16.01. Musicology

A. Bachelor Degree Programme in Musicology

1. Required Modules

B01 Module - Orientation Period

B01.1 StEOP: Principles of Music and musicological Research

• 160057 VO Work Techniques in Musicology
• 160073 VO Principles of Music

B01.2 StEOP: Introduction to Musicology

• 160112 VO Introduction to Musicology I-V

B02 Module - Music Theory

B02.1 Module - Music Theory and Musical Structures I

• 160069 UE Harmony
• 160072 UE Hearing and Recognition of Musical Structures
• 160074 UE Hearing and Recognition of Musical Structures

B02.2 Module - Music Theory and Musical Structures II

• 160070 UE Compositional Techniques in the 20th Century Music
• 160075 UE Exercises in Ethnomusicological Transcription

B03 Basic Module - History of European Music before and after 1600

• 160033 PS The Myth of Carmen
• 160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
• 160038 PS Composition and Compositional Strategies around 1970
• 160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
• 160040 VO Ludwig van Beethoven
• 160045 VO Music History II (1300-1600)
• 160046 PS The Organ Works of Johann Sebastian Bach
• 160055 PS Mozart and the World of the 18th-Century Symphony
• 160070 UE Compositional Techniques in the 20th Century Music
• 160084 PS "quas vulgo moteta vocant" - the 16th Century Motet

B04 Basic Module - Ethnomusicology

• 160015 VO History and Methods in Ethnomusicology (introductory course)
• 160018 KO World Music Studies (conversatorium)
• 160027 VO World Music Studies (lecture series)
• 160035 PS Gender, Music and Dance: Ethnomusicological Perspectives
• 160052 VO Music of the World - Overview II
• 160066 VO African Music in the 20th Century
• 160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 160081 EX Music Traditions of the Mediterranean Island of Crete
• 160083 PS The Phenomenon of "Interferential Diaphony" in Traditional Folk Music - Papua New Guinea, Indonesia, The Balkans
• 160088 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction

B05 Basic Module - Systematic Musicology

• 160042 PS New Media & Music Technologies
• 160043 UE Acoustic Labor Practical Course IV: Live Recording
• 160044 KO Conversatorium in Musical-Acoustic Issues
• 160047 PS Basics and Research Fields in Acoustics
• 160048 VO Limits and Capabilities of Human Auditory Perception
• 160049 PS Rooms and Rumors: Geometrical and Acoustical Room Acoustics
• 160082 UE Research Methods and Statistics in Musicology
• 160083 PS The Phenomenon of "Interferential Diaphony" in Traditional Folk Music - Papua New Guinea, Indonesia, The Balkans
• 160087 VO+UE Introduction to the Physiology of Hearing

B06 Basic Module - Contemporary Music and Popular Music

• 160018 KO World Music Studies (conversatorium)
• 160027 VO World Music Studies (lecture series)
• 160028 VO Introduction to the Musicological Music Film Studies
• 160036 PS 25 Years of the Festival "Wien Modern" Reflected in the Media
• 160038 PS Composition and Compositional Strategies around 1970
• 160052 VO Music of the World - Overview II
• 160058 PS German "Schlager" and Folklike Music
• 160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
• 160066 VO African Music in the 20th Century
• 160067 VO Media Music between 1930 and 1950 in a political context
• 160070 UE Compositional Techniques in the 20th Century Music
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete

B07 Basic Module - Source Study, Source Work and Source Criticism

• 160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
• 160076 PR Information Processing in Archives and Libraries
• 160077 PR Researching, Transcribing, Editing - Practical Course on Examples from the Second Viennese School
• 160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
• 160084 PS "quas vulgo moteta vocant" - the 16th Century Motet
• 160086 VO+UE AV-Documents as Sources for Musicology I - Critical Evaluation of Sources and Long-Term Availability of AV Sources

B08 Final Module

• 160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
• 160029 SE French Piano Music around 1900
• 160033 PS The Myth of Carmen
• 160036 PS 25 Years of the Festival "Wien Modern" Reflected in the Media
• 160037 SE Female roles in the Music Theatre ca. 1900
• 160038 PS Composition and Compositional Strategies around 1970
• 160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
• 160042 PS New Media & Music Technologies
• 160046 PS The Organ Works of Johann Sebastian Bach
• 160049 PS Rooms and Rumors: Geometrical and Acoustical Room Acoustics
• 160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
• 160055 PS Mozart and the World of the 18th-Century Symphony
• 160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
• 160058 PS German "Schlager" and Folklike Music
• 160059 SE Popular Classic Music
• 160068 SE String Quintets between Boccherini and Sessions
• 160083 PS The Phenomenon of "Interferential Diaphony" in Traditional Folk Music - Papua New Guinea, Indonesia, The Balkans
• 160085 SE The Beginnings of Polyphony (9th-11th Century)

2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)

B09 VM History of European Music before 1600

• 160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
• 160045 VO Music History II (1300-1600)
• 160084 PS "quas vulgo moteta vocant" - the 16th Century Motet
• 160085 SE The Beginnings of Polyphony (9th-11th Century)

B10 VM History of European Music after 1600

• 160033 PS The Myth of Carmen
• 160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
• 160037 SE Female roles in the Music Theatre ca. 1900
• 160040 VO Ludwig van Beethoven
• 160046 PS The Organ Works of Johann Sebastian Bach
• 160055 PS Mozart and the World of the 18th-Century Symphony
• 160067 VO Media Music between 1930 and 1950 in a political context
• 160068 SE String Quintets between Boccherini and Sessions
• 160070 UE Compositional Techniques in the 20th Century Music
• 160077 PR Researching, Transcribing, Editing - Practical Course on Examples from the Second Viennese School
• 160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
• 170517 VU Rossini - Bellini - Donizetti

B11 VM Ethnomusicology

• 160015 VO History and Methods in Ethnomusicology (introductory course)
• 160018 KO World Music Studies (conversatorium)
• 160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
• 160027 VO World Music Studies (lecture series)
• 160035 PS Gender, Music and Dance: Ethnomusicological Perspectives
• 160052 VO Music of the World - Overview II
• 160066 VO African Music in the 20th Century
• 160075 UE Exercises in Ethnomusicological Transcription
• 160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 160081 EX Music Traditions of the Mediterranean Island of Crete
• 160083 PS The Phenomenon of "Interferential Diaphony" in Traditional Folk Music - Papua New Guinea, Indonesia, The Balkans
• 160086 VO+UE AV-Documents as Sources for Musicology I - Critical Evaluation of Sources and Long-Term Availability of AV Sources
• 160088 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction

B12 VM Systematic Musicology

• 160042 PS New Media & Music Technologies
• 160043 UE Acoustic Labor Practical Course IV: Live Recording
• 160044 KO Conversatorium in Musical-Acoustic Issues
• 160047 PS Basics and Research Fields in Acoustics
• 160048 VO Limits and Capabilities of Human Auditory Perception
• 160049 PS Rooms and Rumors: Geometrical and Acoustical Room Acoustics
• 160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
• 160082 UE Research Methods and Statistics in Musicology
• 160083 PS The Phenomenon of "Interferential Diaphony" in Traditional Folk Music - Papua New Guinea, Indonesia, The Balkans
• 160086 VO+UE AV-Documents as Sources for Musicology I - Critical Evaluation of Sources and Long-Term Availability of AV Sources
• 160087 VO+UE Introduction to the Physiology of Hearing

B13 VM Contemporary Music

• 160018 KO World Music Studies (conversatorium)
• 160027 VO World Music Studies (lecture series)
• 160036 PS 25 Years of the Festival "Wien Modern" Reflected in the Media
• 160038 PS Composition and Compositional Strategies around 1970
• 160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
• 160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
• 160070 UE Compositional Techniques in the 20th Century Music

B14 VM Popular Music

• 160018 KO World Music Studies (conversatorium)
• 160027 VO World Music Studies (lecture series)
• 160028 VO Introduction to the Musicological Music Film Studies
• 160052 VO Music of the World - Overview II
• 160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
• 160058 PS German "Schlager" and Folklike Music
• 160059 SE Popular Classic Music
• 160066 VO African Music in the 20th Century
• 160067 VO Media Music between 1930 and 1950 in a political context
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 160088 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
• 130076 VO [ de en ] Global Pop Music in Local Cultural Contexts

B15 VM Source Study, Source Work and Source Criticism

• 160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
• 160068 SE String Quintets between Boccherini and Sessions
• 160076 PR Information Processing in Archives and Libraries
• 160077 PR Researching, Transcribing, Editing - Practical Course on Examples from the Second Viennese School
• 160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
• 160084 PS "quas vulgo moteta vocant" - the 16th Century Motet
• 160085 SE The Beginnings of Polyphony (9th-11th Century)
• 160086 VO+UE AV-Documents as Sources for Musicology I - Critical Evaluation of Sources and Long-Term Availability of AV Sources

B16 EM Music and Society

• 160033 PS The Myth of Carmen
• 160035 PS Gender, Music and Dance: Ethnomusicological Perspectives
• 160036 PS 25 Years of the Festival "Wien Modern" Reflected in the Media
• 160052 VO Music of the World - Overview II
• 160055 PS Mozart and the World of the 18th-Century Symphony
• 160058 PS German "Schlager" and Folklike Music
• 160066 VO African Music in the 20th Century
• 160067 VO Media Music between 1930 and 1950 in a political context
• 160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 170517 VU Rossini - Bellini - Donizetti
• 130076 VO [ de en ] Global Pop Music in Local Cultural Contexts

B17 EM Analysis and Theoretical Interpretation of Music

• 160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
• 160028 VO Introduction to the Musicological Music Film Studies
• 160033 PS The Myth of Carmen
• 160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
• 160038 PS Composition and Compositional Strategies around 1970
• 160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
• 160046 PS The Organ Works of Johann Sebastian Bach
• 160055 PS Mozart and the World of the 18th-Century Symphony
• 160068 SE String Quintets between Boccherini and Sessions
• 160070 UE Compositional Techniques in the 20th Century Music
• 160075 UE Exercises in Ethnomusicological Transcription
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 160083 PS The Phenomenon of "Interferential Diaphony" in Traditional Folk Music - Papua New Guinea, Indonesia, The Balkans
• 160085 SE The Beginnings of Polyphony (9th-11th Century)

B18 EM Music Philosophy, Music Aesthetics and Musical Hermeneutics

• 160015 VO History and Methods in Ethnomusicology (introductory course)
• 160028 VO Introduction to the Musicological Music Film Studies
• 160033 PS The Myth of Carmen
• 160038 PS Composition and Compositional Strategies around 1970
• 160046 PS The Organ Works of Johann Sebastian Bach
• 160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
• 160055 PS Mozart and the World of the 18th-Century Symphony
• 160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
• 160059 SE Popular Classic Music
• 160061 VO The Aesthetic Model of Explaining Music
• 160083 PS The Phenomenon of "Interferential Diaphony" in Traditional Folk Music - Papua New Guinea, Indonesia, The Balkans
• 160085 SE The Beginnings of Polyphony (9th-11th Century)

B19 EM Current Musicology

• 160018 KO World Music Studies (conversatorium)
• 160035 PS Gender, Music and Dance: Ethnomusicological Perspectives
• 160037 SE Female roles in the Music Theatre ca. 1900
• 160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
• 160059 SE Popular Classic Music
• 130076 VO [ de en ] Global Pop Music in Local Cultural Contexts

B20 EM Applied Musicology I

• 160042 PS New Media & Music Technologies
• 160043 UE Acoustic Labor Practical Course IV: Live Recording
• 160044 KO Conversatorium in Musical-Acoustic Issues
• 160047 PS Basics and Research Fields in Acoustics
• 160049 PS Rooms and Rumors: Geometrical and Acoustical Room Acoustics
• 160076 PR Information Processing in Archives and Libraries
• 160077 PR Researching, Transcribing, Editing - Practical Course on Examples from the Second Viennese School
• 160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 160081 EX Music Traditions of the Mediterranean Island of Crete

B. Master Degree Programme in Musicology

1. Alternative Required Modules (APM)

M01 APM 1

• 160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
• 160029 SE French Piano Music around 1900
• 160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
• 160037 SE Female roles in the Music Theatre ca. 1900
• 160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
• 160040 VO Ludwig van Beethoven
• 160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
• 160045 VO Music History II (1300-1600)
• 160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
• 160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
• 160059 SE Popular Classic Music
• 160061 VO The Aesthetic Model of Explaining Music
• 160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
• 160067 VO Media Music between 1930 and 1950 in a political context
• 160068 SE String Quintets between Boccherini and Sessions
• 160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
• 160085 SE The Beginnings of Polyphony (9th-11th Century)
• 170513 VU Media Theories: Theatre, Music and Arts in the Digital Age
• 170514 VU Traces in the Unknown
• 170517 VU Rossini - Bellini - Donizetti

M02 APM 2

• 160015 VO History and Methods in Ethnomusicology (introductory course)
• 160018 KO World Music Studies (conversatorium)
• 160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
• 160027 VO World Music Studies (lecture series)
• 160028 VO Introduction to the Musicological Music Film Studies
• 160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
• 160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
• 160059 SE Popular Classic Music
• 160061 VO The Aesthetic Model of Explaining Music
• 160066 VO African Music in the 20th Century
• 160067 VO Media Music between 1930 and 1950 in a political context
• 160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 160081 EX Music Traditions of the Mediterranean Island of Crete
• 160085 SE The Beginnings of Polyphony (9th-11th Century)
• 160088 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
• 130076 VO [ de en ] Global Pop Music in Local Cultural Contexts

M03 APM 3

• 160015 VO History and Methods in Ethnomusicology (introductory course)
• 160018 KO World Music Studies (conversatorium)
• 160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
• 160027 VO World Music Studies (lecture series)
• 160028 VO Introduction to the Musicological Music Film Studies
• 160029 SE French Piano Music around 1900
• 160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
• 160037 SE Female roles in the Music Theatre ca. 1900
• 160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
• 160043 UE Acoustic Labor Practical Course IV: Live Recording
• 160044 KO Conversatorium in Musical-Acoustic Issues
• 160048 VO Limits and Capabilities of Human Auditory Perception
• 160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
• 160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
• 160059 SE Popular Classic Music
• 160061 VO The Aesthetic Model of Explaining Music
• 160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
• 160066 VO African Music in the 20th Century
• 160067 VO Media Music between 1930 and 1950 in a political context
• 160068 SE String Quintets between Boccherini and Sessions
• 160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 160082 UE Research Methods and Statistics in Musicology
• 170513 VU Media Theories: Theatre, Music and Arts in the Digital Age
• 170514 VU Traces in the Unknown

M04 APM 4

• 160015 VO History and Methods in Ethnomusicology (introductory course)
• 160018 KO World Music Studies (conversatorium)
• 160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
• 160027 VO World Music Studies (lecture series)
• 160028 VO Introduction to the Musicological Music Film Studies
• 160029 SE French Piano Music around 1900
• 160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
• 160037 SE Female roles in the Music Theatre ca. 1900
• 160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
• 160040 VO Ludwig van Beethoven
• 160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
• 160045 VO Music History II (1300-1600)
• 160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
• 160059 SE Popular Classic Music
• 160061 VO The Aesthetic Model of Explaining Music
• 160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
• 160066 VO African Music in the 20th Century
• 160067 VO Media Music between 1930 and 1950 in a political context
• 160068 SE String Quintets between Boccherini and Sessions
• 160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 160085 SE The Beginnings of Polyphony (9th-11th Century)
• 130076 VO [ de en ] Global Pop Music in Local Cultural Contexts
• 170513 VU Media Theories: Theatre, Music and Arts in the Digital Age
• 170514 VU Traces in the Unknown

M05 APM 5

• 160015 VO History and Methods in Ethnomusicology (introductory course)
• 160018 KO World Music Studies (conversatorium)
• 160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
• 160027 VO World Music Studies (lecture series)
• 160028 VO Introduction to the Musicological Music Film Studies
• 160029 SE French Piano Music around 1900
• 160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
• 160037 SE Female roles in the Music Theatre ca. 1900
• 160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
• 160040 VO Ludwig van Beethoven
• 160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
• 160043 UE Acoustic Labor Practical Course IV: Live Recording
• 160044 KO Conversatorium in Musical-Acoustic Issues
• 160045 VO Music History II (1300-1600)
• 160048 VO Limits and Capabilities of Human Auditory Perception
• 160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
• 160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
• 160059 SE Popular Classic Music
• 160061 VO The Aesthetic Model of Explaining Music
• 160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
• 160066 VO African Music in the 20th Century
• 160067 VO Media Music between 1930 and 1950 in a political context
• 160068 SE String Quintets between Boccherini and Sessions
• 160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
• 160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 160082 UE Research Methods and Statistics in Musicology
• 160085 SE The Beginnings of Polyphony (9th-11th Century)
• 170514 VU Traces in the Unknown
• 170517 VU Rossini - Bellini - Donizetti
• 130076 VO [ de en ] Global Pop Music in Local Cultural Contexts
• 170513 VU Media Theories: Theatre, Music and Arts in the Digital Age

2. Elective Modules (WM)

M06 WM History of European Music before 1600

• 160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
• 160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
• 160085 SE The Beginnings of Polyphony (9th-11th Century)

M07 WM History of European Music after 1600

• 160029 SE French Piano Music around 1900
• 160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
• 160037 SE Female roles in the Music Theatre ca. 1900
• 160040 VO Ludwig van Beethoven
• 160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
• 160067 VO Media Music between 1930 and 1950 in a political context
• 160068 SE String Quintets between Boccherini and Sessions
• 160077 PR Researching, Transcribing, Editing - Practical Course on Examples from the Second Viennese School
• 160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
• 170517 VU Rossini - Bellini - Donizetti
• 170622 SE Seminar: Breaking Points of Modernism - Going global: Operetta at the Eve of World War I
• 170661 SE Seminar: Circulations of the Political - From Nationalism to World-Breath: Theories and Realities of Wagner’s Music Theatre 1851-2013

M08 WM Ethnomusicology

• 160018 KO World Music Studies (conversatorium)
• 160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
• 160027 VO World Music Studies (lecture series)
• 160066 VO African Music in the 20th Century
• 160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 160081 EX Music Traditions of the Mediterranean Island of Crete
• 160088 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction

M09 WM Systematic Musicology

• 160043 UE Acoustic Labor Practical Course IV: Live Recording
• 160044 KO Conversatorium in Musical-Acoustic Issues
• 160048 VO Limits and Capabilities of Human Auditory Perception
• 160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
• 160082 UE Research Methods and Statistics in Musicology

M10 WM Contemporary Music

• 160018 KO World Music Studies (conversatorium)
• 160027 VO World Music Studies (lecture series)
• 160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
• 160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
• 170513 VU Media Theories: Theatre, Music and Arts in the Digital Age
• 170514 VU Traces in the Unknown

M11 WM Popular Music

• 160018 KO World Music Studies (conversatorium)
• 160027 VO World Music Studies (lecture series)
• 160028 VO Introduction to the Musicological Music Film Studies
• 160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
• 160059 SE Popular Classic Music
• 160066 VO African Music in the 20th Century
• 160067 VO Media Music between 1930 and 1950 in a political context
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 160088 UE The Music of the Maracatus-Nação - A Music Analytical and Practical Introduction
• 130076 VO [ de en ] Global Pop Music in Local Cultural Contexts

M12 WM Source Study, Source Work and Source Criticism

• 160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
• 160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
• 160068 SE String Quintets between Boccherini and Sessions
• 160076 PR Information Processing in Archives and Libraries
• 160077 PR Researching, Transcribing, Editing - Practical Course on Examples from the Second Viennese School
• 160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
• 160085 SE The Beginnings of Polyphony (9th-11th Century)
• 160086 VO+UE AV-Documents as Sources for Musicology I - Critical Evaluation of Sources and Long-Term Availability of AV Sources

M13 WM Music and Society

• 160066 VO African Music in the 20th Century
• 160067 VO Media Music between 1930 and 1950 in a political context
• 160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 170517 VU Rossini - Bellini - Donizetti
• 130076 VO [ de en ] Global Pop Music in Local Cultural Contexts
• 170622 SE Seminar: Breaking Points of Modernism - Going global: Operetta at the Eve of World War I

M14 WM Analysis and Theoretical Interpretation of Music

• 160026 SE Analysing World Music: Transcription and Analysis in Ethnomusicology
• 160028 VO Introduction to the Musicological Music Film Studies
• 160029 SE French Piano Music around 1900
• 160034 UE Introduction to Analysis of Tonal Music from the Baroque to the Romantic Era
• 160039 UE Principles of Notation and Composition III - Vocal Music (1400-1600)
• 160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
• 160068 SE String Quintets between Boccherini and Sessions
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 160085 SE The Beginnings of Polyphony (9th-11th Century)

M15 WM Music Philosophy, Music Aesthetics and Musical Hermeneutics

• 160028 VO Introduction to the Musicological Music Film Studies
• 160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
• 160050 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
• 160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
• 160059 SE Popular Classic Music
• 160061 VO The Aesthetic Model of Explaining Music
• 160085 SE The Beginnings of Polyphony (9th-11th Century)
• 170508 UE Musik in-szenieren: Macbeth
• 170513 VU Media Theories: Theatre, Music and Arts in the Digital Age
• 170661 SE Seminar: Circulations of the Political - From Nationalism to World-Breath: Theories and Realities of Wagner’s Music Theatre 1851-2013

M16 WM Current Musicology

• 160018 KO World Music Studies (conversatorium)
• 160027 VO World Music Studies (lecture series)
• 160037 SE Female roles in the Music Theatre ca. 1900
• 160041 SE Fact and Fiction: On "Authentic" Performance Practice in Beethoven's Orchestral Works
• 160056 SE Lachenmann, Metallica & Co. New Challenges of the Aesthetics of Music
• 160059 SE Popular Classic Music
• 130076 VO [ de en ] Global Pop Music in Local Cultural Contexts
• 170508 UE Musik in-szenieren: Macbeth
• 170513 VU Media Theories: Theatre, Music and Arts in the Digital Age

M17 WM Applied Musicology

• 160043 UE Acoustic Labor Practical Course IV: Live Recording
• 160044 KO Conversatorium in Musical-Acoustic Issues
• 160076 PR Information Processing in Archives and Libraries
• 160077 PR Researching, Transcribing, Editing - Practical Course on Examples from the Second Viennese School
• 160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 160081 EX Music Traditions of the Mediterranean Island of Crete
• 170508 UE Musik in-szenieren: Macbeth
• 170527 UE Management of Music Theatre

3. M18 Master Seminar Module

• 160032 MA Research Seminar for Master Candidates
• 160051 MA Research Seminar for Master and Doctoral Candidates
• 160062 MA Research Seminar for Master and Doctoral Candidates
• 160063 MA Research Seminar for Master and Doctoral Candidates
• 160065 MA Research Seminar for Master and Doctoral Candidates
• 160090 MA Research Seminar for Master and Doctoral Candidates

C. Diploma Degree Programme in Musicology

First Stage of the Degree Programme

First and Second Stage of the Degree Programme

Second Stage of the Degree Programme

Courses for Diploma and Doctoral Candidates

D. Complementary Study Programmes/Minors

CSP European History of Music

Required Module 1: European History of Music up to the Middle of the 18th Century

• 160045 VO Music History II (1300-1600)

Required Module 2: European History of Music from the Middle of the 18th Century to the Present

• 160028 VO Introduction to the Musicological Music Film Studies
• 160040 VO Ludwig van Beethoven
• 160064 VO Contemporary Women Composers in Discussion - Zeitgenössische Komponistinnen in Konfrontation ihres mitunter neuesten Werkes
• 160067 VO Media Music between 1930 and 1950 in a political context
• 160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances

CSP World Music

Required Module 1: Introduction to Ethnomusicology

• 160015 VO History and Methods in Ethnomusicology (introductory course)

Required Module 2: Survey of World Music

• 160027 VO World Music Studies (lecture series)
• 160052 VO Music of the World - Overview II
• 160066 VO African Music in the 20th Century
• 160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete

EC Musical Acoustics and Auditory Perception

Compulsory Module (EC Musical Acoustics and Auditory Perception)

• 160048 VO Limits and Capabilities of Human Auditory Perception
• 160086 VO+UE AV-Documents as Sources for Musicology I - Critical Evaluation of Sources and Long-Term Availability of AV Sources
• 160087 VO+UE Introduction to the Physiology of Hearing

EC Popular Music

Compulsory Module (EC Popular Music)

• 160028 VO Introduction to the Musicological Music Film Studies
• 160052 VO Music of the World - Overview II
• 160066 VO African Music in the 20th Century
• 160067 VO Media Music between 1930 and 1950 in a political context
• 160080 VO Introduction to the Music Traditions of the Mediterranean Island of Crete
• 130076 VO [ de en ] Global Pop Music in Local Cultural Contexts

E. Empfohlene Lehrveranstaltungen außerhalb der Universität Wien

Universität für Musik und darstellende Kunst Wien