B. Master Degree Programme in Musicology

1. Alternative Required Modules (APM)

M01 APM 1

• 160010 VO Music History V (1850-1950)
• 160019 VO (Meta-)History of Mass Ordinary Settings (to 1600)
• 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
• 160061 VO Verismo and Exoticism in Music Theatre Around 1900
• 160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
• 160037 VO Venice: Musical Anatomy of a City
• 160057 VO History of popular music
• 160032 VO Stronghold of the avant-garde. The Darmstadt International Summer Course for New Music 1946-1982
• 130001 VO [ de en ] Avant-Garde - Aesthetics and Politics of Form
• 160031 VO+UE Current Musicology - perspectives of research
• 160055 UE History and Methods of Editing Early Music
• 160034 SE Pierre de la Rue
• 160040 SE The Reception of Literary Works in 19th-Century Musical Theater (with a focus on France)
• 160027 SE Film Music for belittlement
• 160053 SE Baroque opera in Austria
• 160015 SE Sources of the 15th and 16th Centuries in Eastern Europe
• 160011 SE Händel´s early operas
• 160017 SE The Fateful Backward Glance of a Lover
• 160059 PR Writing about New Music
• 160069 PR Digital Music Edition with MEI - Online edition of compositions from former members of the Institute of Musicology
• 160075 VO Music at the Hapsburg family

M02 APM 2

• 160014 VO Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European Cultures
• 160037 VO Venice: Musical Anatomy of a City
• 160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
• 160057 VO History of popular music
• 160051 VO [ en ] Using’anga (healing practice) and music in Malawi
• 160045 VO African Music II
• 160068 VO+UE Audio and video recordings in African studies and musicology - Historical, methodological and technical aspects
• 160031 VO+UE Current Musicology - perspectives of research
• 160009 UE Reading and writing ethnomusicological texts
• 160048 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160017 SE The Fateful Backward Glance of a Lover
• 160053 SE Baroque opera in Austria
• 160058 SE Analysis of popular music
• 160070 VO Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan
• 160071 UE Reading and writing ethnomusicological texts - Please Lay Down Here on the Turntable: An Ethnomusicological Self-Experiment
• 160073 SE Dentô ongaku: Traditional Music in Japan

M03 APM 3

• 160010 VO Music History V (1850-1950)
• 160037 VO Venice: Musical Anatomy of a City
• 160061 VO Verismo and Exoticism in Music Theatre Around 1900
• 160014 VO Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European Cultures
• 160045 VO African Music II
• 160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
• 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
• 160057 VO History of popular music
• 160032 VO Stronghold of the avant-garde. The Darmstadt International Summer Course for New Music 1946-1982
• 160068 VO+UE Audio and video recordings in African studies and musicology - Historical, methodological and technical aspects
• 130001 VO [ de en ] Avant-Garde - Aesthetics and Politics of Form
• 160031 VO+UE Current Musicology - perspectives of research
• 160052 UE Wonderful World of Musical Acoustics: Analysis
• 160020 UE Wonderful World of Musical Acoustics: Synthesis
• 160048 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160011 SE Händel´s early operas
• 160017 SE The Fateful Backward Glance of a Lover
• 160022 SE Systematic Oddities - Everyday Myths about Music and their Origins
• 160027 SE Film Music for belittlement
• 160044 SE Selected Topics in Organology and Instrument Classification
• 160047 PR Practical Introduction into Acoustical Measurement Techniques
• 160049 SE Sound Design & Acoustic Measurement
• 160053 SE Baroque opera in Austria
• 160058 SE Analysis of popular music
• 160050 KO Conversatorium in Musical-Acoustic Issues
• 160059 PR Writing about New Music
• 160070 VO Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan
• 160073 SE Dentô ongaku: Traditional Music in Japan
• 160075 VO Music at the Hapsburg family

M04 APM 4

• 130001 VO [ de en ] Avant-Garde - Aesthetics and Politics of Form
• 160010 VO Music History V (1850-1950)
• 160061 VO Verismo and Exoticism in Music Theatre Around 1900
• 160037 VO Venice: Musical Anatomy of a City
• 160014 VO Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European Cultures
• 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
• 160032 VO Stronghold of the avant-garde. The Darmstadt International Summer Course for New Music 1946-1982
• 160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
• 160057 VO History of popular music
• 160031 VO+UE Current Musicology - perspectives of research
• 160068 VO+UE Audio and video recordings in African studies and musicology - Historical, methodological and technical aspects
• 160055 UE History and Methods of Editing Early Music
• 160048 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160011 SE Händel´s early operas
• 160015 SE Sources of the 15th and 16th Centuries in Eastern Europe
• 160017 SE The Fateful Backward Glance of a Lover
• 160027 SE Film Music for belittlement
• 160034 SE Pierre de la Rue
• 160040 SE The Reception of Literary Works in 19th-Century Musical Theater (with a focus on France)
• 160053 SE Baroque opera in Austria
• 160058 SE Analysis of popular music
• 160059 PR Writing about New Music
• 160070 VO Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan
• 160073 SE Dentô ongaku: Traditional Music in Japan
• 160075 VO Music at the Hapsburg family

M05 APM 5

• 160010 VO Music History V (1850-1950)
• 160051 VO [ en ] Using’anga (healing practice) and music in Malawi
• 160014 VO Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European Cultures
• 160064 VO AV-Documents as Sources for Musicology - Critical Evaluation of Sources and Long-Term Availability of AV Sources
• 160019 VO (Meta-)History of Mass Ordinary Settings (to 1600)
• 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
• 160032 VO Stronghold of the avant-garde. The Darmstadt International Summer Course for New Music 1946-1982
• 160057 VO History of popular music
• 160037 VO Venice: Musical Anatomy of a City
• 160061 VO Verismo and Exoticism in Music Theatre Around 1900
• 160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
• 160031 VO+UE Current Musicology - perspectives of research
• 160068 VO+UE Audio and video recordings in African studies and musicology - Historical, methodological and technical aspects
• 160009 UE Reading and writing ethnomusicological texts
• 160052 UE Wonderful World of Musical Acoustics: Analysis
• 160055 UE History and Methods of Editing Early Music
• 160020 UE Wonderful World of Musical Acoustics: Synthesis
• 160048 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160053 SE Baroque opera in Austria
• 160049 SE Sound Design & Acoustic Measurement
• 160011 SE Händel´s early operas
• 160015 SE Sources of the 15th and 16th Centuries in Eastern Europe
• 160044 SE Selected Topics in Organology and Instrument Classification
• 160040 SE The Reception of Literary Works in 19th-Century Musical Theater (with a focus on France)
• 160017 SE The Fateful Backward Glance of a Lover
• 160058 SE Analysis of popular music
• 160027 SE Film Music for belittlement
• 160034 SE Pierre de la Rue
• 160050 KO Conversatorium in Musical-Acoustic Issues
• 160059 PR Writing about New Music
• 160047 PR Practical Introduction into Acoustical Measurement Techniques
• 160069 PR Digital Music Edition with MEI - Online edition of compositions from former members of the Institute of Musicology
• 160070 VO Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan
• 160071 UE Reading and writing ethnomusicological texts - Please Lay Down Here on the Turntable: An Ethnomusicological Self-Experiment
• 160073 SE Dentô ongaku: Traditional Music in Japan
• 160075 VO Music at the Hapsburg family

2. Elective Modules (WM)

M06 WM History of European Music before 1600

• 160037 VO Venice: Musical Anatomy of a City
• 160019 VO (Meta-)History of Mass Ordinary Settings (to 1600)
• 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
• 160066 UE Gregorian Chant practical course - Schola, composition techniques and publication skills.
• 160034 SE Pierre de la Rue
• 160015 SE Sources of the 15th and 16th Centuries in Eastern Europe

M07 WM History of European Music after 1600

• 160010 VO Music History V (1850-1950)
• 160061 VO Verismo and Exoticism in Music Theatre Around 1900
• 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
• 160037 VO Venice: Musical Anatomy of a City
• 160040 SE The Reception of Literary Works in 19th-Century Musical Theater (with a focus on France)
• 160053 SE Baroque opera in Austria
• 160017 SE The Fateful Backward Glance of a Lover
• 160011 SE Händel´s early operas
• 160075 VO Music at the Hapsburg family

M08 WM Ethnomusicology

• 160014 VO Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European Cultures
• 160051 VO [ en ] Using’anga (healing practice) and music in Malawi
• 160068 VO+UE Audio and video recordings in African studies and musicology - Historical, methodological and technical aspects
• 160009 UE Reading and writing ethnomusicological texts
• 160036 UE [ de en ] Afro-Brazilian Percussion
• 160044 SE Selected Topics in Organology and Instrument Classification
• 160070 VO Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan
• 160071 UE Reading and writing ethnomusicological texts - Please Lay Down Here on the Turntable: An Ethnomusicological Self-Experiment
• 160073 SE Dentô ongaku: Traditional Music in Japan

M09 WM Systematic Musicology

• 160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
• 160052 UE Wonderful World of Musical Acoustics: Analysis
• 160020 UE Wonderful World of Musical Acoustics: Synthesis
• 160048 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160022 SE Systematic Oddities - Everyday Myths about Music and their Origins
• 160049 SE Sound Design & Acoustic Measurement
• 160044 SE Selected Topics in Organology and Instrument Classification
• 160050 KO Conversatorium in Musical-Acoustic Issues
• 160047 PR Practical Introduction into Acoustical Measurement Techniques

M10 WM Contemporary Music

• 160032 VO Stronghold of the avant-garde. The Darmstadt International Summer Course for New Music 1946-1982
• 160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
• 160037 VO Venice: Musical Anatomy of a City
• 160027 SE Film Music for belittlement
• 160059 PR Writing about New Music

M11 WM Popular Music

• 160033 VO From Helmholtz's sound synthesizer to VST plugins - Einführung in die Geschichte der Klangsynthese und ihrer Randbedingungen
• 160057 VO History of popular music
• 160036 UE [ de en ] Afro-Brazilian Percussion
• 160041 UE Multimedial technologies in musicology
• 160048 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160058 SE Analysis of popular music
• 160027 SE Film Music for belittlement
• 160070 VO Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan

M12 WM Source Study, Source Work and Source Criticism

• 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
• 160064 VO AV-Documents as Sources for Musicology - Critical Evaluation of Sources and Long-Term Availability of AV Sources
• 160068 VO+UE Audio and video recordings in African studies and musicology - Historical, methodological and technical aspects
• 160055 UE History and Methods of Editing Early Music
• 160066 UE Gregorian Chant practical course - Schola, composition techniques and publication skills.
• 160009 UE Reading and writing ethnomusicological texts
• 160015 SE Sources of the 15th and 16th Centuries in Eastern Europe
• 160034 SE Pierre de la Rue
• 160069 PR Digital Music Edition with MEI - Online edition of compositions from former members of the Institute of Musicology
• 160071 UE Reading and writing ethnomusicological texts - Please Lay Down Here on the Turntable: An Ethnomusicological Self-Experiment
• 160075 VO Music at the Hapsburg family

M13 WM Music and Society

• 160014 VO Vocal and instrumental Styles in the Process of Upraise of Music, and its Development - in Europe and Non-European Cultures
• 160037 VO Venice: Musical Anatomy of a City
• 160017 SE The Fateful Backward Glance of a Lover
• 160070 VO Japanese Gentlemen Stand Up Please: A History of Popular Music in Japan
• 160075 VO Music at the Hapsburg family

M14 WM Analysis and Theoretical Interpretation of Music

• 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries
• 160034 SE Pierre de la Rue
• 160040 SE The Reception of Literary Works in 19th-Century Musical Theater (with a focus on France)
• 160053 SE Baroque opera in Austria
• 160011 SE Händel´s early operas
• 160058 SE Analysis of popular music

M15 WM Music Philosophy, Music Aesthetics and Musical Hermeneutics

• 160028 VO "… they are not intended to tickle the ear, but to increase the passion …" - On the Art of Ornamentation in the Music of the 16th to 18th Centuries

M16 WM Current Musicology

• 160031 VO+UE Current Musicology - perspectives of research
• 160052 UE Wonderful World of Musical Acoustics: Analysis
• 160020 UE Wonderful World of Musical Acoustics: Synthesis
• 160015 SE Sources of the 15th and 16th Centuries in Eastern Europe

M17 WM Applied Musicology

• 160020 UE Wonderful World of Musical Acoustics: Synthesis
• 160041 UE Multimedial technologies in musicology
• 160048 UE Acoustic Labor Practical Course I: Recording & Sound Analysis
• 160052 UE Wonderful World of Musical Acoustics: Analysis
• 160055 UE History and Methods of Editing Early Music
• 160049 SE Sound Design & Acoustic Measurement
• 160050 KO Conversatorium in Musical-Acoustic Issues
• 160059 PR Writing about New Music
• 160069 PR Digital Music Edition with MEI - Online edition of compositions from former members of the Institute of Musicology
• 160047 PR Practical Introduction into Acoustical Measurement Techniques
• 160043 PR Music programs on the radio

3. M18 Master Seminar Module

• 160012 MA Research Seminar for Master Candidates
• 160013 MA Research Seminar for Master and Doctoral Candidates
• 160016 MA Research Seminar for Master and Doctoral Candidates
• 160018 MA Research Seminar for Master and Doctoral Candidates
• 160021 MA Research Seminar for Master and Doctoral Candidates
• 160024 MA Research Seminar for Master and Doctoral Candidates
• 160046 PV Research seminar for doctoral candidates