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160044 UE Musical Analysis: Formative Principles and Music Genres (2022S)
An Analytical Journey from the Baroque Sonata to the Late Romantic Lied
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Tu 08.02.2022 09:00 to Mo 21.02.2022 21:00
- Registration is open from Tu 22.02.2022 21:00 to Th 24.02.2022 21:00
- Deregistration possible until Th 31.03.2022 23:59
Details
max. 40 participants
Language: German
Lecturers
Classes (iCal) - next class is marked with N
- Monday 14.03. 13:15 - 16:30 Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
- Monday 28.03. 13:15 - 16:30 Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
- Monday 25.04. 13:15 - 16:30 Digital
- Monday 23.05. 13:15 - 16:30 Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
- Friday 03.06. 15:00 - 18:15 Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
- Monday 13.06. 13:15 - 16:30 Hörsaal 1 Musikwissenschaft UniCampus Hof 9, 3G-EG-09
- Friday 24.06. 09:00 - 12:15 Digital
Information
Aims, contents and method of the course
Assessment and permitted materials
- Regular and active participation in class
- Delivery of exercises
- Reading of the compulsory texts and writing of reflections
- Delivery of exercises
- Reading of the compulsory texts and writing of reflections
Minimum requirements and assessment criteria
Content requirements: Triads, voice leading, dominant seventh chord, inversions (I, II, III and secondary chords), modulations, functional harmony.Regular attendance, active participation. 25% of the homeworks, 25% of the participation in the course and 50% of the final test are included in the grade.
Examination topics
Prüfungsimmanent
All contents covered in the course
The course materials are regularly posted on Moodle.
All contents covered in the course
The course materials are regularly posted on Moodle.
Reading list
COOK, Nicolas. A guide to musical analysis, Oxford 1994
KÜHN, Clemens. Formenlehre der Musik, Kassel 1987
KÜHN, Clemens. Analyse lernen, Kassel 1993
Spezifische Bibliographie für jedes der analysierten Werke
KÜHN, Clemens. Formenlehre der Musik, Kassel 1987
KÜHN, Clemens. Analyse lernen, Kassel 1993
Spezifische Bibliographie für jedes der analysierten Werke
Association in the course directory
BA: TON
Last modified: Th 11.05.2023 11:27
- Henry Purcell, Golden Sonata (1680 ca.)
- Johann Sebastian Bach, Brandenburg Concerto, n. 4 (before 1721)
- Wolfgang Amadeus Mozart, Piano Sonata K 310 (1778)
- Franz Joseph Haydn, String Quartet op. 76 n. 6 (1796-1797)
- Ludwig van Beethoven, Piano Sonata "Waldstein", op. 53 n. 21 (1803-1804)
- Franz Schubert, Night and Dreams (1825)
- Giuseppe Verdi, Ella giammai m'amò - Don Carlos (1867)
- Johannes Brahms, Four Serious Songs, op. 121 (1896).Objectives: Knowledge of the main analytical tools in musicology. Familiarity
with vocabulary and compositional techniques of the 17th-19th centuries. Familiarity with
different approaches to different kinds of music.PowerPoint presentations will be made available on Moodle.