2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)
B09 VM History of European Music before 1600
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Gasch
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Lodes
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160028 VO 3 ECTS "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th CenturiesGlüxam
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Fuhrmann
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160066 UE 4 ECTS Gregorian Chant practical course - Schola, composition techniques and publication skills.Klugseder
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Gasch
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Fuhrmann
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Gasch
B10 VM History of European Music after 1600
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Calella
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Vill
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160028 VO 3 ECTS "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th CenturiesGlüxam
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Gasch
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Müller-Funk, We 16:45-18:15 (13×)
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Gasch
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Handlos
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Haas
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Seifert
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160040 SE 7 ECTS The Reception of Literary Works in 19th-Century Musical Theater (with a focus on France)Handlos
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Hilscher
B11 VM Ethnomusicology
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Weber
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Kubik
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Malamusi
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Seibt
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160014 VO 3 ECTS Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European CulturesElschek
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160068 VO+UE 5 ECTS Audio and video recordings in African studies and musicology - Historical, methodological and technical aspectsSchöpf
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Brunner
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Sterzer
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Laury
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Schmidhofer
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Hemetek
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Seibt
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Kowar
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160071 UE 4 ECTS Reading and writing ethnomusicological texts - Please Lay Down Here on the Turntable: An Ethnomusicological Self-ExperimentSeibt
B12 VM Systematic Musicology
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160033 VO 3 ECTS From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer RandbedingungenDonhauser
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Wolf
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Reuter
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Mühlhans
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Lubej
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Siddiq
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Lubej
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Kowar
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Lubej
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Lorenz-Kierakiewitz
B13 VM Contemporary Music
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160032 VO 3 ECTS Stronghold of the avant-garde. The Darmstadt International Summer Course for New Music 1946-1982Cavallotti
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160033 VO 3 ECTS From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer RandbedingungenDonhauser
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Gasch
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Müller-Funk, We 16:45-18:15 (13×)
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Gasch
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Handlos
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160060 PS 5 ECTS Sound-based Composition in New Music since 1950: Scelsi, Ligeti, Lachenmann - Historical Context - Compositional Poetics - AnalysisUtz
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Urbanek
B14 VM Popular Music
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Weber
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Von Appen
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160033 VO 3 ECTS From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer RandbedingungenDonhauser
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Weber
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Laury
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Hecht
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Lubej
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160072 PS 5 ECTS Menace II Society (?): On the Formation, Differentiation, and Global Spread of HipHopSeibt
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Von Appen
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Seibt
B15 VM Source Study, Source Work and Source Criticism
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160064 VO 3 ECTS AV-Documents as Sources for Musicology - Critical Evaluation of Sources and Long-Term Availability of AV SourcesSchüller
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160028 VO 3 ECTS "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th CenturiesGlüxam
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160068 VO+UE 5 ECTS Audio and video recordings in African studies and musicology - Historical, methodological and technical aspectsSchöpf
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Brunner
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160066 UE 4 ECTS Gregorian Chant practical course - Schola, composition techniques and publication skills.Klugseder
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Fuhrmann
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Tröster
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Schmidhofer
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Gasch
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Fuhrmann
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160069 PR 5 ECTS Digital Music Edition with MEI - Online edition of compositions from former members of the Institute of MusicologyKlugseder
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160071 UE 4 ECTS Reading and writing ethnomusicological texts - Please Lay Down Here on the Turntable: An Ethnomusicological Self-ExperimentSeibt
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Hilscher
B16 EM Music and Society
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160014 VO 3 ECTS Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European CulturesElschek
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Weber
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Gasch
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Weber
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Hemetek
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Gasch
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160060 PS 5 ECTS Sound-based Composition in New Music since 1950: Scelsi, Ligeti, Lachenmann - Historical Context - Compositional Poetics - AnalysisUtz
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Haas
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Seibt
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160072 PS 5 ECTS Menace II Society (?): On the Formation, Differentiation, and Global Spread of HipHopSeibt
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Hilscher
B17 EM Analysis and Theoretical Interpretation of Music
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Kubik
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160028 VO 3 ECTS "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th CenturiesGlüxam
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Boenke
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Fuhrmann
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160056 UE 4 ECTS Harmony 2: The structural functions of harmony in keyboard pieces from the 17th to 19th centuryBrauneiss
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Sterzer
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Handlos
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160060 PS 5 ECTS Sound-based Composition in New Music since 1950: Scelsi, Ligeti, Lachenmann - Historical Context - Compositional Poetics - AnalysisUtz
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Seifert
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Von Appen
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Fuhrmann
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160040 SE 7 ECTS The Reception of Literary Works in 19th-Century Musical Theater (with a focus on France)Handlos
B18 EM Music Philosophy, Music Aesthetics and Musical Hermeneutics
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160028 VO 3 ECTS "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th CenturiesGlüxam
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Müller-Funk, We 16:45-18:15 (13×)
B19 EM Current Musicology
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Calella
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Weber
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Reuter
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Mühlhans
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Gasch
B20 EM Applied Musicology I
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Reuter
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Mühlhans
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Tröster
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Lubej
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Hecht
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Hemetek
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Lubej
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Lubej
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Kayali
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Urbanek
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Lorenz-Kierakiewitz
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160069 PR 5 ECTS Digital Music Edition with MEI - Online edition of compositions from former members of the Institute of MusicologyKlugseder
Last modified: We 13.06.2018 00:39