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480096 SE Seminar on Literature and Culture (2023S)
Symbolism and Post-Symbolism in Bulgarian Literature: Points of Contact and Radical Restrictions
Continuous assessment of course work
Labels
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Mo 06.02.2023 12:00 to Th 23.02.2023 12:00
- Deregistration possible until Fr 31.03.2023 23:59
Details
max. 25 participants
Language: German
Lecturers
Classes (iCal) - next class is marked with N
- Wednesday 01.03. 13:15 - 14:45 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
- Wednesday 08.03. 13:15 - 14:45 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
- Wednesday 15.03. 13:15 - 14:45 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
- Wednesday 22.03. 13:15 - 14:45 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
- Wednesday 19.04. 13:15 - 14:45 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
- Wednesday 26.04. 13:15 - 14:45 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
- Wednesday 03.05. 13:15 - 14:45 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
- Wednesday 10.05. 13:15 - 14:45 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
- Wednesday 17.05. 13:15 - 14:45 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
- Wednesday 24.05. 13:15 - 14:45 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
- Wednesday 31.05. 13:15 - 14:45 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
- Wednesday 07.06. 13:15 - 14:45 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
- Wednesday 14.06. 13:15 - 14:45 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
- Wednesday 21.06. 13:15 - 14:45 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
- Wednesday 28.06. 13:15 - 14:45 Seminarraum 8 Slawistik UniCampus Hof 3 2R-Z1-35
Information
Aims, contents and method of the course
Assessment and permitted materials
Active participation in the discussions and a written seminar paper.
Minimum requirements and assessment criteria
In-depth knowledge of the different art forms in Bulgarian poetry.
Examination topics
Literature texts of the discussed authors.
Reading list
Kriticheskoto nasledstvo na bylgarskija modernizym. I, II, III. Ed. E. Sugarev, Cv. Atanasova, E. Dimitrova. Sofia, 2009;
Bylgarsko i moderno: kym izuchavaneto na novata bylgarska literatura. Ed. E. Dimitrova. Sofia, 2014;
Bylgarski poeticheski avangard. Ed. M. Nedelchev, E. Trajkova, M. Ivanova-Girginova. Sofia, 2018;
bgmodernism.com
Bulgarische Lyrik des 20. Jahrhunderts. Hrsg. Köppe, W. Verlag Volk und Welt. Berlin. 1984;
Eurydike singt: Neue bulgarische Lyrik. Anthologie. Hrsg. Randow, N. Gutke. Köln. 1999;
Bylgarsko i moderno: kym izuchavaneto na novata bylgarska literatura. Ed. E. Dimitrova. Sofia, 2014;
Bylgarski poeticheski avangard. Ed. M. Nedelchev, E. Trajkova, M. Ivanova-Girginova. Sofia, 2018;
bgmodernism.com
Bulgarische Lyrik des 20. Jahrhunderts. Hrsg. Köppe, W. Verlag Volk und Welt. Berlin. 1984;
Eurydike singt: Neue bulgarische Lyrik. Anthologie. Hrsg. Randow, N. Gutke. Köln. 1999;
Association in the course directory
M.4.2.B, M.5.1.B
Last modified: Mo 27.03.2023 10:10
Symbolism was declared a dead and exhausted art by the younger literary generations. At the same time, however, it was precisely in this period that the most representative books of poetry by the Bulgarian Symbolists appeared, as well as the anthology "Mlada Bălgarija" (1922), which confirms the unshakeable status of this artistic formation. Elements of Symbolist poetics were, after all, to be discovered as vivid in texts by the "anti-Symbolists". Was it an inertia or, on the contrary, a tenacious poetics that fertilised the new currents?
How does symbolism continue to exist in the art movements that negate it - in expressionism, in diabolism, in factual poetics? How have Futurism, Dadaism, Imaginism completely disassociated themselves from it?
In the course of the semester, these questions will be discussed, not only on the basis of the emblematic poetic works, but also on the basis of the peculiar prose of the time (Čavdar Mutafov, Anton Strašimirov), as well as specific dramatic texts will be used (Bojan Danovski) to illustrate the extremely complicated literary process, to highlight its immense contradictions.