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240019 VO Introduction to Visual Anthropology (3.2.6) (2022W)
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ON-SITE
The lecturer can invite students to a grade-relevant discussion about partial achievements. Partial achievements that are obtained by fraud or plagiarized result in the non-evaluation of the course (entry 'X' in certificate). The plagiarism software 'Turnitin' will be used.
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
Details
Language: English
Examination dates
- Tuesday 31.01.2023 15:00 - 16:30 Hörsaal II NIG Erdgeschoß
- Tuesday 21.03.2023 16:45 - 18:15 Hörsaal III NIG Erdgeschoß
- Tuesday 02.05.2023 16:45 - 18:15 Hörsaal A, NIG 4.Stock
- Tuesday 27.06.2023 16:45 - 18:15 Hörsaal III NIG Erdgeschoß
Lecturers
Classes (iCal) - next class is marked with N
If possible, the course is to be conducted in presence. Due to the respective applicable distance regulations and other measures, adjustments may be made.
- Tuesday 04.10. 13:15 - 14:45 Hörsaal A, NIG 4.Stock
- Tuesday 11.10. 13:15 - 14:45 Hörsaal A, NIG 4.Stock
- Tuesday 18.10. 13:15 - 14:45 Hörsaal A, NIG 4.Stock
- Tuesday 25.10. 13:15 - 14:45 Hörsaal A, NIG 4.Stock
- Tuesday 08.11. 13:15 - 14:45 Hörsaal A, NIG 4.Stock
- Tuesday 15.11. 13:15 - 14:45 Hörsaal A, NIG 4.Stock
- Tuesday 22.11. 13:15 - 14:45 Hörsaal A, NIG 4.Stock
- Tuesday 29.11. 13:15 - 14:45 Hörsaal A, NIG 4.Stock
- Tuesday 06.12. 13:15 - 14:45 Hörsaal A, NIG 4.Stock
- Tuesday 13.12. 13:15 - 14:45 Hörsaal A, NIG 4.Stock
- Tuesday 10.01. 13:15 - 14:45 Hörsaal A, NIG 4.Stock
- Tuesday 17.01. 13:15 - 14:45 Hörsaal A, NIG 4.Stock
- Tuesday 24.01. 13:15 - 14:45 Hörsaal A, NIG 4.Stock
Information
Aims, contents and method of the course
Assessment and permitted materials
There will be a final exam for this class worth 100% of the final grade.This exam will include 25 multiple choice questions (50 points) and two essay questions (50 points), based on the assigned study materials (both readings and films).The exam is planned in presence, on paper, in the classroom. Students will not be allowed to bring reading materials or digital equipment to the exam. A dictionary is allowed.A maximum of 10% bonus points can be credited upon successful completion of a multimodal mid-term assignment that reflects on students’ participation in an academic event organised by the Vienna Visual Anthropology Lab during the semester.
Minimum requirements and assessment criteria
A = 1 (Very Good): 87 - 100%
B = 2 (Good): 75 - 86,99%
C = 3 (Satisfactory): 63 - 74,99%
D = 4 (Enough): 50 - 62,99%
F = 5 (Not Enough): 00 - 49,99%
B = 2 (Good): 75 - 86,99%
C = 3 (Satisfactory): 63 - 74,99%
D = 4 (Enough): 50 - 62,99%
F = 5 (Not Enough): 00 - 49,99%
Examination topics
Readings, films, and media projects, to be studied weekly. Links will be made available on Moodle.The lectures are designed to help students understand how to look at the films and interpret the readings. While the lectures as such are not part of the examination, regular lecture attendance is strongly recommended for students who wish to pass the exam. The lectures will take in presence and will not be recorded.
Reading list
The readings for this course are interlinked with audio-visual materials that should be studied jointly, in advance of each class. The short list below is included to give an indication; a complete list for all classes will be distributed during the first class.Visual and multimodal anthropology
Reading: S. Collins, M. Durington, and H. Gill. 2017. Multimodality: An Invitation. American Anthropologist 119 (1): 142-153.
Reading: M. Westmoreland. 2022. Multimodality: Reshaping Anthropology. Annual Review of Anthropology, 51 (online pre-publication).Observational cinema (part of the section on camera-based ethnography)
Reading: Grimshaw, A., and A. Ravetz. 2009. Observational Cinema. Anthropology, Film, and the Exploration of Social Life, Bloomington & Indianapolis: Indiana University Press.
Film: MacDougall, D. 2000. Doon School Chronicles, Part I. Berkeley Media (1 hr. 8 mins).Montage and theory construction
Reading: C. Suhr & R. Willerslev. 2012. Can Film Show the Invisible?: The Work of Montage in Ethnographic Filmmaking. Current Anthropology, 53(3), 282-301.
Film: T. Asch & N. Chagnon. 1975. The Ax Fight. Documentary Educational Resources (DER). 30 minutes.Shared anthropology
Reading: De Groof, M. 2013. Rouch’s Reflexive Turn: Indigenous Film as the Outcome of Reflexivity in Ethnographic Film. Visual Anthropology 26 (2): 109-131.
Film: Meyknecht, S., D. Nijland and J. Verhey. 1998. Rouch’s Gang. Documentary Educational Resources (DER). 70".
Reading: S. Collins, M. Durington, and H. Gill. 2017. Multimodality: An Invitation. American Anthropologist 119 (1): 142-153.
Reading: M. Westmoreland. 2022. Multimodality: Reshaping Anthropology. Annual Review of Anthropology, 51 (online pre-publication).Observational cinema (part of the section on camera-based ethnography)
Reading: Grimshaw, A., and A. Ravetz. 2009. Observational Cinema. Anthropology, Film, and the Exploration of Social Life, Bloomington & Indianapolis: Indiana University Press.
Film: MacDougall, D. 2000. Doon School Chronicles, Part I. Berkeley Media (1 hr. 8 mins).Montage and theory construction
Reading: C. Suhr & R. Willerslev. 2012. Can Film Show the Invisible?: The Work of Montage in Ethnographic Filmmaking. Current Anthropology, 53(3), 282-301.
Film: T. Asch & N. Chagnon. 1975. The Ax Fight. Documentary Educational Resources (DER). 30 minutes.Shared anthropology
Reading: De Groof, M. 2013. Rouch’s Reflexive Turn: Indigenous Film as the Outcome of Reflexivity in Ethnographic Film. Visual Anthropology 26 (2): 109-131.
Film: Meyknecht, S., D. Nijland and J. Verhey. 1998. Rouch’s Gang. Documentary Educational Resources (DER). 70".
Association in the course directory
Last modified: Tu 31.01.2023 11:10
This lecture series offers an introduction to Visual Anthropology. Visual Anthropology is a subfield of anthropology that does not only study visual culture but also integrates practices of visual media production (especially filmmaking) within anthropological research and reporting. Despite its consolidation as a subdiscipline with its own institutions and discussion forums, Visual Anthropology has always remained a highly dynamic field, and its practitioners have formulated varied and sometimes opposing interpretations of what visual anthropology is or should be. The recent renaming of the subdiscipline as ‘Multimodal Anthropology’ is an example of this. Students will learn about these different ideas and practices by studying relevant literature, films, and media projects that will be discussed in the lectures. Students will arrive at an in-depth understanding of the field in order to eventually formulate interpretations of their own.The following topics will be discussed:
• Visual Anthropology and Multimodal Anthropology
• Camera-based ethnography
• Montage and theory construction
• Distribution, audiences, and reception
• Shared anthropology, reflexivity, and decolonizing anthropologyLearning goals:
At the end of the course, students will have substantiated knowledge about:
• key ideas and practices in the field of visual anthropology, and important debates in the field;
• how visual anthropology approaches have responded to changing technological and social-political conditions, and to shifting theoretical frameworks in the history of the broader discipline of anthropology;
• through their comparative viewings of anthropological films: how certain cinematographic choices (e.g., in camera work, sound, and editing) express certain theoretical or methodological approaches.By gaining this knowledge, students will be challenged to:
• start formulating their own view on the role of (audio)visual media practices in anthropological research;
• to envision implementing such practices in the future.Set-up:
Each week, students study a film or other media work alongside literature. In the accompanying lectures, the lecturer highlights key ideas and backgrounds to deepen students' understanding of the literature and media works.Optional film viewing club:
If students have an interest in watching the compulsory films together in the department (rather than alone at home), a time/space can be arranged for this outside of classroom hours. This optional student-led film viewing club will be set up only if there is sufficient interest among students - to be discussed in the first class.