Universität Wien
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170223 UE Exercise Course "Media Transitions" (2023S)

Intolerable Images - Hybrid story-telling in live action film, animation film, and social media.

5.00 ECTS (2.00 SWS), SPL 17 - Theater-, Film- und Medienwissenschaft
Continuous assessment of course work
Moodle

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

max. 35 participants
Language: German

Lecturers

Classes (iCal) - next class is marked with N

The course starts on April 20th, 2023. Students are required to attend the first class session; the participation at the block session on June 17th is mandatory.

  • Thursday 20.04. 09:45 - 11:15 Seminarraum 2 2H415 UZA II Rotunde
  • Thursday 27.04. 09:45 - 11:15 Seminarraum 2 2H415 UZA II Rotunde
  • Thursday 27.04. 15:00 - 18:15 Seminarraum 3 2H467 UZA II Rotunde
  • Thursday 04.05. 09:45 - 11:15 Seminarraum 2 2H415 UZA II Rotunde
  • Thursday 11.05. 09:45 - 11:15 Seminarraum 2 2H415 UZA II Rotunde
  • Thursday 25.05. 09:45 - 11:15 Seminarraum 2 2H415 UZA II Rotunde
  • Thursday 01.06. 09:45 - 11:15 Seminarraum 2 2H415 UZA II Rotunde
  • Thursday 15.06. 09:45 - 11:15 Seminarraum 2 2H415 UZA II Rotunde
  • Saturday 17.06. 10:00 - 13:00 Hörsaal 2H510 UZA II Rotunde
  • Thursday 22.06. 09:45 - 11:15 Seminarraum 2 2H415 UZA II Rotunde
  • Thursday 29.06. 09:45 - 11:15 Seminarraum 2 2H415 UZA II Rotunde

Information

Aims, contents and method of the course

Intolerable Images.
Hybrid story-telling in live-action film, animation film and social media.

Assessment and permitted materials

- readings as well as plenary and group discussions
- two film/text commentaries, deadline: July 31th
- one essay or essay/installation, presentation on June 17th

Minimum requirements and assessment criteria

- readings as well as plenary and group discussions: 20%
- two film/text commentaries: 40%
- one essay or essay/installation: 40 %

Examination topics

Damian, Anca: CRULIC – DRUMUL SPRE DINCOLO (RU, 2011)
Garayalde, Natalia: ESQUIRLAS (AR, 2020)
Kerekes, Petr; Ostrochovsky, Ivan; Pekarcik, Pavol: ZAMATOVÍ TERORISTI (SK, CR, CRO, 2013)
Kollár, Martin: 5 OCTOBER (SK, 2016)
Montagner, Francesco: BRATRSTVI (CR, 2022)
Omidvarnia, Farzaneh: SONG SPARROW (IR, 2020)
Orlik, Julia: JESTEM TUTAJ (PL, 2020)
Panh, Rithy: L´IMAGE MANQUANTE (F, 2013)
Panh, Rithy: S21, LA MACHINE DE MORT KHMÈRE ROUGE (F, Kambodscha 2003)
Resnais, Alain: HIROSHIMA, MON AMOUR (F 1959)

Reading list

Canpalat, Esra; Haffke, Maren; Horn, Sarah; Hüttemann, Felix; Preuss, Matthias (Hg.): Gegen|Dokumentation. Operationen – Foren – Interventionen. Bielefeld: transcript 2020, S. 7-15.

Cazenave, Jennifer: „Rithy Panh as Chasseur d´Images”, in: Joseph Mai, Leslie Barnes (ed.): The cinema of Rithy Panh. Everything Has a Soul. New Jersey: Rutgers University Press 2021, S. 72-85.

Chow, Ray: „Die erkaltete Spur aufnehmen: Anti-dokumentarische Bestrebungen, akusmatische Komplikationen“, in: Volko Kamensky; Julian Rohrhuber (Hg.): Ton. Texte zur Akustik im Dokumentarfilm. Berlin: Vorwerk 8 2013, S. 194-212.

Kessler, Frank: „Fakt oder Fiktion? Zum pragmatischen Status dokumentarischer Bilder“, in: montage AV, 7/1998, Nr. 2, S. 63-78.

Möller, Elke: „Konfiguration und Präsenz. Essayistische Filmästhetik und die Unverfügbarkeit von Erinnerung in Rithy Panhs L´IMAGE MANQUANTE“ in: Juliane Engel; Mareike Gebhardt;
Kay Kirchmann (Hg.): Zeitlichkeit und Materialität. Interdisziplinäre Perspektiven auf Theorien und Phänomene der Präsenz. Bielefeld: transcript 2019, S. 223-245.

Nichols, Bill: Introduction to Documentary. Bloomington: Indiana University Press 2001.

Nichols, Bill: Representing Reality: Issues and Concepts in Documentary. Bloomington: Indiana University Press 1991.

Popa, Bogdan: „What’s Wrong with the Romanian New Wave? Auteur cinema, the communist and the production of the violent working class”, in: Studies in Eastern European cinema, Vol. 9, Number 1 (2018), pp. 89-102.

Rancière, Jacques: „Das unerträgliche Bild“, in: Idem: Der emanzipierte Zuschauer. Wien: Passagen 2009, S. 101-123.

Rothöhler, Simon: „1. Vergangenes vergegenwärtigen”, in: Idem: Amateur der Weltgeschichte. Historiographische Praktiken im Kino der Gegenwart. Zürich: diaphanes 2011, S. 29-66.

Torchin, Leshu: „Mediation and Remediation: La Parole Filmée in Rithy Panh’s THE MISSING PICTURE (L´IMAGE MANQUANTE)”, in: Film Quarterly, Vol. 68, Number 1 (2014), pp. 32-41.

Association in the course directory

Last modified: Th 20.04.2023 14:28