbourhood of One's Dreams: The Role of Popular Writing in the Creation of the Ordinary. In: Granqvist (ed): 87-107. (W.0.0.85.)
Furniss Graham/ Liz Gunner (eds) 1995. Power, Marginality and African Oral Literature. Cambridge: CUP. (S.10.0.54.)
Götrick Kacke 1993. The Actor, the Art of Acting and Liminality. In: Granqvist (ed): 145-171. (W.0.0.85.)
Granqvist Raoul & Nnadozie Inyama (eds) 1992. Power and Powerlessness of Women in West African Orality. Umea: Umea University. (S.10.2.10.)
Granqvist Raoul (ed) 1993. Culture in Africa. An Appeal for Pluralism. Uppsala: Nordiska Afrikainstitutet. (W.0.0.85.)
Granvuist Raoul 1993. Introduction: African Culture- an Estimate. In: Granqvist (ed): 5-13. (W.0.0.85.)
Gunderson F/ G F Barz (eds) 2000. Mashindano! Competitive Music Performance in East Africa. Dar es Salaam: Mkuki na Nyota Publishers.
Hale T A 1999. Griots and Griottes: Masters of Words and Music. Bloomington & Indianapolis: Indiana University Press. (S.10.2.17.)
Harding F (ed) 2002. The Performance Arts in Africa: A Reader. Lond