First Stage of the Degree Programme

I.1. Introductory Phase

• 170039 UE Practical Course "Techniques of Scientific Work"
• 170041 VO STEOP: Lecture Introduction to Theatre, Film and Media Studies
• 170058 VO STEOP: Lecture Forms of Theatre and Media Staging
• 170079 UE Practical Course "Techniques of Scientific Work"

I.3. Core Subjects

• 170012 PS Introductory Seminar Concepts and Techniques of Acting - Konzepte und Techniken der Schauspielkunst: 17. und 18. Jahrhundert
• 170014 PS Introductory Seminar "Media Theory"
• 170015 UE Practical Course "Media Analysis" - Video clips as experimental ground of medial technologics
• 170016 UE Practical Course "Performance and Staging Analysis" - Verdi
• 170017 UE Practical Course "Media Analysis" - Methods and Concepts in Television Analysis
• 170028 PS Introductory Seminar Narrativity in Theatre, Film and Media - Narrative Techniken in den bildgebenden Medien um 1900
• 170033 UE Practical Course "Film Analysis" - What do films want?
• 170040 UE Exercise Course Body Practices and Gender Presentations
• 170066 PS Introductory Seminar Theatre Theory
• 170068 PS Introductory Seminar "Media Theory"
• 170070 UE Practical Course "Media Transitions" - Faust - theatre, film, media
• 170072 UE Practical Course "Film Analysis" - Terms - Methods - Implementation
• 170078 UE Practical Course "Performance and Staging Analysis" - Strategies of writing and performing: contemporary texts of theatre
• 170085 PS Introductory Seminar "Theatre and Media Spaces" - Raumproduktionen
• 170091 PS Introductory Seminar "Media Theory" - Grundbegriffe der Medientheorie
• 170097 PS Introductory Seminar Film Theory - Befreite Ähnlichkeit. Filmtheorien des Realismus
• 170101 UE Practical Course "Staged Spaces" - Stage design. Between theory and practice
• 170105 UE Practical Course "Film Analysis" - Animation-Techniques
• 170115 UE Exercise Course Body Practices and Gender Presentations
• 170117 UE Practical Course "Staged Spaces" - Theatrality in urban space
• 170118 UE Practical Course "Media Transitions" - Novels on Stage
• 170142 PS Introductory Seminar "Concepts and Techniques of Acting" - The "new man" - theatral/pädagogic plans in the early modern age
• 170156 PS Introductory Seminar "Theatre Theory"
• 170166 PS Introductory Seminar "Theatre and Media Spaces" - Die Stadt als Subjekt. Zur Konstruktion urbaner Räume im Kino
• 170172 PS Introductory Seminar "Narrativity in Theatre, Film and Media" - Emotional guidance, semantics, sound design in musical films and film scores
• 170228 PS Introductory Seminar "Film Theory" - Excess and Apparatus

I.4. Compulsory Elective Courses

• 170018 VU Music-Theatre in Baroque Europe - premises, genesis and development of the art form "opera"
• 170035 VU Introduction to activities as publisher for stageplays or literary agent - Einführung in die Theaterverlagsarbeit und die damit verbundenen Urheberrechtsfragen und -probleme
• 170042 UE Film Curatorship 1
• 170045 UE Kritisches/Kritiken Schreiben
• 170046 UE Media metamorphosis - Language excersices in the context of media
• 170047 VU Cultural marketing. Strategies and concepts in theory and practice
• 170048 UE "Second publicity" of the Hungarian Avant-Garde - Understanding space-constitutive media and performances in the counter culture of the 1960s and 1970s
• 170052 VU Exotism. Other Worlds and Modernism
• 170055 UE History of Perspective
• 170056 VU Copyright and Remix
• 170061 UE Dschungel Academy
• 170062 VU Cultural Policies in Europe - zwischen Förderung des europäischen Kulturschaffens und nationalen Identitätskonzepten
• 170069 UE "Nouveaux cinémas" and "Third Cinema" - Decolonisation in the author´s film of the 1960s
• 170071 VU Antizignism
• 170073 UE Popular Theatre after 1848
• 170088 VU Puppet- and Objecttheatre
• 170098 UE Stage Costume - Introduction; Design and Concept Development
• 170103 UE Writing for Hollywood
• 170106 VU Jura Soyfer put on the stages of our time - an exhibition
• 170114 UE Wagner 2013
• 170116 UE Queer Theory
• 170162 VU Libretto and Composition - Das Verhältnis von Text und Musik als Grundlage der Opern-Dramaturgie