17.01. Theatre, Film and Media Studies
Jura Soyfer-Saal und Schreyvogelsaal befinden sich im Institut für Theater-, Film- und Medienwissenschaft, Hofburg, Batthyanystiege, 1010 Wien. Lagepläne: http://spl-tfm.univie.ac.at/institutsplan
A. Bachelor Degree Programme in Theatre, Film and Media Studies
BA 1 Required Modules STEOP
BA 1.1. Orientation Period
1.1.1. STEOP 1 Introduction to Theatre, Film and Media Studies
1.1.2. STEOP 2 Forms of Theatre and Media Staging, Lecture
BA 1 Required Modules STEP
1.1.1. Introduction to Theatre, Film and Media Studies
1.1.1. Forms of Theatre and Media Staging, Lecture
1.1.3. Forms of Theatre and Media Staging, Course Accompanying the Lecture
BA 2 Group of Required Modules Advanced Courses
BA 2.1. Advanced Module Scientific Writing
2.1.1. Techniques of Scientific Writing, Practical Courses
- 170110 UE Practical Course "Techniques of Scientific Work"
- 170111 UE Practical Course "Techniques of Scientific Work"
2.1.2. Scientific Writing and Presentation Skills, Practical Courses
- 170112 UE Exercise Course Scientific Writing and Presentation Skills
- 170113 UE Exercise Course Scientific Writing and Presentation Skills
BA 2.2. Advanced Module Analysis
2.2.1. Performance and Staging Analysis, Practical Courses
- 170120 UE Practical Course "Performance and Staging Analysis" - Mythologie und Ideologie. Wagner-Inszenierungen
- 170121 UE Practical Course "Performance and Staging Analysis" - current performances
2.2.2. Film Analysis, Practical Courses
- 170122 UE Practical Course "Film Analysis"
- 170123 UE Practical Course "Film Analysis" - Animationtechniques
2.2.3. Media Analysis, Practical Courses
- 170124 UE Practical Course "Media Analysis"
- 170125 UE Practical Course "Media Analysis" - Basics of Media Reception Studies
BA 2.3. Advanced Module Theory
2.3.1. Theatre Theory, Introductory Seminars
- 170130 PS Introductory Seminar "Theatre Theory"
- 170131 PS Introductory Seminar Theatre Theory
2.3.2. Film Theory, Introductory Seminars
- 170132 PS Introductory Seminar "Film Theory" - Discernible Differences. The Detail in Film
- 170133 PS Introductory Seminar Film Theory - Theories and Praxis of Cinematic Realism
2.3.3. Media Theory, Introductory Seminars
- 170134 PS Introductory Seminar "Media Theory" - Introduction to the history and theory of photography
- 170135 PS Introductory Seminar "Media Theory"
BA 3 Group of Required Modules Specialisation
BA 3.1. Specialisation Module Body, Staging, Interaction
3.1.1. Concepts and Techniques of Acting, Introductory Seminars
- 170210 PS Introductory Seminar Concepts and Techniques of Acting - Theories on Acting
- 170211 PS Introductory Seminar "Concepts and Techniques of Acting"
3.1.2. Body Practices and Gender Presentations, Practical Courses
- 170212 UE Exercise Course Body Practices and Gender Presentations - Industrial Culture
- 170213 UE Exercise Course Body Practices and Gender Presentations - Filmstars
BA 3.2. Specialisation Module Narrative Orders
3.2.1. Narrativity in Theatre, Film and Media, Introductory Seminars
- 170220 PS Introductory Seminar Narrativity in Theatre, Film and Media - Narrative Techniques in Visual Media around 1900
- 170221 PS Introductory Seminar "Narrativity in Theatre, Film and Media" - Documentarian approaches to Fictionfilm
3.2.2. Media Transitions, Practical Courses
- 170222 UE Practical Course "Media Transitions" - Thinking chorus and thinking cinema
- 170223 UE Practical Course "Media Transitions" - Between cinema and painting
BA 3.3. Specialisation Module Space Productions
3.3.1. Theatre and Media Spaces, Introductory Seminars
- 170230 PS Introductory Seminar "Theatre and Media Spaces" - Raumproduktionen
- 170231 PS Introductory Seminar "Theatre and Media Spaces"
3.3.2. Staged Spaces, Practical Courses
- 170232 UE Practical Course "Staged Spaces" - Reading the traces: Historiographic crime scene investigation in film
- 170233 UE Practical Course "Staged Spaces" - Places of Narration/Narration of Places in the Premodern Period
BA 4 Group of Required Modules History of Theatre, Film and Media
BA 4.1. Required Module I
4.1.1. History of Theatre, Lectures
- 170300 VO Lecture on the History of Theatre - Burgtheater - (k)ein Theater wie andere auch?
- 170301 VO Lecture on the History of Theatre - Von den Großen Dionysien bis zur Medienperformance - Stationen der Europäischen Theatergeschichte
4.1.2. History of Film, Lectures
- 170310 VO Lecture on the History of Film - Passages to Bollywood: Introduction into Hindi Cinema
- 170311 VO Lecture on the History of Film - Über die Filmpräferenzen der Europäer
4.1.3. History of Media, Lectures
- 170320 VO Lecture on the History of Media - Räume und Raumdarstellungen der Medien
4.1.4. Discussion Course on the History of Theatre, Film and Media
- 170330 KO Discussion Course on the Lecture History of Film - Passages to Bollywood: Introduction into Hindi cinema
- 170340 KO Discussion Course on the Lecture History of Theatre - Von den Großen Dionysien bis zur Medienperformance - Stationen der Europäischen Theatergeschichte
- 170350 KO Discussion Course on the Lecture History of Film - Über die Filmpräferenzen der Europäer
BA 4.2. Required Module II
4.2.1. History of Theatre, Film and Media, Lectures
- 170400 VO Lecture on the History of Theatre, Film and Media
- 170410 VO Lecture on the History of Theatre, Film and Media - Politik der Wahrnehmung: Ästhetiken des Imperfekten/Medien der Kontingenz
- 140359 VO [ en ] Southern African Cinematography - 1913 - Present, Colonialism through Autocracy to Democracy
- 160067 VO Media Music between 1930 and 1950 in a political context
- 160028 VO Introduction to the Musicological Music Film Studies
- 160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
- 160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
BA 5 Group of Elective Supplementary Modules
BA 5.1. Supplementary Module Theory and Aesthetics
- 170511 VU Dance and Image. Imaging Dance.
- 170512 UE Was ist Visionary Film? Peter Kubelka and P. Adams Sitney in Conversation
- 170513 VU Media Theories: Theatre, Music and Arts in the Digital Age
- 170514 VU Traces in the Unknown
- 170515 VU Puppet- and Objecttheatre
- 170516 VU Big Data: New Media Dynamics and the Challenges of Big Social Data
BA 5.2. Supplementary Module History
- 170517 VU Rossini - Bellini - Donizetti
- 170518 VU Media as archive - Creative strategies of past (re)production II.
- 170519 VU Between affirmation and subversion Theatre history of East Germany (GDR) - - Ein Beitrag zur anderen deutschen Theatergeschichte
- 170520 VU Theater und/als Medizin
- 170521 VU The author as producer (Diagonale 2014) - Einblicke in Geschichte und Stand alternativer Bildproduktion in Österreich. (Diagonale 2014)
BA 5.3. Supplementary Module Technique
- 170522 UE Scientific and artistical works with audio-visual material 1 - Drehbuch
- 170523 UE Scientific and artistical works with audio-visual material 2 - Produktion
- 170524 VU Producing radio plays and audio books - the basics of working in the studio
- 170538 UE Stage Photography
BA 5.4. Supplementary Module Organisation and Law
- 170525 VU Introduction to the work of agencies of playwrights - with particular emphasis on copyrightquestions and -problems
- 170526 VU International Film Production
- 170527 UE Management of Music Theatre
BA 5.5. Supplementary Module Fields of Practice and Communication
- 170003 UE Mentoring
- 170501 UE Film Curatorship II - Film Begets Film
- 170502 UE Practice of audiovisual forming - getting ideas on air
- 170503 UE Excursion to Crossing Europe Filmfestival, April 25.-30, Linz
- 170504 UE Current productions and the constitution of theatres in Vienna
- 170505 UE Theatre methods from Augusto Boal in the cultural pedagogic work
- 170506 UE Applied contemporary dramaturgy: Writing
- 170507 UE Lecture Performance - Learning by performing
- 170508 UE Musik in-szenieren: Macbeth
- 170509 VU Stage costume - Introduction, analysis and Concept
- 170510 UE To grap an idea
- 170536 UE Opera and music festivals - concepts, dramaturgy and management
- 170537 UE Unter Druck
BA 5.6. Supplementary Module Gender
- 170528 VU femal comedy?
- 170529 UE "Trans Gender Moves" - Dramaturgies of Queer Politics in Performance and (Music)-Theatre
BA 5.7. Supplementary Module Global Perspectives
- 170530 VU Representations of rural and urban space in post-independence films from Africa
- 170531 VU Intercultural Approaches in Robert Wilson's Global Theater
- 170532 VU (Anti-)Colonialism and Media History
- 170533 VU Theatre Policies - Theaterpolitiken in Österreich und im internationalen Vergleich
B. Master Degree Programmes History of Theatre, Film and Media
MA (G) 1 Group of Required Modules, Lectures
MA (G) 1.1. Lectures I
- 170300 VO Lecture on the History of Theatre - Burgtheater - (k)ein Theater wie andere auch?
- 170301 VO Lecture on the History of Theatre - Von den Großen Dionysien bis zur Medienperformance - Stationen der Europäischen Theatergeschichte
- 170310 VO Lecture on the History of Film - Passages to Bollywood: Introduction into Hindi Cinema
- 170311 VO Lecture on the History of Film - Über die Filmpräferenzen der Europäer
- 170320 VO Lecture on the History of Media - Räume und Raumdarstellungen der Medien
- 170330 KO Discussion Course on the Lecture History of Film - Passages to Bollywood: Introduction into Hindi cinema
- 170340 KO Discussion Course on the Lecture History of Theatre - Von den Großen Dionysien bis zur Medienperformance - Stationen der Europäischen Theatergeschichte
- 170350 KO Discussion Course on the Lecture History of Film - Über die Filmpräferenzen der Europäer
MA (G) 1.2. Lectures II
- 170400 VO Lecture on the History of Theatre, Film and Media
- 170410 VO Lecture on the History of Theatre, Film and Media - Politik der Wahrnehmung: Ästhetiken des Imperfekten/Medien der Kontingenz
- 140359 VO [ en ] Southern African Cinematography - 1913 - Present, Colonialism through Autocracy to Democracy
- 160067 VO Media Music between 1930 and 1950 in a political context
- 160028 VO Introduction to the Musicological Music Film Studies
- 160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
- 160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
MA (G) 2 Group of Required Modules, Seminars
MA (G) 2.1. Archive and Historiography
- 170600 SE Seminar: Archive and Historiography - Longing for beauty. Towards an archeology of amateur film
- 170601 SE Seminar: Archive and Historiography - Rape and restitution: Theatre collections during and past National Socialism
- 170602 SE Seminar: Archive and Historiography - Filmüberlieferung und -editionen
MA (G) 2.2. Presence of History
- 170610 SE Seminar: Contemporary History - Gestures of Historiography
- 170611 SE Seminar: Contemporary History - Bürgerliches Schauspiel - Rührstück - Telenovela
- 170612 SE Seminar: Contemporary History - Ludwig Anzengruber
MA (G) 2.3. Fractures of Modernity
- 170620 SE Breaking Points of Modernism - Masks of A/Modernity
- 170621 SE Seminar: Breaking Points of Modernism - Marshall McLuhan and tactility: TV, a program for sensorial reeducation
- 170622 SE Seminar: Breaking Points of Modernism - Going global: Operetta at the Eve of World War I
MA (G) 3 Group of Elective Supplementary Modules
MA (G) 3.1. Theory und Aesthetics
- 170511 VU Dance and Image. Imaging Dance.
- 170512 UE Was ist Visionary Film? Peter Kubelka and P. Adams Sitney in Conversation
- 170513 VU Media Theories: Theatre, Music and Arts in the Digital Age
- 170514 VU Traces in the Unknown
- 170515 VU Puppet- and Objecttheatre
- 170516 VU Big Data: New Media Dynamics and the Challenges of Big Social Data
- 170534 UE Lecture about Elfriede Jelinek's newer texts for the theatre - Elfriede Jelineks neuere Theatertexte
MA (G) 3.2. History
- 170517 VU Rossini - Bellini - Donizetti
- 170518 VU Media as archive - Creative strategies of past (re)production II.
- 170519 VU Between affirmation and subversion Theatre history of East Germany (GDR) - - Ein Beitrag zur anderen deutschen Theatergeschichte
- 170520 VU Theater und/als Medizin
- 170521 VU The author as producer (Diagonale 2014) - Einblicke in Geschichte und Stand alternativer Bildproduktion in Österreich. (Diagonale 2014)
MA (G) 3.3. Technique
- 170522 UE Scientific and artistical works with audio-visual material 1 - Drehbuch
- 170523 UE Scientific and artistical works with audio-visual material 2 - Produktion
- 170524 VU Producing radio plays and audio books - the basics of working in the studio
- 170538 UE Stage Photography
MA (G) 3.4. Organisation and Law
- 170525 VU Introduction to the work of agencies of playwrights - with particular emphasis on copyrightquestions and -problems
- 170526 VU International Film Production
- 170527 UE Management of Music Theatre
MA (G) 3.5. Fields of Practice and Communication
- 170501 UE Film Curatorship II - Film Begets Film
- 170502 UE Practice of audiovisual forming - getting ideas on air
- 170503 UE Excursion to Crossing Europe Filmfestival, April 25.-30, Linz
- 170504 UE Current productions and the constitution of theatres in Vienna
- 170505 UE Theatre methods from Augusto Boal in the cultural pedagogic work
- 170506 UE Applied contemporary dramaturgy: Writing
- 170507 UE Lecture Performance - Learning by performing
- 170508 UE Musik in-szenieren: Macbeth
- 170509 VU Stage costume - Introduction, analysis and Concept
- 170510 UE To grap an idea
- 170535 UE My Personal University
- 170536 UE Opera and music festivals - concepts, dramaturgy and management
- 170537 UE Unter Druck
MA (G) 3.6. Gender
- 170528 VU femal comedy?
- 170529 UE "Trans Gender Moves" - Dramaturgies of Queer Politics in Performance and (Music)-Theatre
MA (G) 3.7. Global Perspectives
- 170530 VU Representations of rural and urban space in post-independence films from Africa
- 170531 VU Intercultural Approaches in Robert Wilson's Global Theater
- 170532 VU (Anti-)Colonialism and Media History
- 170533 VU Theatre Policies - Theaterpolitiken in Österreich und im internationalen Vergleich
MA (G) 4 Work Module
MA (G) 4.1. Master-Thesis Presentation
- 170700 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170701 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170702 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170703 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170704 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170705 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170706 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170707 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170708 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170711 SE Seminar for Diploma Candidates - Diplomanden/-innenseminar, Masterarbeitsübung
- 170712 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170713 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170714 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170715 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170716 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170717 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170720 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
MA (G) 4.2. Privatissimum
C. Master Degree Programmes Theory of Theatre, Film and Media
MA (T) 1 Group of Required Modules, Lectures
MA (T) 1.1. Lectures I
- 170300 VO Lecture on the History of Theatre - Burgtheater - (k)ein Theater wie andere auch?
- 170301 VO Lecture on the History of Theatre - Von den Großen Dionysien bis zur Medienperformance - Stationen der Europäischen Theatergeschichte
- 170310 VO Lecture on the History of Film - Passages to Bollywood: Introduction into Hindi Cinema
- 170311 VO Lecture on the History of Film - Über die Filmpräferenzen der Europäer
- 170320 VO Lecture on the History of Media - Räume und Raumdarstellungen der Medien
- 170330 KO Discussion Course on the Lecture History of Film - Passages to Bollywood: Introduction into Hindi cinema
- 170340 KO Discussion Course on the Lecture History of Theatre - Von den Großen Dionysien bis zur Medienperformance - Stationen der Europäischen Theatergeschichte
- 170350 KO Discussion Course on the Lecture History of Film - Über die Filmpräferenzen der Europäer
MA (T) 1.2. Lectures II
- 170400 VO Lecture on the History of Theatre, Film and Media
- 170410 VO Lecture on the History of Theatre, Film and Media - Politik der Wahrnehmung: Ästhetiken des Imperfekten/Medien der Kontingenz
- 140359 VO [ en ] Southern African Cinematography - 1913 - Present, Colonialism through Autocracy to Democracy
- 160028 VO Introduction to the Musicological Music Film Studies
- 160067 VO Media Music between 1930 and 1950 in a political context
- 160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
- 160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
MA (T) 2 Group of Required Modules, Seminars
MA (T) 2.1. Aesthetics and Poetics
- 170650 SE SE MA-T 2.1. "Aesthetics and Poetics" - Festwochen Campus
- 170651 SE Seminar: Aesthetics and Poetics - Dramaturgien des postdramatischen Theaters
- 170652 SE Seminar: Aesthetics and Poetics - Traces and Ghosts: Derrida and the Media
- 170653 SE Seminar: Aesthetics and Poetics - Philosophy of Film: Stanley Cavell
MA (T) 2.2. Circulations of the Political
- 170660 SE Seminar: Circulations of the Political - Of deeds and words: Karl Kraus, The Last Days of Mankind
- 170661 SE Seminar: Circulations of the Political - From Nationalism to World-Breath: Theories and Realities of Wagner’s Music Theatre 1851-2013
- 170662 SE Seminar: Circulations of the Political - Performer als Transformer: zwischen Kunst und Heilkunst
- 170663 SE Seminar: Circulations of the Political - Theories of Passivity
- 170664 SE Seminar: Circulations of the Political - Popular Culture and Utopia
MA (T) 2.3. Negotiations of the Subject
- 170670 SE Seminar: Negotiations of the Subject - Seminar zu Walter Benjamin und Siegfried Kracauer
- 170671 SE Seminar: Negotiations of the Subject - Dracula, Freud & Sherlock Holmes
- 160037 SE Female roles in the Music Theatre ca. 1900
- 170672 SE Seminar: Negotiations of the Subject - How to perform (in) postmodern capitalism?
- 170673 SE Seminar: Negotiations of the Subject - Reading Nietzsche
- 170674 SE Seminar: Negotiations of the Subject - Publikumsforschung
MA (T) 3 Group of Elective Supplementary Modules
MA (T) 3.1. Theory and Aesthetics
- 170511 VU Dance and Image. Imaging Dance.
- 170512 UE Was ist Visionary Film? Peter Kubelka and P. Adams Sitney in Conversation
- 170513 VU Media Theories: Theatre, Music and Arts in the Digital Age
- 170514 VU Traces in the Unknown
- 170515 VU Puppet- and Objecttheatre
- 170516 VU Big Data: New Media Dynamics and the Challenges of Big Social Data
- 170534 UE Lecture about Elfriede Jelinek's newer texts for the theatre - Elfriede Jelineks neuere Theatertexte
MA (T) 3.2. History
- 170517 VU Rossini - Bellini - Donizetti
- 170518 VU Media as archive - Creative strategies of past (re)production II.
- 170519 VU Between affirmation and subversion Theatre history of East Germany (GDR) - - Ein Beitrag zur anderen deutschen Theatergeschichte
- 170520 VU Theater und/als Medizin
- 170521 VU The author as producer (Diagonale 2014) - Einblicke in Geschichte und Stand alternativer Bildproduktion in Österreich. (Diagonale 2014)
MA (T) 3.3. Technique
- 170522 UE Scientific and artistical works with audio-visual material 1 - Drehbuch
- 170523 UE Scientific and artistical works with audio-visual material 2 - Produktion
- 170524 VU Producing radio plays and audio books - the basics of working in the studio
- 170538 UE Stage Photography
MA (T) 3.4. Organisation and Law
- 170525 VU Introduction to the work of agencies of playwrights - with particular emphasis on copyrightquestions and -problems
- 170526 VU International Film Production
- 170527 UE Management of Music Theatre
MA (T) 3.5. Fields of Practice and Communication
- 170501 UE Film Curatorship II - Film Begets Film
- 170502 UE Practice of audiovisual forming - getting ideas on air
- 170503 UE Excursion to Crossing Europe Filmfestival, April 25.-30, Linz
- 170504 UE Current productions and the constitution of theatres in Vienna
- 170505 UE Theatre methods from Augusto Boal in the cultural pedagogic work
- 170506 UE Applied contemporary dramaturgy: Writing
- 170507 UE Lecture Performance - Learning by performing
- 170508 UE Musik in-szenieren: Macbeth
- 170509 VU Stage costume - Introduction, analysis and Concept
- 170510 UE To grap an idea
- 170535 UE My Personal University
- 170536 UE Opera and music festivals - concepts, dramaturgy and management
- 170537 UE Unter Druck
MA (T) 3.6. Gender
- 170528 VU femal comedy?
- 170529 UE "Trans Gender Moves" - Dramaturgies of Queer Politics in Performance and (Music)-Theatre
MA (T) 3.7. Global Perspectives
- 170530 VU Representations of rural and urban space in post-independence films from Africa
- 170531 VU Intercultural Approaches in Robert Wilson's Global Theater
- 170532 VU (Anti-)Colonialism and Media History
- 170533 VU Theatre Policies - Theaterpolitiken in Österreich und im internationalen Vergleich
MA (T) 4 Work Module
MA (T) 4.1. Master-Thesis Presentation
- 170700 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170701 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170702 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170703 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170704 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170705 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170706 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170707 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170708 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170711 SE Seminar for Diploma Candidates - Diplomanden/-innenseminar, Masterarbeitsübung
- 170712 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170713 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170714 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170715 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170716 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170717 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170720 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
MA (T) 4.2. Privatissimum
D. Diploma Degree Programme in Theatre, Film and Media Studies
First Stage of the Degree Programme
I.1. Introductory Phase
- 170001 VO STEOP: Lecture Introduction to Theatre, Film and Media Studies
- 170002 VO STEOP: Lecture Forms of Theatre and Media Staging
- 170110 UE Practical Course "Techniques of Scientific Work"
- 170111 UE Practical Course "Techniques of Scientific Work"
I.3. Core Subjects
- 170120 UE Practical Course "Performance and Staging Analysis" - Mythologie und Ideologie. Wagner-Inszenierungen
- 170121 UE Practical Course "Performance and Staging Analysis" - current performances
- 170122 UE Practical Course "Film Analysis"
- 170123 UE Practical Course "Film Analysis" - Animationtechniques
- 170124 UE Practical Course "Media Analysis"
- 170125 UE Practical Course "Media Analysis" - Basics of Media Reception Studies
- 170130 PS Introductory Seminar "Theatre Theory"
- 170131 PS Introductory Seminar Theatre Theory
- 170132 PS Introductory Seminar "Film Theory" - Discernible Differences. The Detail in Film
- 170133 PS Introductory Seminar Film Theory - Theories and Praxis of Cinematic Realism
- 170134 PS Introductory Seminar "Media Theory" - Introduction to the history and theory of photography
- 170135 PS Introductory Seminar "Media Theory"
- 170210 PS Introductory Seminar Concepts and Techniques of Acting - Theories on Acting
- 170211 PS Introductory Seminar "Concepts and Techniques of Acting"
- 170212 UE Exercise Course Body Practices and Gender Presentations - Industrial Culture
- 170213 UE Exercise Course Body Practices and Gender Presentations - Filmstars
- 170220 PS Introductory Seminar Narrativity in Theatre, Film and Media - Narrative Techniques in Visual Media around 1900
- 170221 PS Introductory Seminar "Narrativity in Theatre, Film and Media" - Documentarian approaches to Fictionfilm
- 170222 UE Practical Course "Media Transitions" - Thinking chorus and thinking cinema
- 170223 UE Practical Course "Media Transitions" - Between cinema and painting
- 170230 PS Introductory Seminar "Theatre and Media Spaces" - Raumproduktionen
- 170231 PS Introductory Seminar "Theatre and Media Spaces"
- 170232 UE Practical Course "Staged Spaces" - Reading the traces: Historiographic crime scene investigation in film
- 170233 UE Practical Course "Staged Spaces" - Places of Narration/Narration of Places in the Premodern Period
I.4. Compulsory Elective Courses
- 170340 KO Discussion Course on the Lecture History of Theatre - Von den Großen Dionysien bis zur Medienperformance - Stationen der Europäischen Theatergeschichte
- 170501 UE Film Curatorship II - Film Begets Film
- 170502 UE Practice of audiovisual forming - getting ideas on air
- 170503 UE Excursion to Crossing Europe Filmfestival, April 25.-30, Linz
- 170504 UE Current productions and the constitution of theatres in Vienna
- 170505 UE Theatre methods from Augusto Boal in the cultural pedagogic work
- 170506 UE Applied contemporary dramaturgy: Writing
- 170508 UE Musik in-szenieren: Macbeth
- 170509 VU Stage costume - Introduction, analysis and Concept
- 170510 UE To grap an idea
- 170511 VU Dance and Image. Imaging Dance.
- 170512 UE Was ist Visionary Film? Peter Kubelka and P. Adams Sitney in Conversation
- 170513 VU Media Theories: Theatre, Music and Arts in the Digital Age
- 170514 VU Traces in the Unknown
- 170515 VU Puppet- and Objecttheatre
- 170517 VU Rossini - Bellini - Donizetti
- 170518 VU Media as archive - Creative strategies of past (re)production II.
- 170519 VU Between affirmation and subversion Theatre history of East Germany (GDR) - - Ein Beitrag zur anderen deutschen Theatergeschichte
- 170520 VU Theater und/als Medizin
- 170521 VU The author as producer (Diagonale 2014) - Einblicke in Geschichte und Stand alternativer Bildproduktion in Österreich. (Diagonale 2014)
- 170522 UE Scientific and artistical works with audio-visual material 1 - Drehbuch
- 170523 UE Scientific and artistical works with audio-visual material 2 - Produktion
- 170524 VU Producing radio plays and audio books - the basics of working in the studio
- 170525 VU Introduction to the work of agencies of playwrights - with particular emphasis on copyrightquestions and -problems
- 170526 VU International Film Production
- 170527 UE Management of Music Theatre
- 170528 VU femal comedy?
- 170529 UE "Trans Gender Moves" - Dramaturgies of Queer Politics in Performance and (Music)-Theatre
- 170530 VU Representations of rural and urban space in post-independence films from Africa
- 170531 VU Intercultural Approaches in Robert Wilson's Global Theater
- 170532 VU (Anti-)Colonialism and Media History
- 170536 UE Opera and music festivals - concepts, dramaturgy and management
- 170537 UE Unter Druck
- 170538 UE Stage Photography
First and Second Stage of the Degree Programme
I.2 / II.1 Historical Basics
- 170300 VO Lecture on the History of Theatre - Burgtheater - (k)ein Theater wie andere auch?
- 170310 VO Lecture on the History of Film - Passages to Bollywood: Introduction into Hindi Cinema
- 170320 VO Lecture on the History of Media - Räume und Raumdarstellungen der Medien
- 170400 VO Lecture on the History of Theatre, Film and Media
- 170410 VO Lecture on the History of Theatre, Film and Media - Politik der Wahrnehmung: Ästhetiken des Imperfekten/Medien der Kontingenz
- 170301 VO Lecture on the History of Theatre - Von den Großen Dionysien bis zur Medienperformance - Stationen der Europäischen Theatergeschichte
- 170311 VO Lecture on the History of Film - Über die Filmpräferenzen der Europäer
- 140359 VO [ en ] Southern African Cinematography - 1913 - Present, Colonialism through Autocracy to Democracy
- 160067 VO Media Music between 1930 and 1950 in a political context
- 160028 VO Introduction to the Musicological Music Film Studies
- 160078 VO Traditional theatrical music performances in China, Korea and Japan - with focus on Peking Opera, P'ansori and Kabuki
- 160079 VO HIP today - Methodical and Practical Approaches to Historic Information in Opera Performances
Second Stage of the Degree Programme
- 170721 UE Writing Workshop for Diploma Candidates - Scholarly Writing
II.2. Seminars
II.2.1. Seminars on Theory and Methods of Theatre, Film and Media Studies
- 170600 SE Seminar: Archive and Historiography - Longing for beauty. Towards an archeology of amateur film
- 170601 SE Seminar: Archive and Historiography - Rape and restitution: Theatre collections during and past National Socialism
- 170602 SE Seminar: Archive and Historiography - Filmüberlieferung und -editionen
- 170610 SE Seminar: Contemporary History - Gestures of Historiography
- 170611 SE Seminar: Contemporary History - Bürgerliches Schauspiel - Rührstück - Telenovela
- 170612 SE Seminar: Contemporary History - Ludwig Anzengruber
- 170620 SE Breaking Points of Modernism - Masks of A/Modernity
- 170621 SE Seminar: Breaking Points of Modernism - Marshall McLuhan and tactility: TV, a program for sensorial reeducation
- 170622 SE Seminar: Breaking Points of Modernism - Going global: Operetta at the Eve of World War I
- 170650 SE SE MA-T 2.1. "Aesthetics and Poetics" - Festwochen Campus
- 170651 SE Seminar: Aesthetics and Poetics - Dramaturgien des postdramatischen Theaters
- 170652 SE Seminar: Aesthetics and Poetics - Traces and Ghosts: Derrida and the Media
- 170653 SE Seminar: Aesthetics and Poetics - Philosophy of Film: Stanley Cavell
- 170660 SE Seminar: Circulations of the Political - Of deeds and words: Karl Kraus, The Last Days of Mankind
- 170661 SE Seminar: Circulations of the Political - From Nationalism to World-Breath: Theories and Realities of Wagner’s Music Theatre 1851-2013
- 170662 SE Seminar: Circulations of the Political - Performer als Transformer: zwischen Kunst und Heilkunst
- 170663 SE Seminar: Circulations of the Political - Theories of Passivity
- 170664 SE Seminar: Circulations of the Political - Popular Culture and Utopia
- 170670 SE Seminar: Negotiations of the Subject - Seminar zu Walter Benjamin und Siegfried Kracauer
- 170671 SE Seminar: Negotiations of the Subject - Dracula, Freud & Sherlock Holmes
- 170672 SE Seminar: Negotiations of the Subject - How to perform (in) postmodern capitalism?
- 170673 SE Seminar: Negotiations of the Subject - Reading Nietzsche
- 170674 SE Seminar: Negotiations of the Subject - Publikumsforschung
II.2.1. Seminars on Theory and Methods of Theatre, Film and Media Studies
- 170600 SE Seminar: Archive and Historiography - Longing for beauty. Towards an archeology of amateur film
- 170601 SE Seminar: Archive and Historiography - Rape and restitution: Theatre collections during and past National Socialism
- 170602 SE Seminar: Archive and Historiography - Filmüberlieferung und -editionen
- 170610 SE Seminar: Contemporary History - Gestures of Historiography
- 170611 SE Seminar: Contemporary History - Bürgerliches Schauspiel - Rührstück - Telenovela
- 170612 SE Seminar: Contemporary History - Ludwig Anzengruber
- 170620 SE Breaking Points of Modernism - Masks of A/Modernity
- 170621 SE Seminar: Breaking Points of Modernism - Marshall McLuhan and tactility: TV, a program for sensorial reeducation
- 170622 SE Seminar: Breaking Points of Modernism - Going global: Operetta at the Eve of World War I
- 170650 SE SE MA-T 2.1. "Aesthetics and Poetics" - Festwochen Campus
- 170651 SE Seminar: Aesthetics and Poetics - Dramaturgien des postdramatischen Theaters
- 170652 SE Seminar: Aesthetics and Poetics - Traces and Ghosts: Derrida and the Media
- 170660 SE Seminar: Circulations of the Political - Of deeds and words: Karl Kraus, The Last Days of Mankind
- 170661 SE Seminar: Circulations of the Political - From Nationalism to World-Breath: Theories and Realities of Wagner’s Music Theatre 1851-2013
- 170662 SE Seminar: Circulations of the Political - Performer als Transformer: zwischen Kunst und Heilkunst
- 170663 SE Seminar: Circulations of the Political - Theories of Passivity
- 170664 SE Seminar: Circulations of the Political - Popular Culture and Utopia
- 170671 SE Seminar: Negotiations of the Subject - Dracula, Freud & Sherlock Holmes
- 170672 SE Seminar: Negotiations of the Subject - How to perform (in) postmodern capitalism?
- 170673 SE Seminar: Negotiations of the Subject - Reading Nietzsche
- 170674 SE Seminar: Negotiations of the Subject - Publikumsforschung
II.2.1. Seminars on Theory and Methods of Theatre, Film and Media Studies
- 170700 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170701 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170702 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170703 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170704 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170705 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170706 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170707 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170708 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170709 SE Seminar for Diploma Candidates - Diplomanden/-innenseminar
- 170710 SE Seminar for Diploma Candidates - Diplomanden/-innenseminar
- 170711 SE Seminar for Diploma Candidates - Diplomanden/-innenseminar, Masterarbeitsübung
- 170712 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170713 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170714 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170715 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170716 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170717 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
- 170718 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar I: Entwicklung einer Fragestellung
- 170719 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar II: Fertigstellung der Diplomarbeit (Konversatorium)
- 170720 SE Seminar for Diploma Candidates, Master-Thesis Presentation - Diplomanden/-innenseminar, Masterarbeitsübung
II.3. Practical Courses
- 170501 UE Film Curatorship II - Film Begets Film
- 170502 UE Practice of audiovisual forming - getting ideas on air
- 170503 UE Excursion to Crossing Europe Filmfestival, April 25.-30, Linz
- 170504 UE Current productions and the constitution of theatres in Vienna
- 170505 UE Theatre methods from Augusto Boal in the cultural pedagogic work
- 170506 UE Applied contemporary dramaturgy: Writing
- 170508 UE Musik in-szenieren: Macbeth
- 170509 VU Stage costume - Introduction, analysis and Concept
- 170510 UE To grap an idea
- 170522 UE Scientific and artistical works with audio-visual material 1 - Drehbuch
- 170523 UE Scientific and artistical works with audio-visual material 2 - Produktion
- 170524 VU Producing radio plays and audio books - the basics of working in the studio
- 170527 UE Management of Music Theatre
- 170531 VU Intercultural Approaches in Robert Wilson's Global Theater
- 170535 UE My Personal University
- 170538 UE Stage Photography
II.4. Subjects for Specialization
- 170330 KO Discussion Course on the Lecture History of Film - Passages to Bollywood: Introduction into Hindi cinema
- 170340 KO Discussion Course on the Lecture History of Theatre - Von den Großen Dionysien bis zur Medienperformance - Stationen der Europäischen Theatergeschichte
- 170350 KO Discussion Course on the Lecture History of Film - Über die Filmpräferenzen der Europäer
- 170501 UE Film Curatorship II - Film Begets Film
- 170504 UE Current productions and the constitution of theatres in Vienna
- 170508 UE Musik in-szenieren: Macbeth
- 170510 UE To grap an idea
- 170511 VU Dance and Image. Imaging Dance.
- 170512 UE Was ist Visionary Film? Peter Kubelka and P. Adams Sitney in Conversation
- 170513 VU Media Theories: Theatre, Music and Arts in the Digital Age
- 170514 VU Traces in the Unknown
- 170515 VU Puppet- and Objecttheatre
- 170516 VU Big Data: New Media Dynamics and the Challenges of Big Social Data
- 170517 VU Rossini - Bellini - Donizetti
- 170518 VU Media as archive - Creative strategies of past (re)production II.
- 170519 VU Between affirmation and subversion Theatre history of East Germany (GDR) - - Ein Beitrag zur anderen deutschen Theatergeschichte
- 170520 VU Theater und/als Medizin
- 170521 VU The author as producer (Diagonale 2014) - Einblicke in Geschichte und Stand alternativer Bildproduktion in Österreich. (Diagonale 2014)
- 170522 UE Scientific and artistical works with audio-visual material 1 - Drehbuch
- 170523 UE Scientific and artistical works with audio-visual material 2 - Produktion
- 170525 VU Introduction to the work of agencies of playwrights - with particular emphasis on copyrightquestions and -problems
- 170526 VU International Film Production
- 170527 UE Management of Music Theatre
- 170528 VU femal comedy?
- 170529 UE "Trans Gender Moves" - Dramaturgies of Queer Politics in Performance and (Music)-Theatre
- 170530 VU Representations of rural and urban space in post-independence films from Africa
- 170531 VU Intercultural Approaches in Robert Wilson's Global Theater
- 170532 VU (Anti-)Colonialism and Media History
- 170533 VU Theatre Policies - Theaterpolitiken in Österreich und im internationalen Vergleich
- 170534 UE Lecture about Elfriede Jelinek's newer texts for the theatre - Elfriede Jelineks neuere Theatertexte
- 170536 UE Opera and music festivals - concepts, dramaturgy and management
- 170537 UE Unter Druck
- 170538 UE Stage Photography
F. Dean of Studies' Suggestions
Last modified: We 13.06.2018 00:38