MA (G) 3 Group of Elective Supplementary Modules

MA (G) 3.1. Theory und Aesthetics

• 170500 UE Hate - Grief - Shame - Media & theories of bad affects
• 170501 UE Translating Walter Benjamin
• 170502 UE Parlor Games with Lethal Ending. On Staged Animal-Fighting-Practices
• 170503 UE Commitment + Control. Theories of Immersive Theatre
• 170504 UE Alexander Kluge’s Pluriverse
• 170505 UE 'Madness,' Psychiatry, and Media
• 170506 UE "Evil" Clowns - grotesques figures between anxiety and fascination
• 170710 UE Just Hamlet. Versions, Variations, Visions
• 170711 UE Left wing cinema

MA (G) 3.2. History

• 160062 PS French opera from Lully to Rameau
• 170510 UE History/ies of the Cinema
• 170511 UE Analog/Digital: On the History of Theorizing a Distinction
• 170512 UE Mobile Media: Theory and History
• 170513 UE Religiously motivated hostility to theatre as a source of theatrehistorical knowledge
• 170514 UE Photography - History, Theory, Media
• 170515 UE Radiophonic space between electromagnetism, fight & art

MA (G) 3.3. Technique

MA (G) 3.4. Organisation and Law

MA (G) 3.5. Fields of Practice and Communication

• 160061 PR Introduction to opera dramaturgy exemplified at the Viennese opera
• 170520 UE The modern folk play: From Horváth to Schwab
• 170521 UE DSCHUNGEL academy
• 170522 UE VISION OF WORK
• 170523 UE Urbanity and Province in the New Austrian Cinema - Diagonale Cooperation 2017
• 170524 UE Mentoring
• 170525 UE [ de en ] Cultural Management in Practice and Theory

MA (G) 3.6. Gender

• 070080 SE Seminar zu Geschichte (PM 4) - FILM NOIR: Art and Psychoanalysis
• 170530 UE The interplay between social dynamics & aesthetics in dance practices
• 170531 UE Who's looking? Interdependencies between ethnicity, class and gender in cinema and the media
• 170740 UE Discursive strategies and visual politics of hegemonic masculinities

MA (G) 3.7. Global Perspectives

• 170540 UE Transnational Cinema: Discourses, Methods, History
• 170541 UE Minor Cinemas: Experimental and Emancipatory Film Practices
• 170741 UE The post- and the decolonial - and how to be applied in practice - Das Anwenden, Reflektieren und Vernetzen theoretischer Konzepte in der film- und medienwissenschaftlichen Praxis