200234 SE Theory and Empirical Research (Mind and Brain) 2 (2021W)
Neuroimaging
Continuous assessment of course work
Labels
MIXED
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Fr 03.09.2021 07:00 to Th 23.09.2021 07:00
- Deregistration possible until Mo 04.10.2021 07:00
Details
max. 20 participants
Language: English
Lecturers
Classes (iCal) - next class is marked with N
- Monday 11.10. 09:45 - 13:00 Hörsaal A Psychologie, NIG 6.Stock A0606
- Monday 18.10. 09:45 - 13:00 Hörsaal A Psychologie, NIG 6.Stock A0606
- Monday 25.10. 09:45 - 13:00 Hörsaal A Psychologie, NIG 6.Stock A0606
- Monday 08.11. 09:45 - 13:00 Hörsaal A Psychologie, NIG 6.Stock A0606
- Monday 15.11. 09:45 - 13:00 Hörsaal A Psychologie, NIG 6.Stock A0606
- Monday 22.11. 09:45 - 13:00 Hörsaal A Psychologie, NIG 6.Stock A0606
- Monday 29.11. 09:45 - 13:00 Hörsaal A Psychologie, NIG 6.Stock A0606
- Monday 06.12. 09:45 - 13:00 Hörsaal A Psychologie, NIG 6.Stock A0606
- Monday 13.12. 09:45 - 13:00 Hörsaal A Psychologie, NIG 6.Stock A0606
- Monday 10.01. 09:45 - 13:00 Hörsaal A Psychologie, NIG 6.Stock A0606
- Monday 17.01. 09:45 - 13:00 Hörsaal A Psychologie, NIG 6.Stock A0606
- Monday 24.01. 09:45 - 13:00 Hörsaal A Psychologie, NIG 6.Stock A0606
- Monday 31.01. 09:45 - 13:00 Hörsaal A Psychologie, NIG 6.Stock A0606
Information
Aims, contents and method of the course
IMPORTANT COVID NOTE: Because this course is aimed at hands-on experience with neuroimaging techniques, we think that it is important that it be held in person (with 3G protocols). We therefore ask that students be mindful of this aim when choosing this class, and only select this course if they are comfortable with in-person meetings.AIMS: The aim of this course is to give hands-on experience in conceiving, planning, and conducting a laboratory study using a specific neuroimaging technique (fNIRS), which is increasingly employed in labs related to Mind and Brain.Thus, through this course, students will be provided with a taste of what it might be like to employ this technique towards a research question and thus to use this knowledge in their own studies and, if they wish, a potential Masters thesis. In addition, we aim to hold a broader discussion regarding the context of research and studies that inform this approach and the broader topic of neuroscience, with the specific focus on neuroaesthetics and empirical investigations of beauty and art, as well as to foster a critical understanding of empirical study design.It is our aim as instructors that, after completing this course, students should be able to: describe for what kind of research fNIRS is used; explain what the fNIRS device consists of, what the parts are for, and how the fNIRS device measures brain activity; use and execute the fNIRS device; know the research area of fNIRS and especially in combination with neuroaesthetics; identify research gaps and develop/formulate their own clear research questions; design and plan a specific study to test research questions; develop oral presentation and communication skillsCONTENT: The main aim of the course will again be on the hands-on as well as theoretical knowledge of fNIRS and the broader topic of neuroaesthetics and applications of brain imaging to the study of art and appraisal of our environments.METHOD: We will employ a blend of lectures on both empirical aspects of fNIRS use as well as overviews of related topics (history of neuroaesthetics, current advances, neurodegeneration and the arts/creativity, hyperscanning, ongoing research in 471), as well as guest lectures, group presentation, writing of research plans and student-led critical feedback, hands-on sessions on data collection and preprocessing with fNIRS; on site data collection.
Assessment and permitted materials
-- class participation—active discussion, feedback, paper reading (30%)
--short oral presentation/1 page handout—recap of last week, surprising element, outstanding question or issue (10%)
--research proposal (group/individual) written outline and oral presentation (30%)
--written protocol of fNIRS set-up (10%)
--hands-on fNIRS work: data collection, preprocessing, analyzing (combination of lecture, quizzes, hands-on via MATLAB? no prior knowledge required) (20%)
--short oral presentation/1 page handout—recap of last week, surprising element, outstanding question or issue (10%)
--research proposal (group/individual) written outline and oral presentation (30%)
--written protocol of fNIRS set-up (10%)
--hands-on fNIRS work: data collection, preprocessing, analyzing (combination of lecture, quizzes, hands-on via MATLAB? no prior knowledge required) (20%)
Minimum requirements and assessment criteria
The basic requirement for a positive grade is your regular presence in class with a maximum of two missed dates (without prior arrangement). In addition, students are required to collect 5 LABS CREDITS.The total sum of above assessments will constitute the final grade. Passing grade (4) = 60%. (to pass the course, 60% is required also in every subtask!).100 - 90%: Grade 1
89,9 - 80%: Grade 2
79,9 - 70%: Grade 3
69,9 - 60%: Grade 4
59,9 - 0%: Grade 5If you do not attend the first class (without contacting me before class start), I reserve the right to give your spot to another student on the waiting list.By registering for this course, you agree that the written papers you submit can be examined with the plagiarism examination software "Turnitin".
89,9 - 80%: Grade 2
79,9 - 70%: Grade 3
69,9 - 60%: Grade 4
59,9 - 0%: Grade 5If you do not attend the first class (without contacting me before class start), I reserve the right to give your spot to another student on the waiting list.By registering for this course, you agree that the written papers you submit can be examined with the plagiarism examination software "Turnitin".
Examination topics
Contents of the LV.
Reading list
To be provided in the LV. However, students will be expected to read at minimum the following:Chatterjee, A., & Vartanian, O. (2014). Neuroaesthetics. Trends in Cognitive Sciences, 18(7), 370‒375. doi:10.1016/j.tics.2014.03.003
Czeszumski, A., Eustergerling, S., Lang, A., Menrath, D., Gerstenberger, M., Schuberth, S., Schreiber, S., Rendon, Z.Z., König, P. (2020). Hyperscanning: A valid method to study neural inter brain underpinnings of social interaction. doi:10.31219/ osf.io/7ey4wFerrari M, Quaresima V. A brief review on the history of human functional near-infrared spectroscopy (fNIRS) development and fields of application. NeuroImage. 2012;63:921–35.Scholkmann, F., Kleiser, S., Jaakko, Metz, A., Zimmermann, R., Mata Pavia, J., et al. (2014). A review on continuous wave functional near-infrared spectroscopy and imaging instrumentation and methodology. NeuroImage. 2014;85:6–27.Pelowski, M., Forster, M., Tinio, P. P. L., Scholl, M., & Leder, H. (2017). Beyond the lab: An examination of key factors influencing interaction with ‘real’ and museum-based art. Psychology of Aesthetics, Creativity, and the Arts, 11(3), 245–264.Piper, S. K., Krueger, A., Koch, S. P., Mehnert, J., Habermehl, C., Steinbrink, J.,Obrig, H., & Schmitz, C. H. (2014). A wearable multi-channel NIRS system for brain imaging in freely moving subjects. Neuroimage, 85, 64–71. doi:10.1016/j.neuroimage.2013.06.062
Czeszumski, A., Eustergerling, S., Lang, A., Menrath, D., Gerstenberger, M., Schuberth, S., Schreiber, S., Rendon, Z.Z., König, P. (2020). Hyperscanning: A valid method to study neural inter brain underpinnings of social interaction. doi:10.31219/ osf.io/7ey4wFerrari M, Quaresima V. A brief review on the history of human functional near-infrared spectroscopy (fNIRS) development and fields of application. NeuroImage. 2012;63:921–35.Scholkmann, F., Kleiser, S., Jaakko, Metz, A., Zimmermann, R., Mata Pavia, J., et al. (2014). A review on continuous wave functional near-infrared spectroscopy and imaging instrumentation and methodology. NeuroImage. 2014;85:6–27.Pelowski, M., Forster, M., Tinio, P. P. L., Scholl, M., & Leder, H. (2017). Beyond the lab: An examination of key factors influencing interaction with ‘real’ and museum-based art. Psychology of Aesthetics, Creativity, and the Arts, 11(3), 245–264.Piper, S. K., Krueger, A., Koch, S. P., Mehnert, J., Habermehl, C., Steinbrink, J.,Obrig, H., & Schmitz, C. H. (2014). A wearable multi-channel NIRS system for brain imaging in freely moving subjects. Neuroimage, 85, 64–71. doi:10.1016/j.neuroimage.2013.06.062
Association in the course directory
Last modified: We 22.09.2021 21:48