16.01. Musicology

A [3]. Bachelorstudium Musikwissenschaft (Version 2016)

Pflichtmodulgruppe Studieneingangs- und Orientierungsphase

STEOP1: Grundlagen der Musik (Pflichtmodul)

• EXAM STEOP: Principles of Music
• 160001 VO Principles of Music

STEOP2: Orientierung Musikwissenschaft (Pflichtmodul)

• EXAM STEOP: Survey in Musicology
• 160002 VO Survey in Historical Musicology
• 160003 VO Overview of Systematic Musicology
• 160004 VO Orientation of Ethnomusicology

Pflichtmodulgruppe Wissenschaftliches Arbeiten und Schreiben

ARB: Arbeitstechniken (Pflichtmodul)

• 160025 UE Work Techniques in Musicology

PRO: Proseminare (Pflichtmodul)

• 160007 PS Beethoven's piano sonatas
• 160012 PS "Dedicated" Music
• 160041 PS Introduction to ethnomusicological gender studies
• 160042 PS Maqam, Ichos, Dastgah, Raga: Modal music concepts of the Orient
• 160046 PS European Concert Halls - History of Origin and Development, Acoustical Characteristics and Musical Impacts
• 160058 PS A Social History of Opera. Italian Opera Business in Nineteenth-Century London
• 160064 PS Performing Arts in Bali

BAC: Bachelorseminare (Pflichtmodul)

• 160009 SE Politically motivated motets of the 15th & 16th century
• 160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
• 160019 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
• 160022 SE Music and Trance
• 160029 SE Double respectively multiple talented artists
• 160034 SE Mozart's operas and 'Singspiele'
• 160050 SE What did it mean to say "I heard"? The texts of Hildegard of Bingen transmitted with notation
• 160054 SE Writing on Music. Theodor W. Adorno interprets Schubert and Mahler
• 160057 SE Biographies of composers from four centuries in films and musicals
• 160065 SE Sound and Movement

Pflichtmodule

TON: Tonsatz und Analyse (Pflichtmodul)

• 160035 UE Harmony I
• 160036 UE Harmony II
• 160037 UE Introduction to Music Analysis

HIS: Grundlagen der Historischen Musikwissenschaft (Pflichtmodul)

• 160014 VO Principles of music after 1600
• 160016 UE Introduction to notation & composition IV - Instrumental music up to 1600

MUG: Musikgeschichte (Pflichtmodul)

• 160011 VO Music History 1

ETH: Ethnomusikologie (Pflichtmodul)

• 160066 VO Introduction to Ethnomusicology
• 160021 UE Ethnomusicological exercise

SYS: Systematische Musikwissenschaft (Pflichtmodul)

• 160015 UE Wonderful World of Musical Acoustics: Analysis
• 160018 UE Wonderful World of Musical Acoustics: Synthesis

POP: Populäre Musik (Pflichtmodul)

• 160024 VO Introduction to Popular Music (Theories, approaches etc.)

Wahlmodulgruppe

HIS-V1: Vertiefung Historische Musikwissenschaft - Musik vor 1600 (Wahlmodul)

• 090061 VO Area of Ancient Greek Literature (Prose) - Antike Musik
• 160011 VO Music History 1
• 160016 UE Introduction to notation & composition IV - Instrumental music up to 1600
• 160017 UE Cantare Super Librum - Improvised Polyphony in the Renaissance
• 160049 UE Editing Early Music
• 160051 UE Practical course "Choralschola" - Erarbeitung des gregorianischen Messrepertoires für die Adventzeit (Singen und theoretische Grundlagen).
• 160052 UE Orlando di Lasso: aspects and questions

HIS-V2: Vertiefung Historische Musikwissenschaft - Musik nach 1600 (Wahlmodul)

• 160055 VO Viennese Music History 1600-1900
• 160005 UE The art of affections or the language of the absolute? - Music aesthetical and poetical outline between rationalism and romanticism
• 160010 UE Shaping time. Dramaturgy and Rhythm in Music and Music Theory since 1945
• 160007 PS Beethoven's piano sonatas
• 160012 PS "Dedicated" Music
• 160058 PS A Social History of Opera. Italian Opera Business in Nineteenth-Century London
• 160006 PR Archival Studies and Biographical Sources of Viennese Music History
• 160056 PR Archive and library science
• 160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music
• 160051 UE Practical course "Choralschola" - Erarbeitung des gregorianischen Messrepertoires für die Adventzeit (Singen und theoretische Grundlagen).

ETH-V: Vertiefung Ethnomusikologie (Wahlmodul)

• 160023 VO Music of the World - Overview I
• 160039 VO [ en ] Music of Central Asia
• 160038 UE Transcription
• 160040 UE Transmission of the traditional japanese music
• 160064 PS Performing Arts in Bali
• 160041 PS Introduction to ethnomusicological gender studies
• 160042 PS Maqam, Ichos, Dastgah, Raga: Modal music concepts of the Orient
• 160033 VO Afro-American music forms
• 160043 VO [ en ] African music in secret societies and initiation

SYS-V: Vertiefung Systematische Musikwissenschaft (Wahlmodul)

• 160047 VO Music and emotion
• 160015 UE Wonderful World of Musical Acoustics: Analysis
• 160018 UE Wonderful World of Musical Acoustics: Synthesis
• 160048 UE Test theory and test construction for musicologists
• 160046 PS European Concert Halls - History of Origin and Development, Acoustical Characteristics and Musical Impacts
• 160027 VO Music in medial Embracement and its Future
• 160068 VO Instruments for Electroacoustic Music. A Survey of 120 Years of Evolution

POP-V: Vertiefung Populäre Musik (Wahlmodul)

• 160033 VO Afro-American music forms
• 160059 VO [ en ] Electroacoustic Music and Sound in Film
• 160061 VO Jazz and jazz related Popular Music at a glance
• 160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
• 160068 VO Instruments for Electroacoustic Music. A Survey of 120 Years of Evolution

INT: Musikwissenschaft interdisziplinär (Wahlmodul)

• 160005 UE The art of affections or the language of the absolute? - Music aesthetical and poetical outline between rationalism and romanticism
• 160026 UE Current State of Musicology
• 160041 PS Introduction to ethnomusicological gender studies

PRX: Praxisfelder der Musikwissenschaft (Wahlmodul)

• 160006 PR Archival Studies and Biographical Sources of Viennese Music History
• 160044 PR Principles of audio engineering - Pathology of the ear
• 160045 PR Microphone practice for musicologists
• 160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music
• 160056 PR Archive and library science
• 160060 PR Applied Music Production

FRE: Freies Vertiefungsmodul (Wahlmodul)

A. Bachelor Degree Programme in Musicology

1. Required Modules

B01 Module - Orientation Period

B01.1 StEOP: Principles of Music and musicological Research

• 160001 VO Principles of Music
• 160025 UE Work Techniques in Musicology

B01.2 StEOP: Introduction to Musicology

• 160002 VO Survey in Historical Musicology
• 160003 VO Overview of Systematic Musicology
• 160004 VO Orientation of Ethnomusicology

B02 Module - Music Theory

B02.1 Module - Music Theory and Musical Structures I

• 160035 UE Harmony I
• 160037 UE Introduction to Music Analysis

B02.2 Module - Music Theory and Musical Structures II

• 160036 UE Harmony II
• 160038 UE Transcription

B03 Basic Module - History of European Music before and after 1600

• 160011 VO Music History 1
• 160014 VO Principles of music after 1600
• 160055 VO Viennese Music History 1600-1900
• 160016 UE Introduction to notation & composition IV - Instrumental music up to 1600
• 160052 UE Orlando di Lasso: aspects and questions
• 160007 PS Beethoven's piano sonatas
• 160012 PS "Dedicated" Music
• 160058 PS A Social History of Opera. Italian Opera Business in Nineteenth-Century London
• 090061 VO Area of Ancient Greek Literature (Prose) - Antike Musik

B04 Basic Module - Ethnomusicology

• 160066 VO Introduction to Ethnomusicology
• 160023 VO Music of the World - Overview I
• 160039 VO [ en ] Music of Central Asia
• 160033 VO Afro-American music forms
• 160043 VO [ en ] African music in secret societies and initiation
• 160021 UE Ethnomusicological exercise
• 160038 UE Transcription
• 160040 UE Transmission of the traditional japanese music
• 160041 PS Introduction to ethnomusicological gender studies
• 160042 PS Maqam, Ichos, Dastgah, Raga: Modal music concepts of the Orient
• 160064 PS Performing Arts in Bali

B05 Basic Module - Systematic Musicology

• 160047 VO Music and emotion
• 160027 VO Music in medial Embracement and its Future
• 160015 UE Wonderful World of Musical Acoustics: Analysis
• 160018 UE Wonderful World of Musical Acoustics: Synthesis
• 160048 UE Test theory and test construction for musicologists
• 160046 PS European Concert Halls - History of Origin and Development, Acoustical Characteristics and Musical Impacts
• 160068 VO Instruments for Electroacoustic Music. A Survey of 120 Years of Evolution

B06 Basic Module - Contemporary Music and Popular Music

• 160024 VO Introduction to Popular Music (Theories, approaches etc.)
• 160033 VO Afro-American music forms
• 160059 VO [ en ] Electroacoustic Music and Sound in Film
• 160061 VO Jazz and jazz related Popular Music at a glance
• 160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
• 160010 UE Shaping time. Dramaturgy and Rhythm in Music and Music Theory since 1945
• 160023 VO Music of the World - Overview I
• 160068 VO Instruments for Electroacoustic Music. A Survey of 120 Years of Evolution

B07 Basic Module - Source Study, Source Work and Source Criticism

• 160016 UE Introduction to notation & composition IV - Instrumental music up to 1600
• 160049 UE Editing Early Music
• 160052 UE Orlando di Lasso: aspects and questions
• 160006 PR Archival Studies and Biographical Sources of Viennese Music History
• 160056 PR Archive and library science
• 160051 UE Practical course "Choralschola" - Erarbeitung des gregorianischen Messrepertoires für die Adventzeit (Singen und theoretische Grundlagen).

B08 Final Module

• 160012 PS "Dedicated" Music
• 160046 PS European Concert Halls - History of Origin and Development, Acoustical Characteristics and Musical Impacts
• 160058 PS A Social History of Opera. Italian Opera Business in Nineteenth-Century London
• 160064 PS Performing Arts in Bali
• 160007 PS Beethoven's piano sonatas
• 160022 SE Music and Trance
• 160065 SE Sound and Movement
• 160009 SE Politically motivated motets of the 15th & 16th century
• 160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
• 160019 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
• 160029 SE Double respectively multiple talented artists
• 160034 SE Mozart's operas and 'Singspiele'
• 160050 SE What did it mean to say "I heard"? The texts of Hildegard of Bingen transmitted with notation
• 160054 SE Writing on Music. Theodor W. Adorno interprets Schubert and Mahler
• 160057 SE Biographies of composers from four centuries in films and musicals

2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)

B09 VM History of European Music before 1600

• 160011 VO Music History 1
• 160016 UE Introduction to notation & composition IV - Instrumental music up to 1600
• 160052 UE Orlando di Lasso: aspects and questions
• 160017 UE Cantare Super Librum - Improvised Polyphony in the Renaissance
• 160050 SE What did it mean to say "I heard"? The texts of Hildegard of Bingen transmitted with notation
• 160051 UE Practical course "Choralschola" - Erarbeitung des gregorianischen Messrepertoires für die Adventzeit (Singen und theoretische Grundlagen).

B10 VM History of European Music after 1600

• 160055 VO Viennese Music History 1600-1900
• 160014 VO Principles of music after 1600
• 160005 UE The art of affections or the language of the absolute? - Music aesthetical and poetical outline between rationalism and romanticism
• 160007 PS Beethoven's piano sonatas
• 160012 PS "Dedicated" Music
• 160058 PS A Social History of Opera. Italian Opera Business in Nineteenth-Century London
• 160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
• 160029 SE Double respectively multiple talented artists
• 160034 SE Mozart's operas and 'Singspiele'
• 160054 SE Writing on Music. Theodor W. Adorno interprets Schubert and Mahler

B11 VM Ethnomusicology

• 160066 VO Introduction to Ethnomusicology
• 160023 VO Music of the World - Overview I
• 160033 VO Afro-American music forms
• 160043 VO [ en ] African music in secret societies and initiation
• 160039 VO [ en ] Music of Central Asia
• 160021 UE Ethnomusicological exercise
• 160038 UE Transcription
• 160040 UE Transmission of the traditional japanese music
• 160041 PS Introduction to ethnomusicological gender studies
• 160042 PS Maqam, Ichos, Dastgah, Raga: Modal music concepts of the Orient
• 160064 PS Performing Arts in Bali
• 160022 SE Music and Trance
• 160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music

B12 VM Systematic Musicology

• 160047 VO Music and emotion
• 160027 VO Music in medial Embracement and its Future
• 160015 UE Wonderful World of Musical Acoustics: Analysis
• 160018 UE Wonderful World of Musical Acoustics: Synthesis
• 160048 UE Test theory and test construction for musicologists
• 160046 PS European Concert Halls - History of Origin and Development, Acoustical Characteristics and Musical Impacts
• 160019 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
• 160068 VO Instruments for Electroacoustic Music. A Survey of 120 Years of Evolution

B13 VM Contemporary Music

• 160010 UE Shaping time. Dramaturgy and Rhythm in Music and Music Theory since 1945
• 160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music

B14 VM Popular Music

• 160023 VO Music of the World - Overview I
• 160024 VO Introduction to Popular Music (Theories, approaches etc.)
• 160033 VO Afro-American music forms
• 160059 VO [ en ] Electroacoustic Music and Sound in Film
• 160061 VO Jazz and jazz related Popular Music at a glance
• 160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
• 160068 VO Instruments for Electroacoustic Music. A Survey of 120 Years of Evolution

B15 VM Source Study, Source Work and Source Criticism

• 160016 UE Introduction to notation & composition IV - Instrumental music up to 1600
• 160049 UE Editing Early Music
• 160052 UE Orlando di Lasso: aspects and questions
• 160017 UE Cantare Super Librum - Improvised Polyphony in the Renaissance
• 160050 SE What did it mean to say "I heard"? The texts of Hildegard of Bingen transmitted with notation
• 160006 PR Archival Studies and Biographical Sources of Viennese Music History
• 160056 PR Archive and library science
• 160051 UE Practical course "Choralschola" - Erarbeitung des gregorianischen Messrepertoires für die Adventzeit (Singen und theoretische Grundlagen).
• 160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music

B16 EM Music and Society

• 160024 VO Introduction to Popular Music (Theories, approaches etc.)
• 160027 VO Music in medial Embracement and its Future
• 160033 VO Afro-American music forms
• 160043 VO [ en ] African music in secret societies and initiation
• 160012 PS "Dedicated" Music
• 160058 PS A Social History of Opera. Italian Opera Business in Nineteenth-Century London
• 160029 SE Double respectively multiple talented artists
• 160023 VO Music of the World - Overview I

B17 EM Analysis and Theoretical Interpretation of Music

• 160027 VO Music in medial Embracement and its Future
• 160037 UE Introduction to Music Analysis
• 160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
• 160010 UE Shaping time. Dramaturgy and Rhythm in Music and Music Theory since 1945
• 160036 UE Harmony II
• 160034 SE Mozart's operas and 'Singspiele'

B18 EM Music Philosophy, Music Aesthetics and Musical Hermeneutics

• 160005 UE The art of affections or the language of the absolute? - Music aesthetical and poetical outline between rationalism and romanticism
• 160012 PS "Dedicated" Music
• 160054 SE Writing on Music. Theodor W. Adorno interprets Schubert and Mahler

B19 EM Current Musicology

• 160024 VO Introduction to Popular Music (Theories, approaches etc.)
• 160015 UE Wonderful World of Musical Acoustics: Analysis
• 160026 UE Current State of Musicology
• 160018 UE Wonderful World of Musical Acoustics: Synthesis

B20 EM Applied Musicology I

• 160015 UE Wonderful World of Musical Acoustics: Analysis
• 160018 UE Wonderful World of Musical Acoustics: Synthesis
• 160049 UE Editing Early Music
• 160044 PR Principles of audio engineering - Pathology of the ear
• 160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music
• 160056 PR Archive and library science
• 160060 PR Applied Music Production
• 160045 PR Microphone practice for musicologists

B. Master Degree Programme in Musicology

1. Alternative Required Modules (APM)

M01 APM 1

• 160011 VO Music History 1
• 160055 VO Viennese Music History 1600-1900
• 160059 VO [ en ] Electroacoustic Music and Sound in Film
• 160061 VO Jazz and jazz related Popular Music at a glance
• 160005 UE The art of affections or the language of the absolute? - Music aesthetical and poetical outline between rationalism and romanticism
• 160017 UE Cantare Super Librum - Improvised Polyphony in the Renaissance
• 160016 UE Introduction to notation & composition IV - Instrumental music up to 1600
• 160049 UE Editing Early Music
• 160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
• 160052 UE Orlando di Lasso: aspects and questions
• 160010 UE Shaping time. Dramaturgy and Rhythm in Music and Music Theory since 1945
• 160054 SE Writing on Music. Theodor W. Adorno interprets Schubert and Mahler
• 160050 SE What did it mean to say "I heard"? The texts of Hildegard of Bingen transmitted with notation
• 160057 SE Biographies of composers from four centuries in films and musicals
• 160029 SE Double respectively multiple talented artists
• 160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
• 160034 SE Mozart's operas and 'Singspiele'
• 160009 SE Politically motivated motets of the 15th & 16th century
• 160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music
• 160056 PR Archive and library science
• 160006 PR Archival Studies and Biographical Sources of Viennese Music History
• 090061 VO Area of Ancient Greek Literature (Prose) - Antike Musik

M02 APM 2

• 160027 VO Music in medial Embracement and its Future
• 160033 VO Afro-American music forms
• 160059 VO [ en ] Electroacoustic Music and Sound in Film
• 160061 VO Jazz and jazz related Popular Music at a glance
• 160043 VO [ en ] African music in secret societies and initiation
• 160040 UE Transmission of the traditional japanese music
• 160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
• 160022 SE Music and Trance
• 160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
• 160065 SE Sound and Movement
• 160057 SE Biographies of composers from four centuries in films and musicals
• 160039 VO [ en ] Music of Central Asia

M03 APM 3

• 160047 VO Music and emotion
• 160027 VO Music in medial Embracement and its Future
• 160033 VO Afro-American music forms
• 160015 UE Wonderful World of Musical Acoustics: Analysis
• 160018 UE Wonderful World of Musical Acoustics: Synthesis
• 160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
• 160019 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
• 160048 UE Test theory and test construction for musicologists
• 160068 VO Instruments for Electroacoustic Music. A Survey of 120 Years of Evolution

M04 APM 4

• 160027 VO Music in medial Embracement and its Future
• 160033 VO Afro-American music forms
• 160043 VO [ en ] African music in secret societies and initiation
• 160059 VO [ en ] Electroacoustic Music and Sound in Film
• 160061 VO Jazz and jazz related Popular Music at a glance
• 160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
• 160010 UE Shaping time. Dramaturgy and Rhythm in Music and Music Theory since 1945
• 160009 SE Politically motivated motets of the 15th & 16th century
• 160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
• 160029 SE Double respectively multiple talented artists
• 160065 SE Sound and Movement
• 160057 SE Biographies of composers from four centuries in films and musicals
• 160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music

M05 APM 5

2. Elective Modules (WM)

M06 WM History of European Music before 1600

• 160011 VO Music History 1
• 160016 UE Introduction to notation & composition IV - Instrumental music up to 1600
• 160017 UE Cantare Super Librum - Improvised Polyphony in the Renaissance
• 160052 UE Orlando di Lasso: aspects and questions
• 160009 SE Politically motivated motets of the 15th & 16th century
• 160050 SE What did it mean to say "I heard"? The texts of Hildegard of Bingen transmitted with notation
• 160051 UE Practical course "Choralschola" - Erarbeitung des gregorianischen Messrepertoires für die Adventzeit (Singen und theoretische Grundlagen).
• 090061 VO Area of Ancient Greek Literature (Prose) - Antike Musik

M07 WM History of European Music after 1600

• 160055 VO Viennese Music History 1600-1900
• 160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
• 160029 SE Double respectively multiple talented artists
• 160034 SE Mozart's operas and 'Singspiele'
• 160057 SE Biographies of composers from four centuries in films and musicals
• 160054 SE Writing on Music. Theodor W. Adorno interprets Schubert and Mahler
• 160006 PR Archival Studies and Biographical Sources of Viennese Music History

M08 WM Ethnomusicology

• 160043 VO [ en ] African music in secret societies and initiation
• 160033 VO Afro-American music forms
• 160040 UE Transmission of the traditional japanese music
• 160022 SE Music and Trance
• 160013 SE Traditional and non-European music as inspiration for classical compositions - Contributors of prospect and influences on occidental art music
• 160065 SE Sound and Movement
• 160039 VO [ en ] Music of Central Asia

M09 WM Systematic Musicology

• 160047 VO Music and emotion
• 160027 VO Music in medial Embracement and its Future
• 160015 UE Wonderful World of Musical Acoustics: Analysis
• 160018 UE Wonderful World of Musical Acoustics: Synthesis
• 160019 SE Pitch, Sound, Harmony: Theories and Phenomenons of Consonance, Timbre and Temperature
• 160048 UE Test theory and test construction for musicologists
• 160068 VO Instruments for Electroacoustic Music. A Survey of 120 Years of Evolution

M10 WM Contemporary Music

• 160010 UE Shaping time. Dramaturgy and Rhythm in Music and Music Theory since 1945
• 160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music

M11 WM Popular Music

• 160033 VO Afro-American music forms
• 160059 VO [ en ] Electroacoustic Music and Sound in Film
• 160061 VO Jazz and jazz related Popular Music at a glance
• 160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis

M12 WM Source Study, Source Work and Source Criticism

• 160016 UE Introduction to notation & composition IV - Instrumental music up to 1600
• 160049 UE Editing Early Music
• 160052 UE Orlando di Lasso: aspects and questions
• 160017 UE Cantare Super Librum - Improvised Polyphony in the Renaissance
• 160050 SE What did it mean to say "I heard"? The texts of Hildegard of Bingen transmitted with notation
• 160051 UE Practical course "Choralschola" - Erarbeitung des gregorianischen Messrepertoires für die Adventzeit (Singen und theoretische Grundlagen).
• 160006 PR Archival Studies and Biographical Sources of Viennese Music History
• 160056 PR Archive and library science
• 160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music

M13 WM Music and Society

• 160027 VO Music in medial Embracement and its Future
• 160033 VO Afro-American music forms
• 160043 VO [ en ] African music in secret societies and initiation
• 160009 SE Politically motivated motets of the 15th & 16th century
• 160057 SE Biographies of composers from four centuries in films and musicals
• 160029 SE Double respectively multiple talented artists

M14 WM Analysis and Theoretical Interpretation of Music

• 160027 VO Music in medial Embracement and its Future
• 160062 UE The Sounds of Popular Music - Introduction to a Systematic and Reception-Oriented Musical Analysis
• 160034 SE Mozart's operas and 'Singspiele'

M15 WM Music Philosophy, Music Aesthetics and Musical Hermeneutics

• 160005 UE The art of affections or the language of the absolute? - Music aesthetical and poetical outline between rationalism and romanticism
• 160010 UE Shaping time. Dramaturgy and Rhythm in Music and Music Theory since 1945
• 160054 SE Writing on Music. Theodor W. Adorno interprets Schubert and Mahler

M16 WM Current Musicology

• 160026 UE Current State of Musicology

M17 WM Applied Musicology

• 160049 UE Editing Early Music
• 160044 PR Principles of audio engineering - Pathology of the ear
• 160045 PR Microphone practice for musicologists
• 160053 PR Sources of the Second Viennese School - Introduction to the critical editing of music
• 160056 PR Archive and library science
• 160060 PR Applied Music Production

3. M18 Master Seminar Module

• 160067 MA Research Seminar for Master Candidates
• 160008 MA Research Seminar for Master Candidates
• 160020 MA Research Seminar for Master and Doctoral Candidates
• 160028 MA Research Seminar for Master and Doctoral Candidates
• 160030 MA Research Seminar for Master and Doctoral Candidates
• 160032 MA Research Seminar for Master and Doctoral Candidates
• 160031 MA Research Seminar for Master and Doctoral Candidates

D. Extension Curricula

CSP European History of Music

Required Module 1: European History of Music up to the Middle of the 18th Century

• 160002 VO Survey in Historical Musicology
• 160011 VO Music History 1
• 160055 VO Viennese Music History 1600-1900

Required Module 2: European History of Music from the Middle of the 18th Century to the Present

• 160002 VO Survey in Historical Musicology
• 160014 VO Principles of music after 1600
• 160055 VO Viennese Music History 1600-1900

CSP World Music

Required Module 1: Introduction to Ethnomusicology

• 160004 VO Orientation of Ethnomusicology
• 160066 VO Introduction to Ethnomusicology

Required Module 2: Survey of World Music

• 160023 VO Music of the World - Overview I
• 160027 VO Music in medial Embracement and its Future
• 160033 VO Afro-American music forms
• 160039 VO [ en ] Music of Central Asia
• 160043 VO [ en ] African music in secret societies and initiation
• 160066 VO Introduction to Ethnomusicology

EC Musical Acoustics and Auditory Perception (169)

Compulsory Module (EC Musical Acoustics and Auditory Perception)

• 160003 VO Overview of Systematic Musicology
• 160015 UE Wonderful World of Musical Acoustics: Analysis
• 160018 UE Wonderful World of Musical Acoustics: Synthesis
• 160047 VO Music and emotion
• 160048 UE Test theory and test construction for musicologists
• 160068 VO Instruments for Electroacoustic Music. A Survey of 120 Years of Evolution

EC Popular Music (660)

Compulsory Module (EC Popular Music)

• 160023 VO Music of the World - Overview I
• 160024 VO Introduction to Popular Music (Theories, approaches etc.)
• 160033 VO Afro-American music forms
• 160059 VO [ en ] Electroacoustic Music and Sound in Film
• 160061 VO Jazz and jazz related Popular Music at a glance
• 160068 VO Instruments for Electroacoustic Music. A Survey of 120 Years of Evolution

D. Empfohlene Lehrveranstaltungen außerhalb der Universität Wien

• 160063 VO Mentoring - STEOP Musicology

Universität für Musik und darstellende Kunst Wien