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480092 SE BA Seminar on Literature (2020S)

The Image of the City in Bulgarian Symbolst and Post-Symbolst Poetry

10.00 ECTS (2.00 SWS), SPL 48 - Slawistik
Continuous assessment of course work
Moodle

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

max. 25 participants
Language: German

Lecturers

Classes (iCal) - next class is marked with N

  • Thursday 05.03. 11:30 - 13:00 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
  • Thursday 19.03. 11:30 - 13:00 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
  • Thursday 26.03. 11:30 - 13:00 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
  • Thursday 02.04. 11:30 - 13:00 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
  • Thursday 23.04. 11:30 - 13:00 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
  • Thursday 30.04. 11:30 - 13:00 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
  • Thursday 07.05. 11:30 - 13:00 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
  • Thursday 14.05. 11:30 - 13:00 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
  • Thursday 28.05. 11:30 - 13:00 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
  • Thursday 04.06. 11:30 - 13:00 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
  • Thursday 18.06. 11:30 - 13:00 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
  • Thursday 25.06. 11:30 - 13:00 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35

Information

Aims, contents and method of the course

Does the appearance of the city in the modern Bulgarian poetry of the 20th century mean a radical transformation of its theme? Did the poem by Nikolai Liliev "Gradăt" (The City) from 1911 have a manifest character? Had it not inspired the manifest essay by Ivan Radoslavov? Did the shape of the city serve only as a background for the representation or did it itself become an object of representation and reflection? How does the "cityscape" in the work of Javorov, Debeljanov, Liliev, Em. Popdimitrov, N. Rajnov, Iv. Mirchev, At. Dalchev, El. Bagryana, Chr. Smirnenski, G. Milev, N. Marangozov, Jana Jazova on the other lyrical figures in the respective texts? Would it be possible to talk about a concrete conception of the city in modern Bulgarian poetry from the beginning of the 20th century to the end of the 1920s, a conception that deepens, enriches, develops over time?
To summarize the individual stages of the development of modern Bulgarian poetry, to separate and analyze its distinctive features, to fix and deal with the significant changes in the cityscape of modern Bulgarian poetry through the conceptually thought-out or spontaneously emerging form of the city

Assessment and permitted materials

Active participation in the discussions and a written seminar paper.
By April 3, 2020, students will receive the texts for analysis with the respective instructions by e-mail. Then they must return their written analysis drafts.

Minimum requirements and assessment criteria

In-depth knowledge of symbolism and post-symbolist art movements in Bulgarian literature.

Examination topics

Literature texts of the discussed authors.

Reading list

Kriticheskoto nasledstvo na bylgarskija modernizym. I, II, III. Ed. E. Sugarev, Cv. Atanasova, E. Dimitrova. Sofia, 2009;
Bylgarsko i moderno: kym izuchavaneto na novata bylgarska literatura. Ed. E. Dimitrova. Sofia, 2014;
Bylgarski poeticheski avangard. Ed. M. Nedelchev, E. Trajkova, M. Ivanova-Girginova. Sofia, 2018;
bgmodernism.com

Association in the course directory

B-64-B

Last modified: Mo 07.09.2020 15:22