A. Bachelor Degree Programme in Musicology

1. Required Modules

B01 Module - Orientation Period

B01.1 StEOP: Principles of Music and musicological Research

• 160074 VO Work techniques in musicology
• 160113 VO Principles of Music

B01.2 StEOP: Introduction to Musicology

• 160059 VO Introduction to musicology III
• 160067 VO Introduction to musicology I
• 160077 VO Introduction to musicology IV
• 160081 VO Introduction to musicology III
• 160083 VO Introduction to musicology V

B02 Module - Music Theory

B02.1 Modul Tonsatz und musikalische Strukturen I

• 160110 UE Harmony
• 160111 UE Hearing and Recognition of Musical Structures

B02.2 Modul Tonsatz und musikalische Strukturen II

• 160112 UE Harmony 2: Development of harmony in 19th century music
• 160114 UE Harmony 2: Johannes Brahms' Instrumental Music - Analysis and Interpretation
• 160115 UE Exercises in ethnomusicological transcription

B03 Basic Module - History of European Music before and after 1600

• 160063 PS Working communities - Artist communities
• 160065 VO Music History I
• 160066 UE Principles of Notation and Composition II
• 160075 PS Music - Murder - Myth: Carlo Gesualdo da Venosa
• 160086 UE What is a Music Genre?
• 160087 PS Musical Lyricism around 1900
• 160117 PS 17-Century Venetian Opera
• 160129 VO+UE Theory of and practise in repertoire and style
• 160130 PS Analysis and Comparison of Interpretations (based on examples by Mozart and Beethoven)

B04 Basic Module - Ethnomusicology

• 160058 PS Music in/from the Balkan countries
• 160088 VO The musics of the world at a glance 1st part
• 160106 VO African Music II
• 160115 UE Exercises in ethnomusicological transcription
• 160119 VO Minzoku ongaku: The Japanese Folk Music

B05 Basic Module - Systematic Musicology

• 160071 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160073 KO Conversatorium in general musical-acoustic topics and issues
• 160079 PS Gestalt perception shapes the analysis of the auditory cocktail party scene
• 160132 VO Foundations of Music Psychology

B06 Basic Module - Contemporary Music and Popular Music

• 160058 PS Music in/from the Balkan countries
• 160063 PS Working communities - Artist communities
• 160088 VO The musics of the world at a glance 1st part
• 160089 VO+UE Introduction to Popular Music (Theories, approaches etc.)
• 160118 VO Concepts of music theatre since 1950
• 160131 VO "Deutscher Schlager" Vol. 2: Nice and sexy - from Caterina Valente to Helene Fischer, from Bully Buhlan to Andreas Gabalier

B07 Basic Module - Source Study, Source Work and Source Criticism

• 160057 PR Field trip to Malawi in March 2013: Evaluation of the Material
• 160066 UE Principles of Notation and Composition II
• 160075 PS Music - Murder - Myth: Carlo Gesualdo da Venosa
• 160122 PR Practical Training Gregorian Chant
• 160130 PS Analysis and Comparison of Interpretations (based on examples by Mozart and Beethoven)

B08 Final Module

• 160056 SE Research Seminar in Ethnomusicology
• 160058 PS Music in/from the Balkan countries
• 160061 SE Mendelssohn's symphonic works
• 160063 PS Working communities - Artist communities
• 160064 SE French vocal music in the 2nd half of the 19th century
• 160069 SE "Salve regina" as musical and cultural practice (until 1600)
• 160072 SE Sound Design & Acoustic Measurement
• 160075 PS Music - Murder - Myth: Carlo Gesualdo da Venosa
• 160078 SE Science and pseudo science (in music)
• 160079 PS Gestalt perception shapes the analysis of the auditory cocktail party scene
• 160087 PS Musical Lyricism around 1900
• 160101 SE The early and the late Brahms - continuities and differences.
• 160104 SE Approaching Roma Music by Applying Ethnomusicology
• 160107 SE Film Score vs. Art Music
• 160109 SE Research seminar: The so-called Este music and instrument collections in Vienna
• 160117 PS 17-Century Venetian Opera
• 160121 SE Experimental Music Concepts: History, Theory, and Practice
• 160128 PS History and Theory of Orchestration
• 160130 PS Analysis and Comparison of Interpretations (based on examples by Mozart and Beethoven)
• 160133 SE "This is f* political" (Skunk Anansie 1996) - Popular music, queer-feminist resistance and queer theory

2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)

B09 VM History of European Music before 1600

• 160065 VO Music History I
• 160066 UE Principles of Notation and Composition II
• 160068 VO Music and Marian devotion in the 15th and 16th century
• 160069 SE "Salve regina" as musical and cultural practice (until 1600)
• 160075 PS Music - Murder - Myth: Carlo Gesualdo da Venosa
• 160086 UE What is a Music Genre?
• 160122 PR Practical Training Gregorian Chant
• 160123 VO+UE [ de en ] "Precinct of the Muses" - Music in Basel during its Golden Age of Humanism
• 160129 VO+UE Theory of and practise in repertoire and style

B10 VM History of European Music after 1600

• 160060 VO Mozart and the Italian Opera in Vienna (1783-1792)
• 160063 PS Working communities - Artist communities
• 160064 SE French vocal music in the 2nd half of the 19th century
• 160084 VO Trace of Sound. Another Introduction to Musical Aesthetics
• 160085 KO Reading Course: Musical Aesthetics
• 160086 UE What is a Music Genre?
• 160087 PS Musical Lyricism around 1900
• 160102 SE First Approach to the Phenomenon of Multi-Talents of Artists in Music, Painting or Literature - Versuch einer Annäherung an das Phänomen Doppel- u. Mehrfachbegabung von Musikern und Musikerinnen (im Bereich Musik, Literatur, bildender oder darstellender Kunst)
• 160105 VO Musical automata (II): late 18th to early 20th century
• 160109 SE Research seminar: The so-called Este music and instrument collections in Vienna
• 160112 UE Harmony 2: Development of harmony in 19th century music
• 160114 UE Harmony 2: Johannes Brahms' Instrumental Music - Analysis and Interpretation
• 160116 VO "Born This Way!" - Sexual liberation, gender constructions and queer subtexts in operettas from 1855 to 2007
• 160117 PS 17-Century Venetian Opera
• 160128 PS History and Theory of Orchestration
• 160129 VO+UE Theory of and practise in repertoire and style
• 160130 PS Analysis and Comparison of Interpretations (based on examples by Mozart and Beethoven)
• 170048 VU W. A. Mozart and the opera of this time

B11 VM Ethnomusicology

• 160054 VO Local and Popular Music in Brazil
• 160057 PR Field trip to Malawi in March 2013: Evaluation of the Material
• 160058 PS Music in/from the Balkan countries
• 160088 VO The musics of the world at a glance 1st part
• 160091 VO Folk Music, Folk Music Keeping and Media in Europe
• 160106 VO African Music II
• 160115 UE Exercises in ethnomusicological transcription
• 160119 VO Minzoku ongaku: The Japanese Folk Music
• 160125 UE [ de en ] Afro-Brazilian Percussion

B12 VM Systematic Musicology

• 160071 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160072 SE Sound Design & Acoustic Measurement
• 160073 KO Conversatorium in general musical-acoustic topics and issues
• 160079 PS Gestalt perception shapes the analysis of the auditory cocktail party scene
• 160126 VO+UE Foundations and Applications of Electro-Acoustical Sound Reproduction Technique for Speech and Music - Introduction
• 160127 VO Creativity research
• 160132 VO Foundations of Music Psychology

B13 VM Contemporary Music

• 160063 PS Working communities - Artist communities
• 160084 VO Trace of Sound. Another Introduction to Musical Aesthetics
• 160085 KO Reading Course: Musical Aesthetics
• 160102 SE First Approach to the Phenomenon of Multi-Talents of Artists in Music, Painting or Literature - Versuch einer Annäherung an das Phänomen Doppel- u. Mehrfachbegabung von Musikern und Musikerinnen (im Bereich Musik, Literatur, bildender oder darstellender Kunst)
• 160118 VO Concepts of music theatre since 1950
• 160121 SE Experimental Music Concepts: History, Theory, and Practice

B14 VM Popular Music

• 160054 VO Local and Popular Music in Brazil
• 160058 PS Music in/from the Balkan countries
• 160088 VO The musics of the world at a glance 1st part
• 160089 VO+UE Introduction to Popular Music (Theories, approaches etc.)
• 160105 VO Musical automata (II): late 18th to early 20th century
• 160116 VO "Born This Way!" - Sexual liberation, gender constructions and queer subtexts in operettas from 1855 to 2007
• 160120 PR "until the real thing comes along" Composing and Arranging in Jazz - angewandte Analyse und praktische Anwendung
• 160125 UE [ de en ] Afro-Brazilian Percussion
• 160131 VO "Deutscher Schlager" Vol. 2: Nice and sexy - from Caterina Valente to Helene Fischer, from Bully Buhlan to Andreas Gabalier

B15 VM Source Study, Source Work and Source Criticism

• 160057 PR Field trip to Malawi in March 2013: Evaluation of the Material
• 160066 UE Principles of Notation and Composition II
• 160069 SE "Salve regina" as musical and cultural practice (until 1600)
• 160075 PS Music - Murder - Myth: Carlo Gesualdo da Venosa
• 160105 VO Musical automata (II): late 18th to early 20th century
• 160109 SE Research seminar: The so-called Este music and instrument collections in Vienna
• 160122 PR Practical Training Gregorian Chant
• 160123 VO+UE [ de en ] "Precinct of the Muses" - Music in Basel during its Golden Age of Humanism
• 160130 PS Analysis and Comparison of Interpretations (based on examples by Mozart and Beethoven)

B16 EM Music and Society

• 160054 VO Local and Popular Music in Brazil
• 160058 PS Music in/from the Balkan countries
• 160060 VO Mozart and the Italian Opera in Vienna (1783-1792)
• 160063 PS Working communities - Artist communities
• 160064 SE French vocal music in the 2nd half of the 19th century
• 160068 VO Music and Marian devotion in the 15th and 16th century
• 160069 SE "Salve regina" as musical and cultural practice (until 1600)
• 160088 VO The musics of the world at a glance 1st part
• 160089 VO+UE Introduction to Popular Music (Theories, approaches etc.)
• 160091 VO Folk Music, Folk Music Keeping and Media in Europe
• 160102 SE First Approach to the Phenomenon of Multi-Talents of Artists in Music, Painting or Literature - Versuch einer Annäherung an das Phänomen Doppel- u. Mehrfachbegabung von Musikern und Musikerinnen (im Bereich Musik, Literatur, bildender oder darstellender Kunst)
• 160116 VO "Born This Way!" - Sexual liberation, gender constructions and queer subtexts in operettas from 1855 to 2007
• 160117 PS 17-Century Venetian Opera
• 160118 VO Concepts of music theatre since 1950
• 160119 VO Minzoku ongaku: The Japanese Folk Music
• 160123 VO+UE [ de en ] "Precinct of the Muses" - Music in Basel during its Golden Age of Humanism
• 160131 VO "Deutscher Schlager" Vol. 2: Nice and sexy - from Caterina Valente to Helene Fischer, from Bully Buhlan to Andreas Gabalier
• 170048 VU W. A. Mozart and the opera of this time

B17 EM Analysis and Theoretical Interpretation of Music

• 160057 PR Field trip to Malawi in March 2013: Evaluation of the Material
• 160063 PS Working communities - Artist communities
• 160064 SE French vocal music in the 2nd half of the 19th century
• 160066 UE Principles of Notation and Composition II
• 160069 SE "Salve regina" as musical and cultural practice (until 1600)
• 160075 PS Music - Murder - Myth: Carlo Gesualdo da Venosa
• 160084 VO Trace of Sound. Another Introduction to Musical Aesthetics
• 160085 KO Reading Course: Musical Aesthetics
• 160086 UE What is a Music Genre?
• 160106 VO African Music II
• 160112 UE Harmony 2: Development of harmony in 19th century music
• 160114 UE Harmony 2: Johannes Brahms' Instrumental Music - Analysis and Interpretation
• 160115 UE Exercises in ethnomusicological transcription
• 160120 PR "until the real thing comes along" Composing and Arranging in Jazz - angewandte Analyse und praktische Anwendung
• 160121 SE Experimental Music Concepts: History, Theory, and Practice
• 160128 PS History and Theory of Orchestration
• 160129 VO+UE Theory of and practise in repertoire and style
• 160130 PS Analysis and Comparison of Interpretations (based on examples by Mozart and Beethoven)

B18 EM Music Philosophy, Music Aesthetics and Musical Hermeneutics

• 160063 PS Working communities - Artist communities
• 160064 SE French vocal music in the 2nd half of the 19th century
• 160084 VO Trace of Sound. Another Introduction to Musical Aesthetics
• 160085 KO Reading Course: Musical Aesthetics
• 160118 VO Concepts of music theatre since 1950
• 160121 SE Experimental Music Concepts: History, Theory, and Practice
• 160128 PS History and Theory of Orchestration
• 160130 PS Analysis and Comparison of Interpretations (based on examples by Mozart and Beethoven)

B19 EM Current Musicology

• 160089 VO+UE Introduction to Popular Music (Theories, approaches etc.)
• 160091 VO Folk Music, Folk Music Keeping and Media in Europe
• 160116 VO "Born This Way!" - Sexual liberation, gender constructions and queer subtexts in operettas from 1855 to 2007
• 160118 VO Concepts of music theatre since 1950
• 160127 VO Creativity research
• 160130 PS Analysis and Comparison of Interpretations (based on examples by Mozart and Beethoven)

B20 EM Applied Musicology I

• 160071 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160072 SE Sound Design & Acoustic Measurement
• 160120 PR "until the real thing comes along" Composing and Arranging in Jazz - angewandte Analyse und praktische Anwendung
• 160126 VO+UE Foundations and Applications of Electro-Acoustical Sound Reproduction Technique for Speech and Music - Introduction