Universität Wien
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480148 KO Colloquium on Literature and Cultural Studies (2022W)

The Russian Civil War and Multinational Cultural Environment: Kyiv in 1918-1921

5.00 ECTS (2.00 SWS), SPL 48 - Slawistik
Continuous assessment of course work
ON-SITE

Registration/Deregistration

Note: The time of your registration within the registration period has no effect on the allocation of places (no first come, first served).

Details

max. 25 participants
Language: German

Lecturers

Classes (iCal) - next class is marked with N

  • Tuesday 04.10. 15:00 - 16:30 Seminarraum 2 Slawistik UniCampus Hof 3 2R-EG-26
  • Tuesday 11.10. 15:00 - 16:30 Seminarraum 2 Slawistik UniCampus Hof 3 2R-EG-26
  • Tuesday 18.10. 15:00 - 16:30 Seminarraum 2 Slawistik UniCampus Hof 3 2R-EG-26
  • Tuesday 25.10. 15:00 - 16:30 Seminarraum 2 Slawistik UniCampus Hof 3 2R-EG-26
  • Tuesday 08.11. 15:00 - 16:30 Seminarraum 2 Slawistik UniCampus Hof 3 2R-EG-26
  • Tuesday 15.11. 15:00 - 16:30 Besprechungsraum Slawistik Unicampus Hof 3 2R-EG-40
  • Tuesday 22.11. 15:00 - 16:30 Besprechungsraum Slawistik Unicampus Hof 3 2R-EG-40
  • Tuesday 29.11. 15:00 - 16:30 Besprechungsraum Slawistik Unicampus Hof 3 2R-EG-40
  • Tuesday 06.12. 15:00 - 16:30 Besprechungsraum Slawistik Unicampus Hof 3 2R-EG-40
  • Tuesday 13.12. 15:00 - 16:30 Besprechungsraum Slawistik Unicampus Hof 3 2R-EG-40

Information

Aims, contents and method of the course

The course is dedicated to the phenomena of multicultural and multilingual cultural landscape of the post-revolutionary Kyiv.

Following the 1917 Russian Revolution, Kyiv became a centre of the struggle for Ukrainian statehood and thus appeared in the middle of several conflicts: the World War I, the Civil War on the territory of the former Russian empire, and the Polish–Soviet War. From the end of 1918 to August 1920 the city changed hands sixteen times. Despite non-stop violence, this turbulent period is also characterized by flourishing of literature and art. The co-existence of different artistic groups and representatives of different cultures (Ukrainian, Russian, Jewish, Polish) who found themselves in the post-revolutionary Kyiv made this city a place where a galore of rich multicultural life had been happening for several years. The aim of the course is to discuss both the historical and ideological context of the formation of post-revolutionary national/international culture in Ukraine by analysing separate artistic and literary works of different representatives of this phenomenon.

The course will discuss the following topics:
1. Ukrainian literature and art of the 1918–1921 (“White studio” literary group, “Flamingo” artistic group, “Boichuk Artistic School”, etc.)
2. Jewish literature and art (“Kultur-Lige” organisation)
3. Russian writers and artists in Kyiv (“Ch.L.A.M.” artistic group)

The course consists of the Introduction which is supposed to provide the students with historical and cultural context of the post-revolutionary Kyiv, and a series of colloquiums where cultural cases (texts, art objects, films) will be discussed. In the end of the course a wrap-up discussion is supposed to sum up some of the conclusions.

Types of the lessons:
Lectures
Seminars/workshops/discussions

The lecturer will use (and provide the students) a wide range of various learning materials: texts, images, and videos.

Assessment and permitted materials

Attendance, active participation, reading, discussion contributions.

Minimum requirements and assessment criteria

Attendance and discussion contributions.
Final essay to be submitted (3-5 pages).

Examination topics

The examination topics will be discussed individually depending on the student's interest.

Reading list

1. Botar Oliver. Review of the exhibition “The Phenomenon of the Ukrainian Avant-Garde 1910–1935” held at the Winnipeg Art Gallery, October 10, 2001 to January 13, 2002 // Border Crossings. 2002. № 81. Pp. 74–77.
2. Kul'tur-Liga: hudozhnij avangard 1910-1920-h rokiv: al'bom-katalog. K.: Duh i Litera, 2007. (http://irbis-nbuv.gov.ua/cgi-bin/ua/elib.exe?Z21ID=&I21DBN=UKRLIB&P21DBN=UKRLIB&S21STN=1&S21REF=10&S21FMT=online_book&C21COM=S&S21CNR=20&S21P01=0&S21P02=0&S21P03=FF=&S21STR=ukr0000223)
3. Shkandrij M. Avant-Garde Art in Ukraine 1910–1930: Contested Memory. Boston: Academic Studies Press, 2019.

Association in the course directory

M.4.3., M.5.2.

Last modified: Tu 04.07.2023 08:27