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180109 VO Philosophy as Artistic Research (2018W)
Artist-Philosophers
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Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
Details
Language: German
Examination dates
- Thursday 13.12.2018 16:45 - 18:15 Hörsaal 3D, NIG Universitätsstraße 7/Stg. III/3. Stock, 1010 Wien
- Friday 21.12.2018
- Friday 01.03.2019 09:45 - 11:15 Hörsaal II NIG Erdgeschoß
- Monday 29.04.2019 09:45 - 11:15 Hörsaal II NIG Erdgeschoß
- Thursday 27.06.2019 09:45 - 11:15 Hörsaal 34 Hauptgebäude, Hochparterre, Stiege 6
Lecturers
Classes (iCal) - next class is marked with N
Due to Arno Boehler's research stay in Asia, this course will start October 2 and end on December 11, 2018. Each weekly lecture will therefore last 2 1/2 instead of 1 1/2 hours.
- Tuesday 02.10. 18:30 - 21:00 Hörsaal 3D, NIG Universitätsstraße 7/Stg. III/3. Stock, 1010 Wien
- Tuesday 09.10. 18:30 - 21:00 Hörsaal 3D, NIG Universitätsstraße 7/Stg. III/3. Stock, 1010 Wien
- Tuesday 16.10. 18:30 - 21:00 Hörsaal 3D, NIG Universitätsstraße 7/Stg. III/3. Stock, 1010 Wien
- Tuesday 23.10. 18:30 - 21:00 Hörsaal 3D, NIG Universitätsstraße 7/Stg. III/3. Stock, 1010 Wien
- Tuesday 30.10. 18:30 - 21:00 Hörsaal 3D, NIG Universitätsstraße 7/Stg. III/3. Stock, 1010 Wien
- Tuesday 06.11. 18:30 - 21:00 Hörsaal 3D, NIG Universitätsstraße 7/Stg. III/3. Stock, 1010 Wien
- Tuesday 13.11. 18:30 - 21:00 Hörsaal 3D, NIG Universitätsstraße 7/Stg. III/3. Stock, 1010 Wien
- Tuesday 20.11. 18:30 - 21:00 Hörsaal 3D, NIG Universitätsstraße 7/Stg. III/3. Stock, 1010 Wien
- Tuesday 27.11. 18:30 - 21:00 Hörsaal 3D, NIG Universitätsstraße 7/Stg. III/3. Stock, 1010 Wien
- Tuesday 04.12. 18:30 - 21:00 Hörsaal 3D, NIG Universitätsstraße 7/Stg. III/3. Stock, 1010 Wien
- Tuesday 11.12. 18:30 - 21:00 Hörsaal 3D, NIG Universitätsstraße 7/Stg. III/3. Stock, 1010 Wien
Information
Aims, contents and method of the course
Assessment and permitted materials
Written examination. Due to Arno Boehler's research stay in Asia for three months, starting December 12 2018, this course will take place from October 2 to December 11. The first examination date will therefore already take place in December. Further examination dates: first week of March, midst of April, end of July 2019 (dates will be announced during the course of the semester)
Minimum requirements and assessment criteria
Written examinations will be comprised of four main questions with sub-questions (max. 40 points)
0-20 points = insufficient, 21-25 points = sufficient, 26-30 points = satisfactory, 31-35 points = good, 36-40 points = very good
0-20 points = insufficient, 21-25 points = sufficient, 26-30 points = satisfactory, 31-35 points = good, 36-40 points = very good
Examination topics
Lectures and compulsory literature (made available on Moodle by tutor Sara-Maria Walker)
Reading list
1 Böhler, Arno: „Philosophy on Stage. Philosophie ALS künstlerische Forschung“ in: ders.; Granzer, Susanne Valerie (Hg.): Philosophy on Stage. Philosophie als künstlerische Forschung, Passagen Verlag: Wien 2018, S. 59-121.
2 Böhler, Arno: „Immanence: a Life... Friedrich Nietzsche“ in: ders.; Aigner, Eva-Maria; Schäfer, Elisabeth (Hg.): Performance Philosophy Journal. Vol 3, No 2, 2017, S. 324-351.
3 Böhler, Arno: „Philosophie ALS künstlerische Forschung. Philosophy on Stage“ in: ders.; Herzog, Christian; Pechriggl, Aice (Hg.): Korporale Performanz. Zur Bedeutungsgenerierenden Dimension des Leibes. transcript Verlag: Bielefeld 2013.
4 Deleuze, Gilles; Guattari Félix: Was ist Philosophie? Übers. v. Bernd Schwibs und Joseph Vogl. Frankfurt am Main: Suhrkamp 2000, S. 191-260.
5 Heidegger, Martin: „I Der Wille zur Macht als Kunst“ in ders.: Nietzsche. Erster Band. Gesamtausgabe. Band 6.1. Klostermann: Frankfurt am Main 1996, S. 66-224.
6 Lagaay, Alice; Cull, Laura et al.: Performance Philosophy, http://www.performancephilosophy.org
7 Lyotard, Jean-Francois: „Was ist postmodern?“ in: Engelmann, Peter (Hg.): Postmoderne und Dekonstruktion. Texte französischer Philosophen der Gegenwart. Stuttgart: Reclam 1993 (= Reclam Universalbibliothek Nr. 8668), S. 33-48.
8 Manning, Erin; Massumi, Brian: SenseLab, http://senselab.ca/wp2/
9 Nietzsche, Friedrich: „Dritte Abhandlung: was bedeuten asketische Ideale?“ in ders.: Zur Genealogie der Moral. Kritische Studienausgabe in 15 Bänden, Hg. von Gorgio Colli und Mazzino Montenari, KSA Bd.5, New York/Berlin 1980, S. 339-412.English translations and further literature will be available on Moodle.
2 Böhler, Arno: „Immanence: a Life... Friedrich Nietzsche“ in: ders.; Aigner, Eva-Maria; Schäfer, Elisabeth (Hg.): Performance Philosophy Journal. Vol 3, No 2, 2017, S. 324-351.
3 Böhler, Arno: „Philosophie ALS künstlerische Forschung. Philosophy on Stage“ in: ders.; Herzog, Christian; Pechriggl, Aice (Hg.): Korporale Performanz. Zur Bedeutungsgenerierenden Dimension des Leibes. transcript Verlag: Bielefeld 2013.
4 Deleuze, Gilles; Guattari Félix: Was ist Philosophie? Übers. v. Bernd Schwibs und Joseph Vogl. Frankfurt am Main: Suhrkamp 2000, S. 191-260.
5 Heidegger, Martin: „I Der Wille zur Macht als Kunst“ in ders.: Nietzsche. Erster Band. Gesamtausgabe. Band 6.1. Klostermann: Frankfurt am Main 1996, S. 66-224.
6 Lagaay, Alice; Cull, Laura et al.: Performance Philosophy, http://www.performancephilosophy.org
7 Lyotard, Jean-Francois: „Was ist postmodern?“ in: Engelmann, Peter (Hg.): Postmoderne und Dekonstruktion. Texte französischer Philosophen der Gegenwart. Stuttgart: Reclam 1993 (= Reclam Universalbibliothek Nr. 8668), S. 33-48.
8 Manning, Erin; Massumi, Brian: SenseLab, http://senselab.ca/wp2/
9 Nietzsche, Friedrich: „Dritte Abhandlung: was bedeuten asketische Ideale?“ in ders.: Zur Genealogie der Moral. Kritische Studienausgabe in 15 Bänden, Hg. von Gorgio Colli und Mazzino Montenari, KSA Bd.5, New York/Berlin 1980, S. 339-412.English translations and further literature will be available on Moodle.
Association in the course directory
Last modified: Mo 07.09.2020 15:36
In the course of the lecture we will analyze a number of philosophical positions on the relation of art and philosophy generated in the context of the history of European philosophies from Plato till today. Thereby we will focus our philosophical investigations on the historical process Nietzsche and Deleuze called “reversal of Platonism”.
Therefore, questions will haunt us in the course of the semester like: “What actually comes into being in the historical event of an inversion of Platonism, in which Plato’s image of thought is transferred into a post-platonic image of thinking?” “How does the answer to the question ‘What is Philosophy’ change by virtue of the epochal process of such an inversion?” “What is called thinking in post-platonic terms?” “How does the way of doing philosophy change, once we have overcome the platonic image of thinking in order to advance a new mode of thinking, in which the construction of sensible milieus becomes a constitutive trait of philosophizing?”