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480114 KO Colloquium on Literature and Cultural Studies (2022W)
Political Economy and Politics of Aesthetics of unofficial literature, art and rock music in the late Soviet Union (1960s - 1980s)
Continuous assessment of course work
Labels
ON-SITE
Registration/Deregistration
Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).
- Registration is open from Mo 05.09.2022 12:00 to Mo 26.09.2022 12:00
- Deregistration possible until Mo 31.10.2022 23:59
Details
max. 25 participants
Language: German
Lecturers
Classes (iCal) - next class is marked with N
- Friday 07.10. 11:30 - 13:00 Seminarraum 6 Slawistik UniCampus Hof 3 2P-O1-27
- Friday 14.10. 11:30 - 13:00 Seminarraum 1 Slawistik UniCampus Hof 3 2R-EG-17
- Friday 21.10. 11:30 - 13:00 Seminarraum 6 Slawistik UniCampus Hof 3 2P-O1-27
- Friday 28.10. 11:30 - 13:00 Seminarraum 6 Slawistik UniCampus Hof 3 2P-O1-27
- Friday 11.11. 11:30 - 13:00 Digital
- Friday 18.11. 11:30 - 13:00 Seminarraum 6 Slawistik UniCampus Hof 3 2P-O1-27
- Friday 25.11. 11:30 - 13:00 Seminarraum 6 Slawistik UniCampus Hof 3 2P-O1-27
- Friday 02.12. 11:30 - 13:00 Seminarraum 6 Slawistik UniCampus Hof 3 2P-O1-27
- Friday 09.12. 11:30 - 13:00 Seminarraum 6 Slawistik UniCampus Hof 3 2P-O1-27
- Friday 16.12. 11:30 - 13:00 Seminarraum 6 Slawistik UniCampus Hof 3 2P-O1-27
Information
Aims, contents and method of the course
Assessment and permitted materials
Essay at the end of the semester
Minimum requirements and assessment criteria
Attendance, active participation, reading, discussion contributions
Examination topics
Reading list
The lecturer will use (and provide the students) a wide range of various learning materials: texts, images, recordings - and selected bibliography, list of the video and images links1. Zitzewitz J. von. The Culture of Samizdat: Literature and Underground Networks in the Late Soviet Union (Library of Modern Russia). London: Bloomsbury Academic, 2020.
2. Brodsky J. Room and a Half (https://brodskiy.su/proza/poltory-komnaty/?lang=en )
3. Groys B. Moscow Romantic Conceptualism // A-Ya. 1979. 1. P. 3-11 (https://monoskop.org/File:Groys_Boris_1979_Moscow_Romantic_Conceptualism_EN_RU.pdf ) or any other Groys’ texts about Moscow Conceptual school).
4. Artist talk at Garage. John Baldessari, Ilya Kabakov (2013): https://youtu.be/W47RyKlFFcM
5. Kirill Kobrin i Viktor Pivovarov o Kitae i "Šizokitae" (2018): https://youtu.be/xIJL1Vj58vo
6 Aquarium (Akvarium) rock band early videos and gigs: https://youtu.be/TPmf1W50bTU ; https://youtu.be/bKNn7fP_shE; https://youtu.be/mjfjoYLAbIA
7. Zoopark rock band early videos and gigs: https://youtu.be/8nLb4nDtPvE ; https://youtu.be/Z_5TmQKTmfY ; https://youtu.be/NizORxh-sFY
8. Kino rock band early videos and gigs: https://youtu.be/w5jU_lVQt4o ; https://youtu.be/MHZ16gmMUOI
9. Auction (Aukcyon) rock band early videos: https://youtu.be/sfdpKzYxL4g
10. "Viktor Pivovarov - Lemon Eaters". Moscow Photos (https://www.moscow-photos.com/events/2007/pivovarov/ )
2. Brodsky J. Room and a Half (https://brodskiy.su/proza/poltory-komnaty/?lang=en )
3. Groys B. Moscow Romantic Conceptualism // A-Ya. 1979. 1. P. 3-11 (https://monoskop.org/File:Groys_Boris_1979_Moscow_Romantic_Conceptualism_EN_RU.pdf ) or any other Groys’ texts about Moscow Conceptual school).
4. Artist talk at Garage. John Baldessari, Ilya Kabakov (2013): https://youtu.be/W47RyKlFFcM
5. Kirill Kobrin i Viktor Pivovarov o Kitae i "Šizokitae" (2018): https://youtu.be/xIJL1Vj58vo
6 Aquarium (Akvarium) rock band early videos and gigs: https://youtu.be/TPmf1W50bTU ; https://youtu.be/bKNn7fP_shE; https://youtu.be/mjfjoYLAbIA
7. Zoopark rock band early videos and gigs: https://youtu.be/8nLb4nDtPvE ; https://youtu.be/Z_5TmQKTmfY ; https://youtu.be/NizORxh-sFY
8. Kino rock band early videos and gigs: https://youtu.be/w5jU_lVQt4o ; https://youtu.be/MHZ16gmMUOI
9. Auction (Aukcyon) rock band early videos: https://youtu.be/sfdpKzYxL4g
10. "Viktor Pivovarov - Lemon Eaters". Moscow Photos (https://www.moscow-photos.com/events/2007/pivovarov/ )
Association in the course directory
M.4.3., M.5.2.
Last modified: Th 11.05.2023 11:28
1. A correlation between political, ideological, and aesthetical in the Soviet cultural underground,
2. Why didn’t Soviet underground never become a counterculture?
3. How did Soviet underground artists, literati, musicians survived, economically and socially,
4. How did the mechanism of this underground culture work?The course consists of the Introduction which is supposed to provide the students with historical and cultural context of the post-war Soviet Union, a series of lectures and discussions focused on the main topics of the course, several workshops where we are going to discuss various texts of Soviet underground literature, some underground artefacts and rock and jazz tracks recorded illegally in the USSR. In the end of the course a wrap-up lecture/seminar is supposed to sum up some of the conclusions.Types of the lessons:
Lectures
Seminars/discussions
Workshops