B17 EM Analysis and Theoretical Interpretation of Music

• 160043 VO Popular Music in Brazil - From the post Bossa Nova era until today
• 160047 PS Music in Southeastern Africa
• 160054 PS Musical Melancholy: From the Renaissance to Pop Music
• 160059 PS Tone Systems, Scales and Tunings
• 160061 PS Music and Fairy Tales
• 160062 SE Gifted - celebrated - forgotten?
• 160064 PS The Masses of Jacob Obrecht
• 160068 UE Notation and composition of the instrumental music - an introduction (Notation & Composition IV)
• 160069 VO Music History V (1850-1950)
• 160088 VO Psychoanalysis of Musical Meaning
• 160092 VO The so-called "Affektenlehre" and its significance for the performing practice - of the music of the 17th and 18th century
• 160097 SE W.A. Mozart: The Piano Sonatas
• 160107 SE The String Quartets by Joseph Haydn
• 160112 UE Developments of harmony in the first half of the 19th century (focuses:Mendelssohn, Schumann, Liszt) - Schwerpunkte: Mendelssohn, Schumann, Liszt
• 160117 UE Exercises in ethnomusicological transcription
• 160119 UE Theory for Jazz and Popular Music of the 20th Century
• 160120 VO+UE Conversations about Conventions
• 160132 VO+UE Music for Silent Film in Weimar Republic
• 160133 VO Max Reger - Approaches to the music and the man
• 160135 SE Around 1500: Features of a key period in music history
• 160136 PS Giacomo Puccini
• 160137 VO+UE Theory and Practice of Central Javanese Gamelan Music
• 160138 VO Music and Theory of Music in the Ancient Greek World
• 160140 VO+UE [ de en ] The Songs of George Gershwin and Cole Porter: American Music Goes Global
• 160145 VO+UE Interrelations of room acoustics and composition
• 160149 UE [ de en ] African Instruments: Cultural context and performance techniques II
• 160151 SE Popular Music as a Historical Phenomenon
• 160154 VO+UE Handel's chamber cantatas between history and current interpretation. Lectures and exercises
• 160156 VO Night music
• 160160 SE Analysis and Interpretation of Selected Works of New Music after 1950
• 160164 PR [ de en it ] Cantata research with CLORI (online data base) - Hands on training on Italian Cantatas for the Viennese imperial court around 1700
• 160170 UE Orlando di Lasso’s motets: types - function - genre - (including an introduction to questions of edition)