B. Master Degree Programmes History of Theatre, Film and Media
MA (G) 1 Group of Required Modules, Lectures
MA (G) 1.1. Lectures I
- 170004 VO Lecture on the History of Theatre
- 170009 VO Lecture on the History of Theatre, Film and Media - Hollywood in Europa, 1896-1939
- 170013 VO Lecture on the History of Media - Musikvideos 2.0: Zum Verhältnis von Ästhetik, Diskurs und Popkultur in der Musik des Web 2.0
- 170054 VO Lecture on the History of Theatre - Die Gegenwart im Vergangenen: Ritualität und Gesellschaft im Mittelalter
- 170093 VO Lecture on the History of Film - Dokumentarfilm
- 170094 KO Discussion Course on the Lecture History of Theatre - Transformationen der mittelalterlichen scientia theatrica: Konversatorium zum europäischen Theater des Mittelalters
- 170111 VO Lecture on the History of Theatre, Film and Media - Passages to Bollywood. Einführung in den Hindifilm
- 170169 KO Discussion Course on the History of Film - Dokumentarfilm
- 170179 KO Discussion Course on the History of Media
MA (G) 1.2. Lectures II
- 170004 VO Lecture on the History of Theatre
- 170009 VO Lecture on the History of Theatre, Film and Media - Hollywood in Europa, 1896-1939
- 170013 VO Lecture on the History of Media - Musikvideos 2.0: Zum Verhältnis von Ästhetik, Diskurs und Popkultur in der Musik des Web 2.0
- 170111 VO Lecture on the History of Theatre, Film and Media - Passages to Bollywood. Einführung in den Hindifilm
MA (G) 2 Group of Required Modules, Seminars
MA (G) 2.1. Archive and Historiography
- 170024 SE Seminar: Archive and Historiography - Darstellende Künste im Exil
- 170034 SE Seminar: Archive and Historiography - Schaufenster - Geschichte und Präsentationsformen
- 170036 SE Seminar: Archive and Historiography - Theater im Nationalsozialismus
- 170108 SE Seminar: Archive and Historiography - Archiv
MA (G) 2.2. Presence of History
- 170026 SE Seminar: Contemporary History - Robert Siodmak and Film Noir
- 170030 SE Seminar: Contemporary History - Phantome frei setzen II. Lektüreseminar
- 170103 SE Seminar: Contemporary History - Filmerfolgsranglisten als Forschungsinstrumente
- 170107 SE Seminar: Contemporary History - Kontroversen des Musiktheaters
- 170180 SE Seminar: Contemporary History - Anton P. Chekhov and the Social Question
MA (G) 2.3. Fractures of Modernity
- 170104 SE Seminar: Breaking Points of Modernism - Jahrmarktkino in Europa zwischen Tradition und Moderne
- 170139 SE Seminar: Breaking Points of Modernism - Walter Benjamin, "Was ist das epische Theater?"
- 170182 SE Seminar: Breaking Points of Modernism - Intermediale Verfahren in populären und avantgardistischen Theaterformen um 1920
- 170185 SE Seminar: Breaking Points of Modernism - Aus der Not ein Hörspiel machen - Zur Not ein Hörspiel hören. Hörspiel und Hörspieltheorie
- 170186 SE Seminar: Breaking Points of Modernism - Werner Hochbaum. Ein Filmstilist zwischen Arbeiterkino und NS-Unterhaltung
- 170224 SE Seminar: Breaking Points of Modernism - Ödön von Horváth
MA (G) 3 Group of Elective Supplementary Modules
MA (G) 3.1. Theory and Aesthetics
- 170007 VU How to do things with the history of Performance Art: Strategies of appropriation and dissociation
- 170027 VU Television and Temporality
- 170049 UE Recreation of Actuality and Factuality by Means of Editing - Iconic Turn, Speed and Image in the Realm of Electronic Media
- 170086 UE Practical Course "Scientific Writing and Presentation Skills"
- 170088 UE media and the culture industry
- 170162 VU Realism in the Music Theatre and its influence until today
- 180086 VO-L Lecture Series: The Forgotten Body in Philosophy - Philosophy On Stage
MA (G) 3.2. History
- 170008 VU Film Music - Historical Perspectives of a Media Phenomenon
- 170048 VU Introduction to the history of opera: 1600-1750
- 170061 VU Mind Your Gaze!
- 170066 VU Exoticism and Modernity
- 170073 UE Viennese Comedy in the 18th century
- 170095 UE History of the Vienna Departement for Theatre Studies - From Establishment to Re-Establishment
- 170109 VU Rossini - Verdi - Puccini. Paradigmatic 19th century Italian Operas
- 170116 VU Female Composers New Operas
MA (G) 3.3. Technique
- 170002 UE Stagelighting
- 170029 UE Scientific and artistical workshop with Audio-Visual Media
- 170032 UE Sampling - Mix - Remix
- 170119 UE Scientific and artistical workshop with Audio-Visual Media
- 170126 UE Videopodcast - Teil 1: Web 2.0 und Video 2.0 in Theorie und Praxis
- 170146 UE Videopodcast - Teil 2: Web 2.0 und Video 2.0 in der Praxis
MA (G) 3.4. Organisation and Law
- 170035 UE Music Theatre in Practice
- 170045 UE Structures and Strategies of Independent Cultural Activities
- 170102 VU Copyright and Remix
MA (G) 3.5. Fields of Practice and Communication
- 170038 UE AUDIENCING - Centering the Audience
- 170042 UE Film Curatorship / Film in the Museum 1 + 2
- 170046 VU Script editing for/ Producing of TV-movies. Aristoteles in mind, managing the balancing act - claiming intellectual level and / or sucking up the audience.
- 170047 UE NEXT GENERATION - Curatorial practice in contemporary dance, theatre and performance
- 170059 UE Music Theatre
- 170098 VU Model: Children's Group for Interpretative Acting I
- 170106 VU screenwriting and scriptconsulting
MA (G) 3.6. Gender
- 170060 VU Performative lines of flight - Butler, Deleuze and the theatre
- 170099 UE Unevaluated Quality - Contemporary Dance and Performance
- 170118 VU Activating the Archives!
MA (G) 3.7. Global Perspectives
- 170068 VU Opera-Repertoire: from Orfeo to Peter Grimes
- 170069 UE Wolfgang Bauer's Theatre Plays and their international Contextualisation
- 170071 VU Cultural Policies in Europe - zwischen Förderung des europäischen Kulturschaffens und nationalen Identitätskonzepten
- 170072 UE Excursion to Jihlava International Documentary Film Festival (CZ)
- 170243 VU Documentary film, Subalternity and postcolonial Critique
MA (G) 4 Work Module
Last modified: We 13.06.2018 00:37