16.01. Musicology

A. Bachelor Degree Programme in Musicology

1. Required Modules

B01 Module - Orientation Period

B01.1 StEOP: Principles of Music and musicological Research

• 160074 VO Work techniques in musicology
• 160113 VO Principles of Music

B01.2 StEOP: Introduction to Musicology

• 160059 VO Introduction to musicology III
• 160067 VO Introduction to musicology I
• 160077 VO Introduction to musicology IV
• 160081 VO Introduction to musicology III
• 160083 VO Introduction to musicology V

B02 Module - Music Theory

B02.1 Modul Tonsatz und musikalische Strukturen I

• 160110 UE Harmony
• 160111 UE Hearing and Recognition of Musical Structures

B02.2 Modul Tonsatz und musikalische Strukturen II

• 160112 UE Harmony 2: Development of harmony in 19th century music
• 160114 UE Harmony 2: Johannes Brahms' Instrumental Music - Analysis and Interpretation
• 160115 UE Exercises in ethnomusicological transcription

B03 Basic Module - History of European Music before and after 1600

• 160063 PS Working communities - Artist communities
• 160065 VO Music History I
• 160066 UE Principles of Notation and Composition II
• 160075 PS Music - Murder - Myth: Carlo Gesualdo da Venosa
• 160086 UE What is a Music Genre?
• 160087 PS Musical Lyricism around 1900
• 160117 PS 17-Century Venetian Opera
• 160129 VO+UE Theory of and practise in repertoire and style
• 160130 PS Analysis and Comparison of Interpretations (based on examples by Mozart and Beethoven)

B04 Basic Module - Ethnomusicology

• 160058 PS Music in/from the Balkan countries
• 160088 VO The musics of the world at a glance 1st part
• 160106 VO African Music II
• 160115 UE Exercises in ethnomusicological transcription
• 160119 VO Minzoku ongaku: The Japanese Folk Music

B05 Basic Module - Systematic Musicology

• 160071 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160073 KO Conversatorium in general musical-acoustic topics and issues
• 160079 PS Gestalt perception shapes the analysis of the auditory cocktail party scene
• 160132 VO Foundations of Music Psychology

B06 Basic Module - Contemporary Music and Popular Music

• 160058 PS Music in/from the Balkan countries
• 160063 PS Working communities - Artist communities
• 160088 VO The musics of the world at a glance 1st part
• 160089 VO+UE Introduction to Popular Music (Theories, approaches etc.)
• 160118 VO Concepts of music theatre since 1950
• 160131 VO "Deutscher Schlager" Vol. 2: Nice and sexy - from Caterina Valente to Helene Fischer, from Bully Buhlan to Andreas Gabalier

B07 Basic Module - Source Study, Source Work and Source Criticism

• 160057 PR Field trip to Malawi in March 2013: Evaluation of the Material
• 160066 UE Principles of Notation and Composition II
• 160075 PS Music - Murder - Myth: Carlo Gesualdo da Venosa
• 160122 PR Practical Training Gregorian Chant
• 160130 PS Analysis and Comparison of Interpretations (based on examples by Mozart and Beethoven)

B08 Final Module

• 160056 SE Research Seminar in Ethnomusicology
• 160058 PS Music in/from the Balkan countries
• 160061 SE Mendelssohn's symphonic works
• 160063 PS Working communities - Artist communities
• 160064 SE French vocal music in the 2nd half of the 19th century
• 160069 SE "Salve regina" as musical and cultural practice (until 1600)
• 160072 SE Sound Design & Acoustic Measurement
• 160075 PS Music - Murder - Myth: Carlo Gesualdo da Venosa
• 160078 SE Science and pseudo science (in music)
• 160079 PS Gestalt perception shapes the analysis of the auditory cocktail party scene
• 160087 PS Musical Lyricism around 1900
• 160101 SE The early and the late Brahms - continuities and differences.
• 160104 SE Approaching Roma Music by Applying Ethnomusicology
• 160107 SE Film Score vs. Art Music
• 160109 SE Research seminar: The so-called Este music and instrument collections in Vienna
• 160117 PS 17-Century Venetian Opera
• 160121 SE Experimental Music Concepts: History, Theory, and Practice
• 160128 PS History and Theory of Orchestration
• 160130 PS Analysis and Comparison of Interpretations (based on examples by Mozart and Beethoven)
• 160133 SE "This is f* political" (Skunk Anansie 1996) - Popular music, queer-feminist resistance and queer theory

2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)

B09 VM History of European Music before 1600

• 160065 VO Music History I
• 160066 UE Principles of Notation and Composition II
• 160068 VO Music and Marian devotion in the 15th and 16th century
• 160069 SE "Salve regina" as musical and cultural practice (until 1600)
• 160075 PS Music - Murder - Myth: Carlo Gesualdo da Venosa
• 160086 UE What is a Music Genre?
• 160122 PR Practical Training Gregorian Chant
• 160123 VO+UE [ de en ] "Precinct of the Muses" - Music in Basel during its Golden Age of Humanism
• 160129 VO+UE Theory of and practise in repertoire and style

B10 VM History of European Music after 1600

• 160060 VO Mozart and the Italian Opera in Vienna (1783-1792)
• 160063 PS Working communities - Artist communities
• 160064 SE French vocal music in the 2nd half of the 19th century
• 160084 VO Trace of Sound. Another Introduction to Musical Aesthetics
• 160085 KO Reading Course: Musical Aesthetics
• 160086 UE What is a Music Genre?
• 160087 PS Musical Lyricism around 1900
• 160102 SE First Approach to the Phenomenon of Multi-Talents of Artists in Music, Painting or Literature - Versuch einer Annäherung an das Phänomen Doppel- u. Mehrfachbegabung von Musikern und Musikerinnen (im Bereich Musik, Literatur, bildender oder darstellender Kunst)
• 160105 VO Musical automata (II): late 18th to early 20th century
• 160109 SE Research seminar: The so-called Este music and instrument collections in Vienna
• 160112 UE Harmony 2: Development of harmony in 19th century music
• 160114 UE Harmony 2: Johannes Brahms' Instrumental Music - Analysis and Interpretation
• 160116 VO "Born This Way!" - Sexual liberation, gender constructions and queer subtexts in operettas from 1855 to 2007
• 160117 PS 17-Century Venetian Opera
• 160128 PS History and Theory of Orchestration
• 160129 VO+UE Theory of and practise in repertoire and style
• 160130 PS Analysis and Comparison of Interpretations (based on examples by Mozart and Beethoven)
• 170048 VU W. A. Mozart and the opera of this time

B11 VM Ethnomusicology

• 160054 VO Local and Popular Music in Brazil
• 160057 PR Field trip to Malawi in March 2013: Evaluation of the Material
• 160058 PS Music in/from the Balkan countries
• 160088 VO The musics of the world at a glance 1st part
• 160091 VO Folk Music, Folk Music Keeping and Media in Europe
• 160106 VO African Music II
• 160115 UE Exercises in ethnomusicological transcription
• 160119 VO Minzoku ongaku: The Japanese Folk Music
• 160125 UE [ de en ] Afro-Brazilian Percussion

B12 VM Systematic Musicology

• 160071 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160072 SE Sound Design & Acoustic Measurement
• 160073 KO Conversatorium in general musical-acoustic topics and issues
• 160079 PS Gestalt perception shapes the analysis of the auditory cocktail party scene
• 160126 VO+UE Foundations and Applications of Electro-Acoustical Sound Reproduction Technique for Speech and Music - Introduction
• 160127 VO Creativity research
• 160132 VO Foundations of Music Psychology

B13 VM Contemporary Music

• 160063 PS Working communities - Artist communities
• 160084 VO Trace of Sound. Another Introduction to Musical Aesthetics
• 160085 KO Reading Course: Musical Aesthetics
• 160102 SE First Approach to the Phenomenon of Multi-Talents of Artists in Music, Painting or Literature - Versuch einer Annäherung an das Phänomen Doppel- u. Mehrfachbegabung von Musikern und Musikerinnen (im Bereich Musik, Literatur, bildender oder darstellender Kunst)
• 160118 VO Concepts of music theatre since 1950
• 160121 SE Experimental Music Concepts: History, Theory, and Practice

B14 VM Popular Music

• 160054 VO Local and Popular Music in Brazil
• 160058 PS Music in/from the Balkan countries
• 160088 VO The musics of the world at a glance 1st part
• 160089 VO+UE Introduction to Popular Music (Theories, approaches etc.)
• 160105 VO Musical automata (II): late 18th to early 20th century
• 160116 VO "Born This Way!" - Sexual liberation, gender constructions and queer subtexts in operettas from 1855 to 2007
• 160120 PR "until the real thing comes along" Composing and Arranging in Jazz - angewandte Analyse und praktische Anwendung
• 160125 UE [ de en ] Afro-Brazilian Percussion
• 160131 VO "Deutscher Schlager" Vol. 2: Nice and sexy - from Caterina Valente to Helene Fischer, from Bully Buhlan to Andreas Gabalier

B15 VM Source Study, Source Work and Source Criticism

• 160057 PR Field trip to Malawi in March 2013: Evaluation of the Material
• 160066 UE Principles of Notation and Composition II
• 160069 SE "Salve regina" as musical and cultural practice (until 1600)
• 160075 PS Music - Murder - Myth: Carlo Gesualdo da Venosa
• 160105 VO Musical automata (II): late 18th to early 20th century
• 160109 SE Research seminar: The so-called Este music and instrument collections in Vienna
• 160122 PR Practical Training Gregorian Chant
• 160123 VO+UE [ de en ] "Precinct of the Muses" - Music in Basel during its Golden Age of Humanism
• 160130 PS Analysis and Comparison of Interpretations (based on examples by Mozart and Beethoven)

B16 EM Music and Society

• 160054 VO Local and Popular Music in Brazil
• 160058 PS Music in/from the Balkan countries
• 160060 VO Mozart and the Italian Opera in Vienna (1783-1792)
• 160063 PS Working communities - Artist communities
• 160064 SE French vocal music in the 2nd half of the 19th century
• 160068 VO Music and Marian devotion in the 15th and 16th century
• 160069 SE "Salve regina" as musical and cultural practice (until 1600)
• 160088 VO The musics of the world at a glance 1st part
• 160089 VO+UE Introduction to Popular Music (Theories, approaches etc.)
• 160091 VO Folk Music, Folk Music Keeping and Media in Europe
• 160102 SE First Approach to the Phenomenon of Multi-Talents of Artists in Music, Painting or Literature - Versuch einer Annäherung an das Phänomen Doppel- u. Mehrfachbegabung von Musikern und Musikerinnen (im Bereich Musik, Literatur, bildender oder darstellender Kunst)
• 160116 VO "Born This Way!" - Sexual liberation, gender constructions and queer subtexts in operettas from 1855 to 2007
• 160117 PS 17-Century Venetian Opera
• 160118 VO Concepts of music theatre since 1950
• 160119 VO Minzoku ongaku: The Japanese Folk Music
• 160123 VO+UE [ de en ] "Precinct of the Muses" - Music in Basel during its Golden Age of Humanism
• 160131 VO "Deutscher Schlager" Vol. 2: Nice and sexy - from Caterina Valente to Helene Fischer, from Bully Buhlan to Andreas Gabalier
• 170048 VU W. A. Mozart and the opera of this time

B17 EM Analysis and Theoretical Interpretation of Music

• 160057 PR Field trip to Malawi in March 2013: Evaluation of the Material
• 160063 PS Working communities - Artist communities
• 160064 SE French vocal music in the 2nd half of the 19th century
• 160066 UE Principles of Notation and Composition II
• 160069 SE "Salve regina" as musical and cultural practice (until 1600)
• 160075 PS Music - Murder - Myth: Carlo Gesualdo da Venosa
• 160084 VO Trace of Sound. Another Introduction to Musical Aesthetics
• 160085 KO Reading Course: Musical Aesthetics
• 160086 UE What is a Music Genre?
• 160106 VO African Music II
• 160112 UE Harmony 2: Development of harmony in 19th century music
• 160114 UE Harmony 2: Johannes Brahms' Instrumental Music - Analysis and Interpretation
• 160115 UE Exercises in ethnomusicological transcription
• 160120 PR "until the real thing comes along" Composing and Arranging in Jazz - angewandte Analyse und praktische Anwendung
• 160121 SE Experimental Music Concepts: History, Theory, and Practice
• 160128 PS History and Theory of Orchestration
• 160129 VO+UE Theory of and practise in repertoire and style
• 160130 PS Analysis and Comparison of Interpretations (based on examples by Mozart and Beethoven)

B18 EM Music Philosophy, Music Aesthetics and Musical Hermeneutics

• 160063 PS Working communities - Artist communities
• 160064 SE French vocal music in the 2nd half of the 19th century
• 160084 VO Trace of Sound. Another Introduction to Musical Aesthetics
• 160085 KO Reading Course: Musical Aesthetics
• 160118 VO Concepts of music theatre since 1950
• 160121 SE Experimental Music Concepts: History, Theory, and Practice
• 160128 PS History and Theory of Orchestration
• 160130 PS Analysis and Comparison of Interpretations (based on examples by Mozart and Beethoven)

B19 EM Current Musicology

• 160089 VO+UE Introduction to Popular Music (Theories, approaches etc.)
• 160091 VO Folk Music, Folk Music Keeping and Media in Europe
• 160116 VO "Born This Way!" - Sexual liberation, gender constructions and queer subtexts in operettas from 1855 to 2007
• 160118 VO Concepts of music theatre since 1950
• 160127 VO Creativity research
• 160130 PS Analysis and Comparison of Interpretations (based on examples by Mozart and Beethoven)

B20 EM Applied Musicology I

• 160071 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160072 SE Sound Design & Acoustic Measurement
• 160120 PR "until the real thing comes along" Composing and Arranging in Jazz - angewandte Analyse und praktische Anwendung
• 160126 VO+UE Foundations and Applications of Electro-Acoustical Sound Reproduction Technique for Speech and Music - Introduction

B. Master Degree Programme in Musicology

1. Alternative Required Modules (APM)

M01 APM 1

• 160060 VO Mozart and the Italian Opera in Vienna (1783-1792)
• 160061 SE Mendelssohn's symphonic works
• 160064 SE French vocal music in the 2nd half of the 19th century
• 160068 VO Music and Marian devotion in the 15th and 16th century
• 160069 SE "Salve regina" as musical and cultural practice (until 1600)
• 160084 VO Trace of Sound. Another Introduction to Musical Aesthetics
• 160085 KO Reading Course: Musical Aesthetics
• 160086 UE What is a Music Genre?
• 160101 SE The early and the late Brahms - continuities and differences.
• 160102 SE First Approach to the Phenomenon of Multi-Talents of Artists in Music, Painting or Literature - Versuch einer Annäherung an das Phänomen Doppel- u. Mehrfachbegabung von Musikern und Musikerinnen (im Bereich Musik, Literatur, bildender oder darstellender Kunst)
• 160107 SE Film Score vs. Art Music
• 160109 SE Research seminar: The so-called Este music and instrument collections in Vienna
• 160121 SE Experimental Music Concepts: History, Theory, and Practice
• 160123 VO+UE [ de en ] "Precinct of the Muses" - Music in Basel during its Golden Age of Humanism
• 160124 VO+UE Oratorios on the Operatic Stage from the Viewpoint of a Musical Dramaturg
• 170048 VU W. A. Mozart and the opera of this time

M02 APM 2

• 160054 VO Local and Popular Music in Brazil
• 160056 SE Research Seminar in Ethnomusicology
• 160057 PR Field trip to Malawi in March 2013: Evaluation of the Material
• 160091 VO Folk Music, Folk Music Keeping and Media in Europe
• 160104 SE Approaching Roma Music by Applying Ethnomusicology
• 160106 VO African Music II
• 160119 VO Minzoku ongaku: The Japanese Folk Music

M03 APM 3

• 160071 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160072 SE Sound Design & Acoustic Measurement
• 160073 KO Conversatorium in general musical-acoustic topics and issues
• 160078 SE Science and pseudo science (in music)
• 160084 VO Trace of Sound. Another Introduction to Musical Aesthetics
• 160085 KO Reading Course: Musical Aesthetics
• 160105 VO Musical automata (II): late 18th to early 20th century
• 160106 VO African Music II
• 160107 SE Film Score vs. Art Music
• 160126 VO+UE Foundations and Applications of Electro-Acoustical Sound Reproduction Technique for Speech and Music - Introduction
• 160127 VO Creativity research
• 160132 VO Foundations of Music Psychology

M04 APM 4

• 160054 VO Local and Popular Music in Brazil
• 160056 SE Research Seminar in Ethnomusicology
• 160064 SE French vocal music in the 2nd half of the 19th century
• 160068 VO Music and Marian devotion in the 15th and 16th century
• 160069 SE "Salve regina" as musical and cultural practice (until 1600)
• 160084 VO Trace of Sound. Another Introduction to Musical Aesthetics
• 160085 KO Reading Course: Musical Aesthetics
• 160089 VO+UE Introduction to Popular Music (Theories, approaches etc.)
• 160091 VO Folk Music, Folk Music Keeping and Media in Europe
• 160102 SE First Approach to the Phenomenon of Multi-Talents of Artists in Music, Painting or Literature - Versuch einer Annäherung an das Phänomen Doppel- u. Mehrfachbegabung von Musikern und Musikerinnen (im Bereich Musik, Literatur, bildender oder darstellender Kunst)
• 160107 SE Film Score vs. Art Music
• 160116 VO "Born This Way!" - Sexual liberation, gender constructions and queer subtexts in operettas from 1855 to 2007
• 160118 VO Concepts of music theatre since 1950
• 160123 VO+UE [ de en ] "Precinct of the Muses" - Music in Basel during its Golden Age of Humanism
• 160131 VO "Deutscher Schlager" Vol. 2: Nice and sexy - from Caterina Valente to Helene Fischer, from Bully Buhlan to Andreas Gabalier
• 160133 SE "This is f* political" (Skunk Anansie 1996) - Popular music, queer-feminist resistance and queer theory

M05 APM 5

• 160054 VO Local and Popular Music in Brazil
• 160056 SE Research Seminar in Ethnomusicology
• 160057 PR Field trip to Malawi in March 2013: Evaluation of the Material
• 160060 VO Mozart and the Italian Opera in Vienna (1783-1792)
• 160061 SE Mendelssohn's symphonic works
• 160064 SE French vocal music in the 2nd half of the 19th century
• 160068 VO Music and Marian devotion in the 15th and 16th century
• 160069 SE "Salve regina" as musical and cultural practice (until 1600)
• 160071 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160072 SE Sound Design & Acoustic Measurement
• 160078 SE Science and pseudo science (in music)
• 160084 VO Trace of Sound. Another Introduction to Musical Aesthetics
• 160085 KO Reading Course: Musical Aesthetics
• 160086 UE What is a Music Genre?
• 160091 VO Folk Music, Folk Music Keeping and Media in Europe
• 160101 SE The early and the late Brahms - continuities and differences.
• 160102 SE First Approach to the Phenomenon of Multi-Talents of Artists in Music, Painting or Literature - Versuch einer Annäherung an das Phänomen Doppel- u. Mehrfachbegabung von Musikern und Musikerinnen (im Bereich Musik, Literatur, bildender oder darstellender Kunst)
• 160104 SE Approaching Roma Music by Applying Ethnomusicology
• 160107 SE Film Score vs. Art Music
• 160109 SE Research seminar: The so-called Este music and instrument collections in Vienna
• 160116 VO "Born This Way!" - Sexual liberation, gender constructions and queer subtexts in operettas from 1855 to 2007
• 160118 VO Concepts of music theatre since 1950
• 160123 VO+UE [ de en ] "Precinct of the Muses" - Music in Basel during its Golden Age of Humanism
• 160124 VO+UE Oratorios on the Operatic Stage from the Viewpoint of a Musical Dramaturg
• 160126 VO+UE Foundations and Applications of Electro-Acoustical Sound Reproduction Technique for Speech and Music - Introduction
• 160127 VO Creativity research
• 160131 VO "Deutscher Schlager" Vol. 2: Nice and sexy - from Caterina Valente to Helene Fischer, from Bully Buhlan to Andreas Gabalier
• 160133 SE "This is f* political" (Skunk Anansie 1996) - Popular music, queer-feminist resistance and queer theory
• 170048 VU W. A. Mozart and the opera of this time

2. Elective Modules (WM)

M06 WM History of European Music before 1600

• 160068 VO Music and Marian devotion in the 15th and 16th century
• 160069 SE "Salve regina" as musical and cultural practice (until 1600)
• 160086 UE What is a Music Genre?
• 160109 SE Research seminar: The so-called Este music and instrument collections in Vienna
• 160122 PR Practical Training Gregorian Chant
• 160123 VO+UE [ de en ] "Precinct of the Muses" - Music in Basel during its Golden Age of Humanism

M07 WM History of European Music after 1600

• 160060 VO Mozart and the Italian Opera in Vienna (1783-1792)
• 160061 SE Mendelssohn's symphonic works
• 160064 SE French vocal music in the 2nd half of the 19th century
• 160084 VO Trace of Sound. Another Introduction to Musical Aesthetics
• 160085 KO Reading Course: Musical Aesthetics
• 160086 UE What is a Music Genre?
• 160101 SE The early and the late Brahms - continuities and differences.
• 160102 SE First Approach to the Phenomenon of Multi-Talents of Artists in Music, Painting or Literature - Versuch einer Annäherung an das Phänomen Doppel- u. Mehrfachbegabung von Musikern und Musikerinnen (im Bereich Musik, Literatur, bildender oder darstellender Kunst)
• 160105 VO Musical automata (II): late 18th to early 20th century
• 160109 SE Research seminar: The so-called Este music and instrument collections in Vienna
• 160116 VO "Born This Way!" - Sexual liberation, gender constructions and queer subtexts in operettas from 1855 to 2007
• 160124 VO+UE Oratorios on the Operatic Stage from the Viewpoint of a Musical Dramaturg
• 170048 VU W. A. Mozart and the opera of this time

M08 WM Ethnomusicology

• 160054 VO Local and Popular Music in Brazil
• 160057 PR Field trip to Malawi in March 2013: Evaluation of the Material
• 160091 VO Folk Music, Folk Music Keeping and Media in Europe
• 160104 SE Approaching Roma Music by Applying Ethnomusicology
• 160119 VO Minzoku ongaku: The Japanese Folk Music

M09 WM Systematic Musicology

• 160071 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160072 SE Sound Design & Acoustic Measurement
• 160073 KO Conversatorium in general musical-acoustic topics and issues
• 160078 SE Science and pseudo science (in music)
• 160126 VO+UE Foundations and Applications of Electro-Acoustical Sound Reproduction Technique for Speech and Music - Introduction
• 160127 VO Creativity research
• 160132 VO Foundations of Music Psychology

M10 WM Contemporary Music

• 160084 VO Trace of Sound. Another Introduction to Musical Aesthetics
• 160085 KO Reading Course: Musical Aesthetics
• 160102 SE First Approach to the Phenomenon of Multi-Talents of Artists in Music, Painting or Literature - Versuch einer Annäherung an das Phänomen Doppel- u. Mehrfachbegabung von Musikern und Musikerinnen (im Bereich Musik, Literatur, bildender oder darstellender Kunst)
• 160107 SE Film Score vs. Art Music
• 160118 VO Concepts of music theatre since 1950
• 160121 SE Experimental Music Concepts: History, Theory, and Practice

M11 WM Popular Music

• 160054 VO Local and Popular Music in Brazil
• 160104 SE Approaching Roma Music by Applying Ethnomusicology
• 160105 VO Musical automata (II): late 18th to early 20th century
• 160107 SE Film Score vs. Art Music
• 160116 VO "Born This Way!" - Sexual liberation, gender constructions and queer subtexts in operettas from 1855 to 2007
• 160120 PR "until the real thing comes along" Composing and Arranging in Jazz - angewandte Analyse und praktische Anwendung
• 160131 VO "Deutscher Schlager" Vol. 2: Nice and sexy - from Caterina Valente to Helene Fischer, from Bully Buhlan to Andreas Gabalier
• 160133 SE "This is f* political" (Skunk Anansie 1996) - Popular music, queer-feminist resistance and queer theory

M12 WM Source Study, Source Work and Source Criticism

• 160057 PR Field trip to Malawi in March 2013: Evaluation of the Material
• 160069 SE "Salve regina" as musical and cultural practice (until 1600)
• 160104 SE Approaching Roma Music by Applying Ethnomusicology
• 160105 VO Musical automata (II): late 18th to early 20th century
• 160109 SE Research seminar: The so-called Este music and instrument collections in Vienna
• 160122 PR Practical Training Gregorian Chant
• 160123 VO+UE [ de en ] "Precinct of the Muses" - Music in Basel during its Golden Age of Humanism
• 170030 SE Seminar: Contemporary History - Musical Dramaturgy and Staging: Le nozze di Figaro, Don Giovanni und Così fan tutte

M13 WM Music and Society

• 160054 VO Local and Popular Music in Brazil
• 160060 VO Mozart and the Italian Opera in Vienna (1783-1792)
• 160064 SE French vocal music in the 2nd half of the 19th century
• 160068 VO Music and Marian devotion in the 15th and 16th century
• 160069 SE "Salve regina" as musical and cultural practice (until 1600)
• 160091 VO Folk Music, Folk Music Keeping and Media in Europe
• 160102 SE First Approach to the Phenomenon of Multi-Talents of Artists in Music, Painting or Literature - Versuch einer Annäherung an das Phänomen Doppel- u. Mehrfachbegabung von Musikern und Musikerinnen (im Bereich Musik, Literatur, bildender oder darstellender Kunst)
• 160104 SE Approaching Roma Music by Applying Ethnomusicology
• 160116 VO "Born This Way!" - Sexual liberation, gender constructions and queer subtexts in operettas from 1855 to 2007
• 160118 VO Concepts of music theatre since 1950
• 160119 VO Minzoku ongaku: The Japanese Folk Music
• 160123 VO+UE [ de en ] "Precinct of the Muses" - Music in Basel during its Golden Age of Humanism
• 160131 VO "Deutscher Schlager" Vol. 2: Nice and sexy - from Caterina Valente to Helene Fischer, from Bully Buhlan to Andreas Gabalier
• 160133 SE "This is f* political" (Skunk Anansie 1996) - Popular music, queer-feminist resistance and queer theory
• 170048 VU W. A. Mozart and the opera of this time

M14 WM Analysis and Theoretical Interpretation of Music

• 160057 PR Field trip to Malawi in March 2013: Evaluation of the Material
• 160061 SE Mendelssohn's symphonic works
• 160064 SE French vocal music in the 2nd half of the 19th century
• 160069 SE "Salve regina" as musical and cultural practice (until 1600)
• 160084 VO Trace of Sound. Another Introduction to Musical Aesthetics
• 160085 KO Reading Course: Musical Aesthetics
• 160086 UE What is a Music Genre?
• 160101 SE The early and the late Brahms - continuities and differences.
• 160120 PR "until the real thing comes along" Composing and Arranging in Jazz - angewandte Analyse und praktische Anwendung
• 160121 SE Experimental Music Concepts: History, Theory, and Practice

M15 WM Music Philosophy, Music Aesthetics and Musical Hermeneutics

• 160064 SE French vocal music in the 2nd half of the 19th century
• 160084 VO Trace of Sound. Another Introduction to Musical Aesthetics
• 160085 KO Reading Course: Musical Aesthetics
• 160118 VO Concepts of music theatre since 1950
• 160121 SE Experimental Music Concepts: History, Theory, and Practice

M16 WM Current Musicology

• 160091 VO Folk Music, Folk Music Keeping and Media in Europe
• 160104 SE Approaching Roma Music by Applying Ethnomusicology
• 160116 VO "Born This Way!" - Sexual liberation, gender constructions and queer subtexts in operettas from 1855 to 2007
• 160118 VO Concepts of music theatre since 1950
• 160127 VO Creativity research
• 160133 SE "This is f* political" (Skunk Anansie 1996) - Popular music, queer-feminist resistance and queer theory
• 170030 SE Seminar: Contemporary History - Musical Dramaturgy and Staging: Le nozze di Figaro, Don Giovanni und Così fan tutte

M17 WM Applied Musicology

• 160071 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160072 SE Sound Design & Acoustic Measurement
• 160120 PR "until the real thing comes along" Composing and Arranging in Jazz - angewandte Analyse und praktische Anwendung
• 160124 VO+UE Oratorios on the Operatic Stage from the Viewpoint of a Musical Dramaturg
• 160126 VO+UE Foundations and Applications of Electro-Acoustical Sound Reproduction Technique for Speech and Music - Introduction
• 170030 SE Seminar: Contemporary History - Musical Dramaturgy and Staging: Le nozze di Figaro, Don Giovanni und Così fan tutte

3. M18 Master Seminar Module

• 160062 MA Research seminar for master and doctoral candidates
• 160070 MA Research seminar for master and doctoral candidates
• 160080 MA Research seminar for master and doctoral candidates
• 160090 MA Research seminar for master and doctoral candidates
• 160099 MA A Research seminar for master and doctoral candidates
• 160100 MA Research seminar for master and doctoral candidates
• 160103 MA Research seminar for master and doctoral candidates
• 160108 MA Research seminar for master and doctoral candidates

C. Diploma Degree Programme in Musicology

First Stage of the Degree Programme

First and Second Stage of the Degree Programme

Second Stage of the Degree Programme

Courses for Diploma and Doctoral Candidates

D. Complementary Study Programmes/Minors

CSP European History of Music

Required Module 1: European History of Music up to the Middle of the 18th Century

• 160065 VO Music History I
• 160067 VO Introduction to musicology I
• 160068 VO Music and Marian devotion in the 15th and 16th century

Required Module 2: European History of Music from the Middle of the 18th Century to the Present

• 160059 VO Introduction to musicology III
• 160060 VO Mozart and the Italian Opera in Vienna (1783-1792)
• 160116 VO "Born This Way!" - Sexual liberation, gender constructions and queer subtexts in operettas from 1855 to 2007
• 160118 VO Concepts of music theatre since 1950
• 160131 VO "Deutscher Schlager" Vol. 2: Nice and sexy - from Caterina Valente to Helene Fischer, from Bully Buhlan to Andreas Gabalier

CSP World Music

Required Module 1: Introduction to Ethnomusicology

• 160081 VO Introduction to musicology III

Required Module 2: Survey of World Music

• 160054 VO Local and Popular Music in Brazil
• 160088 VO The musics of the world at a glance 1st part
• 160091 VO Folk Music, Folk Music Keeping and Media in Europe
• 160106 VO African Music II
• 160119 VO Minzoku ongaku: The Japanese Folk Music

EC Musical Acoustics and Auditory Perception

Compulsory Module (EC Musical Acoustics and Auditory Perception)

• 160077 VO Introduction to musicology IV
• 160126 VO+UE Foundations and Applications of Electro-Acoustical Sound Reproduction Technique for Speech and Music - Introduction
• 160127 VO Creativity research
• 160132 VO Foundations of Music Psychology

EC Popular Music

Compulsory Module (EC Popular Music)

• 160054 VO Local and Popular Music in Brazil
• 160088 VO The musics of the world at a glance 1st part
• 160089 VO+UE Introduction to Popular Music (Theories, approaches etc.)
• 160091 VO Folk Music, Folk Music Keeping and Media in Europe
• 160105 VO Musical automata (II): late 18th to early 20th century
• 160116 VO "Born This Way!" - Sexual liberation, gender constructions and queer subtexts in operettas from 1855 to 2007
• 160131 VO "Deutscher Schlager" Vol. 2: Nice and sexy - from Caterina Valente to Helene Fischer, from Bully Buhlan to Andreas Gabalier