16.01. Musicology
A. Bachelor Degree Programme in Musicology
1. Required Modules
B01 Module - Orientation Period
B01.1 StEOP: Principles of Music and musicological Research
- 160006 VO Principles of Music
- 160007 VO Work techniques in musicology
B01.2 StEOP: Introduction to Musicology
- 160001 VO Introduction to musicology I
- 160002 VO Introduction to musicology II
- 160003 VO Introduction to musicology III
- 160004 VO Introduction to musicology IV
- 160005 VO Introduction to musicology V
B02 Module - Music Theory
B02.1 Module - Music Theory and Musical Structures I
- 160030 UE Hearing and Recognition of Musical Structures
- 160063 UE Harmony 1
B02.2 Module - Music Theory and Musical Structures II
- 160029 UE Harmony 2: Little history of the fuge technique (16th to 20th century)
- 160056 UE Harmony 2: The structural functions of harmony in keyboard pieces from the 17th to 19th century
- 160054 UE Exercises in Ethnomusicological Transcription
B03 Basic Module - History of European Music before and after 1600
- 160010 VO Music History V (1850-1950)
- 160019 VO (Meta-)History of Mass Ordinary Settings (to 1600)
- 160037 VO Venice: Musical Anatomy of a City
- 160061 VO Verismo and Exoticism in Music Theatre Around 1900
- 160035 UE Principles of Notation and Composition II
- 160038 PS The Myth of Venice: A Chronotope in Music-Historical Writing
- 160039 PS Erik Satie and the Groupe des Six
- 160075 VO Music at the Hapsburg family
B04 Basic Module - Ethnomusicology
- 160025 VO The musics of the world at a glance 1st part
- 160045 VO African Music II
- 160070 VO Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan
- 160051 VO [ en ] Using’anga (healing practice) and music in Malawi
- 160014 VO Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European Cultures
- 160068 VO+UE Audio and video recordings in African studies and musicology - Historical, methodological and technical aspects
- 160009 UE Reading and writing ethnomusicological texts
- 160054 UE Exercises in Ethnomusicological Transcription
- 160042 PS Romani music: theoretical reflection and active practice
- 160023 PS Source study in ethnomusicology
- 160071 UE Reading and writing ethnomusicological texts - Please Lay Down Here on the Turntable: An Ethnomusicological Self-Experiment
B05 Basic Module - Systematic Musicology
- 160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
- 160062 VO+UE Foundations of Music Psychology
- 160052 UE Wonderful World of Musical Acoustics: Analysis
- 160020 UE Wonderful World of Musical Acoustics: Synthesis
- 160048 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
- 160008 PS Physics and the Perception of Timbre - An Introduction
- 160047 PR Practical Introduction into Acoustical Measurement Techniques
- 160050 KO Conversatorium in Musical-Acoustic Issues
B06 Basic Module - Contemporary Music and Popular Music
- 160025 VO The musics of the world at a glance 1st part
- 160057 VO History of popular music
- 160070 VO Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan
- 160032 VO Stronghold of the avant-garde. The Darmstadt International Summer Course for New Music 1946-1982
- 160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
- 160037 VO Venice: Musical Anatomy of a City
- 160026 VO+UE Introduction to Popular Music (Theories, approaches etc.)
- 160048 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
- 160060 PS Sound-based Composition in New Music since 1950: Scelsi, Ligeti, Lachenmann - Historical Context - Compositional Poetics - Analysis
- 160038 PS The Myth of Venice: A Chronotope in Music-Historical Writing
- 160039 PS Erik Satie and the Groupe des Six
- 160072 PS Menace II Society (?): On the Formation, Differentiation, and Global Spread of HipHop
- 160059 PR Writing about New Music
B07 Basic Module - Source Study, Source Work and Source Criticism
- 160064 VO AV-Documents as Sources for Musicology - Critical Evaluation of Sources and Long-Term Availability of AV Sources
- 160068 VO+UE Audio and video recordings in African studies and musicology - Historical, methodological and technical aspects
- 160009 UE Reading and writing ethnomusicological texts
- 160035 UE Principles of Notation and Composition II
- 160055 UE History and Methods of Editing Early Music
- 160066 UE Gregorian Chant practical course - Schola, composition techniques and publication skills.
- 160023 PS Source study in ethnomusicology
- 160071 UE Reading and writing ethnomusicological texts - Please Lay Down Here on the Turntable: An Ethnomusicological Self-Experiment
B08 Final Module
- 160038 PS The Myth of Venice: A Chronotope in Music-Historical Writing
- 160023 PS Source study in ethnomusicology
- 160042 PS Romani music: theoretical reflection and active practice
- 160060 PS Sound-based Composition in New Music since 1950: Scelsi, Ligeti, Lachenmann - Historical Context - Compositional Poetics - Analysis
- 160039 PS Erik Satie and the Groupe des Six
- 160017 SE The Fateful Backward Glance of a Lover
- 160015 SE Sources of the 15th and 16th Centuries in Eastern Europe
- 160011 SE Händel´s early operas
- 160034 SE Pierre de la Rue
- 160022 SE Systematic Oddities - Everyday Myths about Music and their Origins
- 160044 SE Selected Topics in Organology and Instrument Classification
- 160049 SE Sound Design & Acoustic Measurement
- 160027 SE Film Music for belittlement
- 160040 SE The Reception of Literary Works in 19th-Century Musical Theater (with a focus on France)
- 160053 SE Baroque opera in Austria
- 160058 SE Analysis of popular music
- 160072 PS Menace II Society (?): On the Formation, Differentiation, and Global Spread of HipHop
- 160073 SE Dentô ongaku: Traditional Music in Japan
2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)
B09 VM History of European Music before 1600
- 160037 VO Venice: Musical Anatomy of a City
- 160019 VO (Meta-)History of Mass Ordinary Settings (to 1600)
- 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
- 160035 UE Principles of Notation and Composition II
- 160066 UE Gregorian Chant practical course - Schola, composition techniques and publication skills.
- 160038 PS The Myth of Venice: A Chronotope in Music-Historical Writing
- 160034 SE Pierre de la Rue
- 160015 SE Sources of the 15th and 16th Centuries in Eastern Europe
B10 VM History of European Music after 1600
- 160010 VO Music History V (1850-1950)
- 160061 VO Verismo and Exoticism in Music Theatre Around 1900
- 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
- 160037 VO Venice: Musical Anatomy of a City
- 130001 VO [ de en ] Avant-Garde - Aesthetics and Politics of Form
- 160038 PS The Myth of Venice: A Chronotope in Music-Historical Writing
- 160039 PS Erik Satie and the Groupe des Six
- 160017 SE The Fateful Backward Glance of a Lover
- 160053 SE Baroque opera in Austria
- 160040 SE The Reception of Literary Works in 19th-Century Musical Theater (with a focus on France)
- 160075 VO Music at the Hapsburg family
B11 VM Ethnomusicology
- 160025 VO The musics of the world at a glance 1st part
- 160045 VO African Music II
- 160051 VO [ en ] Using’anga (healing practice) and music in Malawi
- 160070 VO Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan
- 160014 VO Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European Cultures
- 160068 VO+UE Audio and video recordings in African studies and musicology - Historical, methodological and technical aspects
- 160009 UE Reading and writing ethnomusicological texts
- 160054 UE Exercises in Ethnomusicological Transcription
- 160036 UE [ de en ] Afro-Brazilian Percussion
- 160023 PS Source study in ethnomusicology
- 160042 PS Romani music: theoretical reflection and active practice
- 160073 SE Dentô ongaku: Traditional Music in Japan
- 160044 SE Selected Topics in Organology and Instrument Classification
- 160071 UE Reading and writing ethnomusicological texts - Please Lay Down Here on the Turntable: An Ethnomusicological Self-Experiment
B12 VM Systematic Musicology
- 160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
- 160062 VO+UE Foundations of Music Psychology
- 160020 UE Wonderful World of Musical Acoustics: Synthesis
- 160052 UE Wonderful World of Musical Acoustics: Analysis
- 160048 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
- 160008 PS Physics and the Perception of Timbre - An Introduction
- 160049 SE Sound Design & Acoustic Measurement
- 160044 SE Selected Topics in Organology and Instrument Classification
- 160050 KO Conversatorium in Musical-Acoustic Issues
- 160047 PR Practical Introduction into Acoustical Measurement Techniques
B13 VM Contemporary Music
- 160032 VO Stronghold of the avant-garde. The Darmstadt International Summer Course for New Music 1946-1982
- 160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
- 160037 VO Venice: Musical Anatomy of a City
- 130001 VO [ de en ] Avant-Garde - Aesthetics and Politics of Form
- 160038 PS The Myth of Venice: A Chronotope in Music-Historical Writing
- 160039 PS Erik Satie and the Groupe des Six
- 160060 PS Sound-based Composition in New Music since 1950: Scelsi, Ligeti, Lachenmann - Historical Context - Compositional Poetics - Analysis
- 160059 PR Writing about New Music
B14 VM Popular Music
- 160025 VO The musics of the world at a glance 1st part
- 160057 VO History of popular music
- 160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
- 160026 VO+UE Introduction to Popular Music (Theories, approaches etc.)
- 160036 UE [ de en ] Afro-Brazilian Percussion
- 160041 UE Multimedial technologies in musicology
- 160048 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
- 160072 PS Menace II Society (?): On the Formation, Differentiation, and Global Spread of HipHop
- 160058 SE Analysis of popular music
- 160070 VO Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan
B15 VM Source Study, Source Work and Source Criticism
- 160064 VO AV-Documents as Sources for Musicology - Critical Evaluation of Sources and Long-Term Availability of AV Sources
- 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
- 160068 VO+UE Audio and video recordings in African studies and musicology - Historical, methodological and technical aspects
- 160009 UE Reading and writing ethnomusicological texts
- 160066 UE Gregorian Chant practical course - Schola, composition techniques and publication skills.
- 160035 UE Principles of Notation and Composition II
- 160055 UE History and Methods of Editing Early Music
- 160023 PS Source study in ethnomusicology
- 160015 SE Sources of the 15th and 16th Centuries in Eastern Europe
- 160034 SE Pierre de la Rue
- 160069 PR Digital Music Edition with MEI - Online edition of compositions from former members of the Institute of Musicology
- 160071 UE Reading and writing ethnomusicological texts - Please Lay Down Here on the Turntable: An Ethnomusicological Self-Experiment
- 160075 VO Music at the Hapsburg family
B16 EM Music and Society
- 160014 VO Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European Cultures
- 160025 VO The musics of the world at a glance 1st part
- 160037 VO Venice: Musical Anatomy of a City
- 160026 VO+UE Introduction to Popular Music (Theories, approaches etc.)
- 160042 PS Romani music: theoretical reflection and active practice
- 160038 PS The Myth of Venice: A Chronotope in Music-Historical Writing
- 160060 PS Sound-based Composition in New Music since 1950: Scelsi, Ligeti, Lachenmann - Historical Context - Compositional Poetics - Analysis
- 160017 SE The Fateful Backward Glance of a Lover
- 160070 VO Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan
- 160072 PS Menace II Society (?): On the Formation, Differentiation, and Global Spread of HipHop
- 160075 VO Music at the Hapsburg family
B17 EM Analysis and Theoretical Interpretation of Music
- 160045 VO African Music II
- 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
- 160029 UE Harmony 2: Little history of the fuge technique (16th to 20th century)
- 160035 UE Principles of Notation and Composition II
- 160056 UE Harmony 2: The structural functions of harmony in keyboard pieces from the 17th to 19th century
- 160054 UE Exercises in Ethnomusicological Transcription
- 160039 PS Erik Satie and the Groupe des Six
- 160060 PS Sound-based Composition in New Music since 1950: Scelsi, Ligeti, Lachenmann - Historical Context - Compositional Poetics - Analysis
- 160053 SE Baroque opera in Austria
- 160058 SE Analysis of popular music
- 160034 SE Pierre de la Rue
- 160040 SE The Reception of Literary Works in 19th-Century Musical Theater (with a focus on France)
B18 EM Music Philosophy, Music Aesthetics and Musical Hermeneutics
- 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
- 130001 VO [ de en ] Avant-Garde - Aesthetics and Politics of Form
B19 EM Current Musicology
- 160031 VO+UE Current Musicology - perspectives of research
- 160026 VO+UE Introduction to Popular Music (Theories, approaches etc.)
- 160020 UE Wonderful World of Musical Acoustics: Synthesis
- 160052 UE Wonderful World of Musical Acoustics: Analysis
- 160015 SE Sources of the 15th and 16th Centuries in Eastern Europe
B20 EM Applied Musicology I
- 160020 UE Wonderful World of Musical Acoustics: Synthesis
- 160052 UE Wonderful World of Musical Acoustics: Analysis
- 160055 UE History and Methods of Editing Early Music
- 160048 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
- 160041 UE Multimedial technologies in musicology
- 160042 PS Romani music: theoretical reflection and active practice
- 160049 SE Sound Design & Acoustic Measurement
- 160050 KO Conversatorium in Musical-Acoustic Issues
- 160043 PR Music programs on the radio
- 160059 PR Writing about New Music
- 160047 PR Practical Introduction into Acoustical Measurement Techniques
- 160069 PR Digital Music Edition with MEI - Online edition of compositions from former members of the Institute of Musicology
B. Master Degree Programme in Musicology
1. Alternative Required Modules (APM)
M01 APM 1
- 160010 VO Music History V (1850-1950)
- 160019 VO (Meta-)History of Mass Ordinary Settings (to 1600)
- 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
- 160061 VO Verismo and Exoticism in Music Theatre Around 1900
- 160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
- 160037 VO Venice: Musical Anatomy of a City
- 160057 VO History of popular music
- 160032 VO Stronghold of the avant-garde. The Darmstadt International Summer Course for New Music 1946-1982
- 130001 VO [ de en ] Avant-Garde - Aesthetics and Politics of Form
- 160031 VO+UE Current Musicology - perspectives of research
- 160055 UE History and Methods of Editing Early Music
- 160034 SE Pierre de la Rue
- 160040 SE The Reception of Literary Works in 19th-Century Musical Theater (with a focus on France)
- 160027 SE Film Music for belittlement
- 160053 SE Baroque opera in Austria
- 160015 SE Sources of the 15th and 16th Centuries in Eastern Europe
- 160011 SE Händel´s early operas
- 160017 SE The Fateful Backward Glance of a Lover
- 160059 PR Writing about New Music
- 160069 PR Digital Music Edition with MEI - Online edition of compositions from former members of the Institute of Musicology
- 160075 VO Music at the Hapsburg family
M02 APM 2
- 160014 VO Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European Cultures
- 160037 VO Venice: Musical Anatomy of a City
- 160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
- 160057 VO History of popular music
- 160051 VO [ en ] Using’anga (healing practice) and music in Malawi
- 160045 VO African Music II
- 160068 VO+UE Audio and video recordings in African studies and musicology - Historical, methodological and technical aspects
- 160031 VO+UE Current Musicology - perspectives of research
- 160009 UE Reading and writing ethnomusicological texts
- 160048 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
- 160017 SE The Fateful Backward Glance of a Lover
- 160053 SE Baroque opera in Austria
- 160058 SE Analysis of popular music
- 160070 VO Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan
- 160071 UE Reading and writing ethnomusicological texts - Please Lay Down Here on the Turntable: An Ethnomusicological Self-Experiment
- 160073 SE Dentô ongaku: Traditional Music in Japan
M03 APM 3
- 160010 VO Music History V (1850-1950)
- 160037 VO Venice: Musical Anatomy of a City
- 160061 VO Verismo and Exoticism in Music Theatre Around 1900
- 160014 VO Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European Cultures
- 160045 VO African Music II
- 160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
- 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
- 160057 VO History of popular music
- 160032 VO Stronghold of the avant-garde. The Darmstadt International Summer Course for New Music 1946-1982
- 160068 VO+UE Audio and video recordings in African studies and musicology - Historical, methodological and technical aspects
- 130001 VO [ de en ] Avant-Garde - Aesthetics and Politics of Form
- 160031 VO+UE Current Musicology - perspectives of research
- 160052 UE Wonderful World of Musical Acoustics: Analysis
- 160020 UE Wonderful World of Musical Acoustics: Synthesis
- 160048 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
- 160011 SE Händel´s early operas
- 160017 SE The Fateful Backward Glance of a Lover
- 160022 SE Systematic Oddities - Everyday Myths about Music and their Origins
- 160027 SE Film Music for belittlement
- 160044 SE Selected Topics in Organology and Instrument Classification
- 160047 PR Practical Introduction into Acoustical Measurement Techniques
- 160049 SE Sound Design & Acoustic Measurement
- 160053 SE Baroque opera in Austria
- 160058 SE Analysis of popular music
- 160050 KO Conversatorium in Musical-Acoustic Issues
- 160059 PR Writing about New Music
- 160070 VO Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan
- 160073 SE Dentô ongaku: Traditional Music in Japan
- 160075 VO Music at the Hapsburg family
M04 APM 4
- 130001 VO [ de en ] Avant-Garde - Aesthetics and Politics of Form
- 160010 VO Music History V (1850-1950)
- 160061 VO Verismo and Exoticism in Music Theatre Around 1900
- 160037 VO Venice: Musical Anatomy of a City
- 160014 VO Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European Cultures
- 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
- 160032 VO Stronghold of the avant-garde. The Darmstadt International Summer Course for New Music 1946-1982
- 160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
- 160057 VO History of popular music
- 160031 VO+UE Current Musicology - perspectives of research
- 160068 VO+UE Audio and video recordings in African studies and musicology - Historical, methodological and technical aspects
- 160055 UE History and Methods of Editing Early Music
- 160048 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
- 160011 SE Händel´s early operas
- 160015 SE Sources of the 15th and 16th Centuries in Eastern Europe
- 160017 SE The Fateful Backward Glance of a Lover
- 160027 SE Film Music for belittlement
- 160034 SE Pierre de la Rue
- 160040 SE The Reception of Literary Works in 19th-Century Musical Theater (with a focus on France)
- 160053 SE Baroque opera in Austria
- 160058 SE Analysis of popular music
- 160059 PR Writing about New Music
- 160070 VO Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan
- 160073 SE Dentô ongaku: Traditional Music in Japan
- 160075 VO Music at the Hapsburg family
M05 APM 5
- 160010 VO Music History V (1850-1950)
- 160051 VO [ en ] Using’anga (healing practice) and music in Malawi
- 160014 VO Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European Cultures
- 160064 VO AV-Documents as Sources for Musicology - Critical Evaluation of Sources and Long-Term Availability of AV Sources
- 160019 VO (Meta-)History of Mass Ordinary Settings (to 1600)
- 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
- 160032 VO Stronghold of the avant-garde. The Darmstadt International Summer Course for New Music 1946-1982
- 160057 VO History of popular music
- 160037 VO Venice: Musical Anatomy of a City
- 160061 VO Verismo and Exoticism in Music Theatre Around 1900
- 160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
- 160031 VO+UE Current Musicology - perspectives of research
- 160068 VO+UE Audio and video recordings in African studies and musicology - Historical, methodological and technical aspects
- 160009 UE Reading and writing ethnomusicological texts
- 160052 UE Wonderful World of Musical Acoustics: Analysis
- 160055 UE History and Methods of Editing Early Music
- 160020 UE Wonderful World of Musical Acoustics: Synthesis
- 160048 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
- 160053 SE Baroque opera in Austria
- 160049 SE Sound Design & Acoustic Measurement
- 160011 SE Händel´s early operas
- 160015 SE Sources of the 15th and 16th Centuries in Eastern Europe
- 160044 SE Selected Topics in Organology and Instrument Classification
- 160040 SE The Reception of Literary Works in 19th-Century Musical Theater (with a focus on France)
- 160017 SE The Fateful Backward Glance of a Lover
- 160058 SE Analysis of popular music
- 160027 SE Film Music for belittlement
- 160034 SE Pierre de la Rue
- 160050 KO Conversatorium in Musical-Acoustic Issues
- 160059 PR Writing about New Music
- 160047 PR Practical Introduction into Acoustical Measurement Techniques
- 160069 PR Digital Music Edition with MEI - Online edition of compositions from former members of the Institute of Musicology
- 160070 VO Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan
- 160071 UE Reading and writing ethnomusicological texts - Please Lay Down Here on the Turntable: An Ethnomusicological Self-Experiment
- 160073 SE Dentô ongaku: Traditional Music in Japan
- 160075 VO Music at the Hapsburg family
2. Elective Modules (WM)
M06 WM History of European Music before 1600
- 160037 VO Venice: Musical Anatomy of a City
- 160019 VO (Meta-)History of Mass Ordinary Settings (to 1600)
- 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
- 160066 UE Gregorian Chant practical course - Schola, composition techniques and publication skills.
- 160034 SE Pierre de la Rue
- 160015 SE Sources of the 15th and 16th Centuries in Eastern Europe
M07 WM History of European Music after 1600
- 160010 VO Music History V (1850-1950)
- 160061 VO Verismo and Exoticism in Music Theatre Around 1900
- 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
- 160037 VO Venice: Musical Anatomy of a City
- 160040 SE The Reception of Literary Works in 19th-Century Musical Theater (with a focus on France)
- 160053 SE Baroque opera in Austria
- 160017 SE The Fateful Backward Glance of a Lover
- 160011 SE Händel´s early operas
- 160075 VO Music at the Hapsburg family
M08 WM Ethnomusicology
- 160014 VO Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European Cultures
- 160051 VO [ en ] Using’anga (healing practice) and music in Malawi
- 160068 VO+UE Audio and video recordings in African studies and musicology - Historical, methodological and technical aspects
- 160009 UE Reading and writing ethnomusicological texts
- 160036 UE [ de en ] Afro-Brazilian Percussion
- 160044 SE Selected Topics in Organology and Instrument Classification
- 160070 VO Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan
- 160071 UE Reading and writing ethnomusicological texts - Please Lay Down Here on the Turntable: An Ethnomusicological Self-Experiment
- 160073 SE Dentô ongaku: Traditional Music in Japan
M09 WM Systematic Musicology
- 160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
- 160052 UE Wonderful World of Musical Acoustics: Analysis
- 160020 UE Wonderful World of Musical Acoustics: Synthesis
- 160048 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
- 160022 SE Systematic Oddities - Everyday Myths about Music and their Origins
- 160049 SE Sound Design & Acoustic Measurement
- 160044 SE Selected Topics in Organology and Instrument Classification
- 160050 KO Conversatorium in Musical-Acoustic Issues
- 160047 PR Practical Introduction into Acoustical Measurement Techniques
M10 WM Contemporary Music
- 160032 VO Stronghold of the avant-garde. The Darmstadt International Summer Course for New Music 1946-1982
- 160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
- 160037 VO Venice: Musical Anatomy of a City
- 160027 SE Film Music for belittlement
- 160059 PR Writing about New Music
M11 WM Popular Music
- 160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
- 160057 VO History of popular music
- 160036 UE [ de en ] Afro-Brazilian Percussion
- 160041 UE Multimedial technologies in musicology
- 160048 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
- 160058 SE Analysis of popular music
- 160027 SE Film Music for belittlement
- 160070 VO Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan
M12 WM Source Study, Source Work and Source Criticism
- 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
- 160064 VO AV-Documents as Sources for Musicology - Critical Evaluation of Sources and Long-Term Availability of AV Sources
- 160068 VO+UE Audio and video recordings in African studies and musicology - Historical, methodological and technical aspects
- 160055 UE History and Methods of Editing Early Music
- 160066 UE Gregorian Chant practical course - Schola, composition techniques and publication skills.
- 160009 UE Reading and writing ethnomusicological texts
- 160015 SE Sources of the 15th and 16th Centuries in Eastern Europe
- 160034 SE Pierre de la Rue
- 160069 PR Digital Music Edition with MEI - Online edition of compositions from former members of the Institute of Musicology
- 160071 UE Reading and writing ethnomusicological texts - Please Lay Down Here on the Turntable: An Ethnomusicological Self-Experiment
- 160075 VO Music at the Hapsburg family
M13 WM Music and Society
- 160014 VO Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European Cultures
- 160037 VO Venice: Musical Anatomy of a City
- 160017 SE The Fateful Backward Glance of a Lover
- 160070 VO Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan
- 160075 VO Music at the Hapsburg family
M14 WM Analysis and Theoretical Interpretation of Music
- 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
- 160034 SE Pierre de la Rue
- 160040 SE The Reception of Literary Works in 19th-Century Musical Theater (with a focus on France)
- 160053 SE Baroque opera in Austria
- 160011 SE Händel´s early operas
- 160058 SE Analysis of popular music
M15 WM Music Philosophy, Music Aesthetics and Musical Hermeneutics
- 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
M16 WM Current Musicology
- 160031 VO+UE Current Musicology - perspectives of research
- 160052 UE Wonderful World of Musical Acoustics: Analysis
- 160020 UE Wonderful World of Musical Acoustics: Synthesis
- 160015 SE Sources of the 15th and 16th Centuries in Eastern Europe
M17 WM Applied Musicology
- 160020 UE Wonderful World of Musical Acoustics: Synthesis
- 160041 UE Multimedial technologies in musicology
- 160048 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
- 160052 UE Wonderful World of Musical Acoustics: Analysis
- 160055 UE History and Methods of Editing Early Music
- 160049 SE Sound Design & Acoustic Measurement
- 160050 KO Conversatorium in Musical-Acoustic Issues
- 160059 PR Writing about New Music
- 160069 PR Digital Music Edition with MEI - Online edition of compositions from former members of the Institute of Musicology
- 160047 PR Practical Introduction into Acoustical Measurement Techniques
- 160043 PR Music programs on the radio
3. M18 Master Seminar Module
- 160012 MA Research Seminar for Master Candidates
- 160013 MA Research Seminar for Master and Doctoral Candidates
- 160016 MA Research Seminar for Master and Doctoral Candidates
- 160018 MA Research Seminar for Master and Doctoral Candidates
- 160021 MA Research Seminar for Master and Doctoral Candidates
- 160024 MA Research Seminar for Master and Doctoral Candidates
- 160046 PV Research seminar for doctoral candidates
D. Complementary Study Programmes/Minors
CSP European History of Music
Required Module 1: European History of Music up to the Middle of the 18th Century
- 160001 VO Introduction to musicology I
- 160019 VO (Meta-)History of Mass Ordinary Settings (to 1600)
- 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
- 160037 VO Venice: Musical Anatomy of a City
- 160075 VO Music at the Hapsburg family
Required Module 2: European History of Music from the Middle of the 18th Century to the Present
- 160002 VO Introduction to musicology II
- 160010 VO Music History V (1850-1950)
- 160032 VO Stronghold of the avant-garde. The Darmstadt International Summer Course for New Music 1946-1982
- 160037 VO Venice: Musical Anatomy of a City
- 160061 VO Verismo and Exoticism in Music Theatre Around 1900
- 160075 VO Music at the Hapsburg family
CSP World Music
Required Module 1: Introduction to Ethnomusicology
- 160003 VO Introduction to musicology III
Required Module 2: Survey of World Music
- 160025 VO The musics of the world at a glance 1st part
- 160045 VO African Music II
- 160014 VO Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European Cultures
- 160051 VO [ en ] Using’anga (healing practice) and music in Malawi
- 160070 VO Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan
EC Musical Acoustics and Auditory Perception
- 160004 VO Introduction to musicology IV
- 160020 UE Wonderful World of Musical Acoustics: Synthesis
- 160052 UE Wonderful World of Musical Acoustics: Analysis
- 160062 VO+UE Foundations of Music Psychology
- 160064 VO AV-Documents as Sources for Musicology - Critical Evaluation of Sources and Long-Term Availability of AV Sources
Compulsory Module (EC Musical Acoustics and Auditory Perception)
EC Popular Music
Compulsory Module (EC Popular Music)
- 160026 VO+UE Introduction to Popular Music (Theories, approaches etc.)
- 160025 VO The musics of the world at a glance 1st part
- 160057 VO History of popular music
- 160070 VO Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan
D. Empfohlene Lehrveranstaltungen außerhalb der Universität Wien
Universität für Musik und darstellende Kunst Wien
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