M04 Alternative Compulsory Module 4 (30 ECTS)

• 160005 SE ( ON-SITE ) Berlin in the 1920s: Music, Theatre, Media
• 160006 UE ( ON-SITE ) Opera on Screen
• 160007 SE ( ON-SITE ) LIVE and Open-air. Festivalization, Representation and Politics at Music and Dance Festivals
• 160008 UE ( ON-SITE ) Afterparty. Reflexivity, Methods and Analysis of an Ethnographic Research at Festivals in Vienna
• 160013 SE ( ON-SITE ) Paragon of Virtue, Faith and Beauty: Mary in the Music of the Fifteenth and Sixteenth Centuries
• 160016 SE ( ON-SITE ) His Master’s Voice: Vocality and Voice Studies in Ethnomusicology
• 160025 VO ( REMOTE ) Introduction to the Music of Oceania
• 160050 SE ( MIXED ) Nuns - Trobairitz - Nobles. Women in Medieval and Renaissance Music
• 160051 VO ( REMOTE ) A. Vivaldi's "Quattro stagioni" as an Imitation of Nature
• 160053 SE ( ON-SITE ) Musical Instruments - Systematic, Constructional and Musical Aspects
• 160061 VO ( REMOTE ) A History of Popular Music in Film
• 160062 VO ( REMOTE ) Between Humanism, Court, and Republic: "Opera" - from its Origins in the 16th Century until its Further Venetian Development in the Early Decades of the 17th Century
• 160063 UE ( ON-SITE ) The Eurovision Song Contest as a Global Phenomenon - Methodically Updated Approaches
• 160064 UE ( ON-SITE ) "Cantiones vulgo mutetas" - Musical Culture of the 16th Century in the Mirror of the Motet
• 160066 SE ( ON-SITE ) Music at Sankt Stephan
• 160069 PR ( ON-SITE ) Exploring Medieval Plainchant Manuscripts of the Austrian National Library
• 160070 SE ( ON-SITE ) No is a Power, Anytime, Anyplace: Punk and Post-punk Since 1980
• 160073 UE ( ON-SITE ) Shakespeare and European Opera
• 160075 SE ( ON-SITE ) Melodic and Rhythmic Structures of Turkish Music
• 160076 UE ( ON-SITE ) Interpreting Beethoven in the 19th and 20th Centuries: History and (Hi)stories
• 160077 SE ( ON-SITE ) Mechanisms and Protagonists in the Opera Industry: Singers and Impresarios around 1900
• 160078 UE ( MIXED ) Applied Ethnomusicology