Bachelor Musicology (636 [2] - Version 2011)

1. Required Modules

B01 Module - Orientation Period

B01.1 StEOP: Principles of Music and musicological Research

• 160004 VO ( STEOP ) Principles of Music
• 160026 UE Academic Working Methods in Musicology

B01.2 StEOP: Introduction to Musicology

• 160001 VO ( STEOP ) Survey in Historical Musicology
• 160002 VO ( STEOP ) Survey in Systematic Musicology
• 160003 VO ( STEOP ) Survey in Ethnomusicology

B02 Module - Music Theory

B02.1 Module - Music Theory and Musical Structures I

• 160031 UE Harmony 1
• 160032 UE Musical Analysis - Forms of development, forms of the "classic" epoch

B02.2 Module - Music Theory and Musical Structures II

• 160033 UE Ethnomusicological Exercise
• 160035 UE Ethnomusicological Exercise - The music of the maracatus-nação
• 160037 UE Harmony 2

B03 Basic Module - History of European Music before and after 1600

• 160011 VO Foundations of Music until 1600
• 160060 VO The Gregorian Chant in his historical development
• 160046 VO Music History IV (20th century to date)
• 160032 UE Musical Analysis - Forms of development, forms of the "classic" epoch
• 160036 UE Introduction to Musical Palaeography
• 160066 PS Dance in the 16th and 17th century
• 160062 PS French opera from Lully to Rameau
• 160063 PS Music at the Austrian Habsburger courts ~1527-1619

B04 Basic Module - Ethnomusicology

• 160052 VO Japan's folk music
• 160043 VO African Music in the 20th Century
• 160023 VO Music of the World - Overview 2
• 160033 UE Ethnomusicological Exercise
• 160035 UE Ethnomusicological Exercise - The music of the maracatus-nação
• 160068 PS Applied Ethnomusicology

B05 Basic Module - Systematic Musicology

• 160064 VO Introduction to Systematic Musicology
• 160065 UE Physiological and psycho-acoustic foundations of music perception
• 160067 UE Empirical studies and methods in research
• 160019 PS Strings, reeds and membranes - the ABC of the acoustics of musical instruments
• 160045 SE Musical historicism: Music in the "old style" from Haydn to date

B06 Basic Module - Contemporary Music and Popular Music

• 160023 VO Music of the World - Overview 2
• 160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
• 160046 VO Music History IV (20th century to date)
• 160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
• 160043 VO African Music in the 20th Century
• 160008 PS Eastern Bloc-Pop

B07 Basic Module - Source Study, Source Work and Source Criticism

• 160036 UE Introduction to Musical Palaeography

B08 Final Module

• 160008 PS Eastern Bloc-Pop
• 160019 PS Strings, reeds and membranes - the ABC of the acoustics of musical instruments
• 160029 PS Critics, Literati, Connoisseurs. Music Authors in the 19th Century
• 160062 PS French opera from Lully to Rameau
• 160063 PS Music at the Austrian Habsburger courts ~1527-1619
• 160066 PS Dance in the 16th and 17th century
• 160009 SE Voices of the Nations in Songs? The Eurovision Song Contest
• 160012 SE 1507. Music, media, and politics
• 160017 SE ¡Baila mi cumbia! Cumbia as a glocal phenomenon in Latin America
• 160027 SE Popular Classical Music
• 160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
• 160054 SE "The symbol which is called Neume": The beginnings of European notation
• 160020 SE Systematic Oddities - Everyday Myths about Music and their Origins
• 160045 SE Musical historicism: Music in the "old style" from Haydn to date
• 160069 SE Charles Ives and the music culture of America up to 1950

2. Elective Modules - Advanced Modules (VM) / Supplementary Modules (EM)

B09 VM History of European Music before 1600

• 160011 VO Foundations of Music until 1600
• 160060 VO The Gregorian Chant in his historical development
• 160036 UE Introduction to Musical Palaeography
• 160066 PS Dance in the 16th and 17th century
• 160063 PS Music at the Austrian Habsburger courts ~1527-1619
• 160012 SE 1507. Music, media, and politics
• 160054 SE "The symbol which is called Neume": The beginnings of European notation

B10 VM History of European Music after 1600

• 160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
• 160046 VO Music History IV (20th century to date)
• 160053 VO [ en ] The Operas of Gioachino Rossini
• 160032 UE Musical Analysis - Forms of development, forms of the "classic" epoch
• 160029 PS Critics, Literati, Connoisseurs. Music Authors in the 19th Century
• 160062 PS French opera from Lully to Rameau
• 160063 PS Music at the Austrian Habsburger courts ~1527-1619
• 160066 PS Dance in the 16th and 17th century
• 160045 SE Musical historicism: Music in the "old style" from Haydn to date
• 160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
• 160069 SE Charles Ives and the music culture of America up to 1950

B11 VM Ethnomusicology

• 160043 VO African Music in the 20th Century
• 160023 VO Music of the World - Overview 2
• 160052 VO Japan's folk music
• 160044 VO The Japanese NOH-Theater : On its Structure of "Musical-Dramaturgy"
• 160033 UE Ethnomusicological Exercise
• 160035 UE Ethnomusicological Exercise - The music of the maracatus-nação
• 160024 EX Music Tradition in Kreta
• 160068 PS Applied Ethnomusicology
• 160017 SE ¡Baila mi cumbia! Cumbia as a glocal phenomenon in Latin America

B12 VM Systematic Musicology

• 160064 VO Introduction to Systematic Musicology
• 160007 UE Computational Musicology Lab 1 - Introduction to Programming and Digital Music Signal Processing
• 160065 UE Physiological and psycho-acoustic foundations of music perception
• 160067 UE Empirical studies and methods in research
• 160051 UE Architectural acoustics and sound engineering in practice
• 160019 PS Strings, reeds and membranes - the ABC of the acoustics of musical instruments
• 160020 SE Systematic Oddities - Everyday Myths about Music and their Origins
• 160054 SE "The symbol which is called Neume": The beginnings of European notation

B13 VM Contemporary Music

• 160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
• 160046 VO Music History IV (20th century to date)
• 160042 VO Current productions of composers in the present age - Confrontation and discussion

B14 VM Popular Music

• 160023 VO Music of the World - Overview 2
• 160043 VO African Music in the 20th Century
• 160052 VO Japan's folk music
• 160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
• 160024 EX Music Tradition in Kreta
• 160008 PS Eastern Bloc-Pop
• 160017 SE ¡Baila mi cumbia! Cumbia as a glocal phenomenon in Latin America
• 160027 SE Popular Classical Music
• 160009 SE Voices of the Nations in Songs? The Eurovision Song Contest

B15 VM Source Study, Source Work and Source Criticism

• 160060 VO The Gregorian Chant in his historical development
• 160036 UE Introduction to Musical Palaeography
• 160029 PS Critics, Literati, Connoisseurs. Music Authors in the 19th Century
• 160062 PS French opera from Lully to Rameau
• 160063 PS Music at the Austrian Habsburger courts ~1527-1619
• 160012 SE 1507. Music, media, and politics
• 160045 SE Musical historicism: Music in the "old style" from Haydn to date
• 160059 PR Basics of digital musicology

B16 EM Music and Society

• 160023 VO Music of the World - Overview 2
• 160043 VO African Music in the 20th Century
• 160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
• 160052 VO Japan's folk music
• 160025 VO Introduction to the Sociology of Music
• 160008 PS Eastern Bloc-Pop
• 160029 PS Critics, Literati, Connoisseurs. Music Authors in the 19th Century
• 160062 PS French opera from Lully to Rameau
• 160063 PS Music at the Austrian Habsburger courts ~1527-1619
• 160066 PS Dance in the 16th and 17th century
• 160009 SE Voices of the Nations in Songs? The Eurovision Song Contest
• 160017 SE ¡Baila mi cumbia! Cumbia as a glocal phenomenon in Latin America
• 160027 SE Popular Classical Music
• 160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
• 160069 SE Charles Ives and the music culture of America up to 1950

B17 EM Analysis and Theoretical Interpretation of Music

• 160044 VO The Japanese NOH-Theater : On its Structure of "Musical-Dramaturgy"
• 160053 VO [ en ] The Operas of Gioachino Rossini
• 160060 VO The Gregorian Chant in his historical development
• 160032 UE Musical Analysis - Forms of development, forms of the "classic" epoch
• 160063 PS Music at the Austrian Habsburger courts ~1527-1619
• 160062 PS French opera from Lully to Rameau
• 160012 SE 1507. Music, media, and politics
• 160017 SE ¡Baila mi cumbia! Cumbia as a glocal phenomenon in Latin America
• 160054 SE "The symbol which is called Neume": The beginnings of European notation
• 160045 SE Musical historicism: Music in the "old style" from Haydn to date

B18 EM Music Philosophy, Music Aesthetics and Musical Hermeneutics

• 160040 VO Psyche and music - Our awareness in "new" music (composer and listener)
• 160060 VO The Gregorian Chant in his historical development
• 160029 PS Critics, Literati, Connoisseurs. Music Authors in the 19th Century
• 160062 PS French opera from Lully to Rameau
• 160012 SE 1507. Music, media, and politics
• 160017 SE ¡Baila mi cumbia! Cumbia as a glocal phenomenon in Latin America
• 160027 SE Popular Classical Music
• 160050 SE Song composition in Vienna 1770-1820: Genre history and cultural context
• 160045 SE Musical historicism: Music in the "old style" from Haydn to date
• 160069 SE Charles Ives and the music culture of America up to 1950

B19 EM Current Musicology

• 160042 VO Current productions of composers in the present age - Confrontation and discussion
• 160015 VO Rocking the classics: Progressive rock- and counterculture in the 1970s
• 160005 UE Current Tendencies in Musicology - Current Musicology
• 160007 UE Computational Musicology Lab 1 - Introduction to Programming and Digital Music Signal Processing
• 160045 SE Musical historicism: Music in the "old style" from Haydn to date
• 160017 SE ¡Baila mi cumbia! Cumbia as a glocal phenomenon in Latin America
• 160027 SE Popular Classical Music

B20 EM Applied Musicology I

• 160007 UE Computational Musicology Lab 1 - Introduction to Programming and Digital Music Signal Processing
• 160051 UE Architectural acoustics and sound engineering in practice
• 160059 PR Basics of digital musicology
• 160057 PR Working with sources (18th/19th century)
• 160061 PR Introduction to opera dramaturgy exemplified at the Viennese opera
• 160058 PR Music programmes in broadcasting service
• 160068 PS Applied Ethnomusicology