1. Required Modules

B01 Module - Orientation Period

B01.1 StEOP: Principles of Music and musicological Research

• 160006 VO 3 ECTS Principles of Music
  Reisigl
• 160007 VO 3 ECTS Work techniques in musicology
  Calella

B01.2 StEOP: Introduction to Musicology

• 160001 VO 3 ECTS Introduction to musicology I
  Lodes
• 160002 VO 3 ECTS Introduction to musicology II
  Calella
• 160003 VO 3 ECTS Introduction to musicology III
  Schmidhofer
• 160004 VO 3 ECTS Introduction to musicology IV
  Reuter
• 160005 VO 3 ECTS Introduction to musicology V
  Schmidhofer

B02 Module - Music Theory

B02.1 Module - Music Theory and Musical Structures I

• 160030 UE 4 ECTS Hearing and Recognition of Musical Structures
  Boenke
• 160063 UE 4 ECTS Harmony 1
  Brauneiss

B02.2 Module - Music Theory and Musical Structures II

• 160029 UE 4 ECTS Harmony 2: Little history of the fuge technique (16th to 20th century)
  Boenke
• 160056 UE 4 ECTS Harmony 2: The structural functions of harmony in keyboard pieces from the 17th to 19th century
  Brauneiss
• 160054 UE 4 ECTS Exercises in Ethnomusicological Transcription
  Sterzer

B03 Basic Module - History of European Music before and after 1600

• 160010 VO 3 ECTS Music History V (1850-1950)
  Calella
• 160019 VO 3 ECTS (Meta-)History of Mass Ordinary Settings (to 1600)
  Lodes
• 160037 VO 3 ECTS Venice: Musical Anatomy of a City
  Gasch
• 160061 VO 3 ECTS Verismo and Exoticism in Music Theatre Around 1900
  Vill
• 160035 UE 4 ECTS Principles of Notation and Composition II
  Fuhrmann
• 160038 PS 5 ECTS The Myth of Venice: A Chronotope in Music-Historical Writing
  Gasch
• 160039 PS 5 ECTS Erik Satie and the Groupe des Six
  Handlos
• 160075 VO 3 ECTS Music at the Hapsburg family
  Hilscher

B04 Basic Module - Ethnomusicology

• 160025 VO 3 ECTS The musics of the world at a glance 1st part
  Weber
• 160045 VO 3 ECTS African Music II
  Kubik
• 160070 VO 3 ECTS Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan
  Seibt
• 160051 VO 3 ECTS [ en ] Using’anga (healing practice) and music in Malawi
  Malamusi
• 160014 VO 3 ECTS Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European Cultures
  Elschek
• 160068 VO+UE 5 ECTS Audio and video recordings in African studies and musicology - Historical, methodological and technical aspects
  Schöpf
• 160009 UE 4 ECTS Reading and writing ethnomusicological texts
  Brunner
• 160054 UE 4 ECTS Exercises in Ethnomusicological Transcription
  Sterzer
• 160042 PS 5 ECTS Romani music: theoretical reflection and active practice
  Hemetek
• 160023 PS 5 ECTS Source study in ethnomusicology
  Schmidhofer
• 160071 UE 4 ECTS Reading and writing ethnomusicological texts - Please Lay Down Here on the Turntable: An Ethnomusicological Self-Experiment
  Seibt

B05 Basic Module - Systematic Musicology

• 160033 VO 3 ECTS From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
  Donhauser
• 160062 VO+UE 4 ECTS Foundations of Music Psychology
  Wolf
• 160052 UE 4 ECTS Wonderful World of Musical Acoustics: Analysis
  Mühlhans
• 160020 UE 4 ECTS Wonderful World of Musical Acoustics: Synthesis
  Reuter
• 160048 UE 4 ECTS Acoustic Labor Practical Course I: Recording & Sound Analysis
  Lubej
• 160008 PS 5 ECTS Physics and the Perception of Timbre - An Introduction
  Siddiq
• 160047 PR 5 ECTS Practical Introduction into Acoustical Measurement Techniques
  Lorenz-Kierakiewitz
• 160050 KO 1 ECTS Conversatorium in Musical-Acoustic Issues
  Lubej

B06 Basic Module - Contemporary Music and Popular Music

• 160025 VO 3 ECTS The musics of the world at a glance 1st part
  Weber
• 160057 VO 3 ECTS History of popular music
  Von Appen
• 160070 VO 3 ECTS Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan
  Seibt
• 160032 VO 3 ECTS Stronghold of the avant-garde. The Darmstadt International Summer Course for New Music 1946-1982
  Cavallotti
• 160033 VO 3 ECTS From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
  Donhauser
• 160037 VO 3 ECTS Venice: Musical Anatomy of a City
  Gasch
• 160026 VO+UE 5 ECTS Introduction to Popular Music (Theories, approaches etc.)
  Weber
• 160048 UE 4 ECTS Acoustic Labor Practical Course I: Recording & Sound Analysis
  Lubej
• 160060 PS 5 ECTS Sound-based Composition in New Music since 1950: Scelsi, Ligeti, Lachenmann - Historical Context - Compositional Poetics - Analysis
  Utz
• 160038 PS 5 ECTS The Myth of Venice: A Chronotope in Music-Historical Writing
  Gasch
• 160039 PS 5 ECTS Erik Satie and the Groupe des Six
  Handlos
• 160072 PS 5 ECTS Menace II Society (?): On the Formation, Differentiation, and Global Spread of HipHop
  Seibt
• 160059 PR 5 ECTS Writing about New Music
  Urbanek

B07 Basic Module - Source Study, Source Work and Source Criticism

• 160064 VO 3 ECTS AV-Documents as Sources for Musicology - Critical Evaluation of Sources and Long-Term Availability of AV Sources
  Schüller
• 160068 VO+UE 5 ECTS Audio and video recordings in African studies and musicology - Historical, methodological and technical aspects
  Schöpf
• 160009 UE 4 ECTS Reading and writing ethnomusicological texts
  Brunner
• 160035 UE 4 ECTS Principles of Notation and Composition II
  Fuhrmann
• 160055 UE 4 ECTS History and Methods of Editing Early Music
  Tröster
• 160066 UE 4 ECTS Gregorian Chant practical course - Schola, composition techniques and publication skills.
  Klugseder
• 160023 PS 5 ECTS Source study in ethnomusicology
  Schmidhofer
• 160071 UE 4 ECTS Reading and writing ethnomusicological texts - Please Lay Down Here on the Turntable: An Ethnomusicological Self-Experiment
  Seibt

B08 Final Module

• 160038 PS 5 ECTS The Myth of Venice: A Chronotope in Music-Historical Writing
  Gasch
• 160023 PS 5 ECTS Source study in ethnomusicology
  Schmidhofer
• 160042 PS 5 ECTS Romani music: theoretical reflection and active practice
  Hemetek
• 160060 PS 5 ECTS Sound-based Composition in New Music since 1950: Scelsi, Ligeti, Lachenmann - Historical Context - Compositional Poetics - Analysis
  Utz
• 160039 PS 5 ECTS Erik Satie and the Groupe des Six
  Handlos
• 160017 SE 7 ECTS The Fateful Backward Glance of a Lover
  Haas
• 160015 SE 7 ECTS Sources of the 15th and 16th Centuries in Eastern Europe
  Gasch
• 160011 SE 7 ECTS Händel´s early operas
  Calella
• 160034 SE 7 ECTS Pierre de la Rue
  Fuhrmann
• 160022 SE 7 ECTS Systematic Oddities - Everyday Myths about Music and their Origins
  Reuter
• 160044 SE 7 ECTS Selected Topics in Organology and Instrument Classification
  Kowar
• 160049 SE 7 ECTS Sound Design & Acoustic Measurement
  Lubej
• 160027 SE 7 ECTS Film Music for belittlement
  Saary
• 160040 SE 7 ECTS The Reception of Literary Works in 19th-Century Musical Theater (with a focus on France)
  Handlos
• 160053 SE 7 ECTS Baroque opera in Austria
  Seifert
• 160058 SE 7 ECTS Analysis of popular music
  Von Appen
• 160072 PS 5 ECTS Menace II Society (?): On the Formation, Differentiation, and Global Spread of HipHop
  Seibt
• 160073 SE 7 ECTS Dentô ongaku: Traditional Music in Japan
  Seibt