Studies Programme 17 - Theater, Film and Media Studies
17.01. Theatre, Film and Media Studies
A [2]. Bachelor Degree Programme in Theatre, Film and Media Studies
Introductory and Orientation Period (StEOP)
StEOP 1 Introduction to Theatre, Film and Media Studies
StEOP 2 Forms of Theatre and Media Staging
Phase post StEOP
BAM Scientific Writing
BAM Analysis
BAM Theory
BVM Body, Staging, Interaction
BVM Narrative Orders
BVM Space Productions
BPM I - one lecture per subject area
BPM II - thematic choice option
BEM Theory and Aesthetics
- 170007 VU How to do things with the history of Performance Art: Strategies of appropriation and dissociation
- 170027 VU Television and Temporality
- 170049 UE Recreation of Actuality and Factuality by Means of Editing - Iconic Turn, Speed and Image in the Realm of Electronic Media
- 170088 UE media and the culture industry
- 170162 VU Realism in the Music Theatre and its influence until today
- 180086 VO-L Lecture Series: The Forgotten Body in Philosophy - Philosophy On Stage
BEM History
- 170060 VU Performative lines of flight - Butler, Deleuze and the theatre
- 170061 VU Mind Your Gaze!
- 170066 VU Exoticism and Modernity
- 170099 UE Unevaluated Quality - Contemporary Dance and Performance
- 170116 VU Female Composers New Operas
- 170118 VU Activating the Archives!
BEM Technique
- 170002 UE Stagelighting
- 170029 UE Scientific and artistical workshop with Audio-Visual Media
- 170032 UE Sampling - Mix - Remix
- 170119 UE Scientific and artistical workshop with Audio-Visual Media
- 170126 UE Videopodcast - Teil 1: Web 2.0 und Video 2.0 in Theorie und Praxis
- 170146 UE Videopodcast - Teil 2: Web 2.0 und Video 2.0 in der Praxis
BEM Organisation and Law
- 170035 UE Music Theatre in Practice
- 170045 UE Structures and Strategies of Independent Cultural Activities
- 170102 VU Copyright and Remix
BEM Fields and Practice of Communication
- 170038 UE AUDIENCING - Centering the Audience
- 170042 UE Film Curatorship / Film in the Museum 1 + 2
- 170046 VU Script editing for/ Producing of TV-movies. Aristoteles in mind, managing the balancing act - claiming intellectual level and / or sucking up the audience.
- 170047 UE NEXT GENERATION - Curatorial practice in contemporary dance, theatre and performance
- 170051 UE Mentoring
- 170052 UE Mentoring
- 170059 UE Music Theatre
- 170098 VU Model: Children's Group for Interpretative Acting I
- 170106 VU screenwriting and scriptconsulting
BEM Gender
- 170060 VU Performative lines of flight - Butler, Deleuze and the theatre
- 170061 VU Mind Your Gaze!
- 170066 VU Exoticism and Modernity
- 170099 UE Unevaluated Quality - Contemporary Dance and Performance
- 170116 VU Female Composers New Operas
- 170118 VU Activating the Archives!
BEM Global Perspectives
- 170068 VU Opera-Repertoire: from Orfeo to Peter Grimes
- 170069 UE Wolfgang Bauer's Theatre Plays and their international Contextualisation
- 170071 VU Cultural Policies in Europe - zwischen Förderung des europäischen Kulturschaffens und nationalen Identitätskonzepten
- 170072 UE Excursion to Jihlava International Documentary Film Festival (CZ)
- 170243 VU Documentary film, Subalternity and postcolonial Critique
A [1]. Bachelor Degree Programme in Theatre, Film and Media Studies (Version 2009)
BA 1 Required Modules STEOP
BA 1.1. Introductory and Orientation Period
1.1.1. STEOP 1 Introduction to Theatre, Film and Media Studies
1.1.2. STEOP 2 Lecture Forms of Theatre and Media Staging
BA 2 Group of Required Modules Advanced Courses
BA 2.1. Advanced Module Scientific Writing
2.1.1. Techniques of Scientific Writing, Practical Courses
- 170039 UE Practical Course "Techniques of Scientific Work"
- 170056 UE Practical Course "Techniques of Scientific Work"
2.1.2. Scientific Writing and Presentation Skills, Practical Courses
- 170019 UE Exercise Course Scientific Writing and Presentation Skills
- 170067 UE Practical Course "Scientific Writing and Presentation Skills"
- 170086 UE Practical Course "Scientific Writing and Presentation Skills"
BA 2.2. Advanced Module Analysis
2.2.1. Performance and Staging Analysis, Practical Courses
- 170016 UE Practical Course "Performance and Staging Analysis"
- 170163 UE Practical Course "Performance and Staging Analysis" - Inszenierungskonzepte anhand von aktuellen Aufführungen
2.2.2. Film Analysis, Practical Courses
- 170033 UE Practical Course "Film Analysis" - What do films want?
- 170105 UE Practical Course "Film Analysis" - What do films want?
- 170196 UE Practical Course "Film Analysis" - Einführung in die Grundlagen der Filmanalyse
2.2.3. Media Analysis, Practical Courses
- 170011 UE Practical Course "Medial Analysis" - Hinter den Bildern. Mediale Technologien und ihre Grenzen
- 170012 UE Practical Course "Medial Analysis" - Methods and Concepts in Television Analysis
BA 2.3. Advanced Module Theory
2.3.1. Theatre Theory, Introductory Seminars
- 170055 PS Introductory Seminar "Theatre Theory"
- 170156 PS Introductory Seminar "Theatre Theory"
2.3.2. Film Theory, Introductory Seminars
- 170097 PS Introductory Seminar Film Theory - Mise-enscène of Government: Theories of Film and Politics
- 170110 PS Introductory Seminar Film Theory - Narrationstheorie
- 170228 PS Introductory Seminar "Film Theory" - Apparatus Theory
2.3.3. Media Theory, Introductory Seminars
- 170091 PS Introductory Seminar "Media Theory" - Grundbegriffe der Medientheorie
- 170113 PS Introductory Seminar "Media Theory" - theories of television
BA 3 Group of Required Modules Specialisation
BA 3.1. Specialisation Module Body, Staging, Interaction
3.1.1. Concepts and Techniques of Acting, Introductory Seminars
- 170079 PS Introduction Seminar "Concepts and Techniques of Acting"
- 170142 PS Introductory Seminar "Concepts and Techniques of Acting" - The "new man" - theatral/pädagogic plans in the early modern age
3.1.2. Body Practices and Gender Presentations, Practical Courses
- 170040 UE Exercise Course Body Practices and Gender Presentations - The Body in Time and Space - The Body as a Sign in Theatre. Theories, Phenomena, Methods of Analysis
- 170084 UE Practical Course "Body Practices and Gender Presentations" - Contemporary Dramaturgy
BA 3.2. Specialisation Module Narrative Orders
3.2.1. Narrativity in Theatre, Film and Media, Introductory Seminars
- 170028 PS Introductory Seminar Narrativity in Theatre, Film and Media
- 170172 PS Introductory Seminar "Narrativity in Theatre, Film and Media" - The Bad Clown. Variations of a Narrative on the Stage and on the Screen
3.2.2. Media Transitions, Practical Courses
- 170070 UE Practical Course "Media Transitions" - Hybrids of Animation and Live-Action
- 170082 UE Practical Course "Media Transitions" - Schiller und die Oper
BA 3.3. Specialisation Module Space Productions
3.3.1. Theatre and Media Spaces, Introductory Seminars
- 170085 PS Introductory Seminar "Theatre and Media Spaces" - Inszenierte Räume. Interferenzen von Bildender Kunst und Theater
- 170166 PS Introductory Seminar "Theatre and Media Spaces" - Main Emphasis Film
3.3.2. Staged Spaces, Practical Courses
- 170062 UE Practical Course "Staged Spaces" - Enacted Space in Art an Theatre in the 20th and 21th century: recent positions II
- 170078 UE Practical Course "Staged Spaces" - The city as research laboratory - Theatrality, perception and representation in the city
BA 4 Group of Required Modules History of Theatre, Film and Media
BA 4.1. Required Module I
4.1.1. History of Theatre, Lectures
- 170054 VO Lecture on the History of Theatre - Die Gegenwart im Vergangenen: Ritualität und Gesellschaft im Mittelalter
4.1.2. History of Film, Lectures
- 170093 VO Lecture on the History of Film - Dokumentarfilm
4.1.3. History of Media, Lectures
- 170013 VO Lecture on the History of Media - Musikvideos 2.0: Zum Verhältnis von Ästhetik, Diskurs und Popkultur in der Musik des Web 2.0
4.1.4. Discussion Course on the History of Theatre, Film and Media
- 170094 KO Discussion Course on the Lecture History of Theatre - Transformationen der mittelalterlichen scientia theatrica: Konversatorium zum europäischen Theater des Mittelalters
- 170169 KO Discussion Course on the History of Film - Dokumentarfilm
- 170179 KO Discussion Course on the History of Media
BA 4.2. Required Module II
4.2.1. History of Theatre, Film and Media, Lectures
- 170004 VO Lecture on the History of Theatre
- 170009 VO Lecture on the History of Theatre, Film and Media - Hollywood in Europa, 1896-1939
- 170013 VO Lecture on the History of Media - Musikvideos 2.0: Zum Verhältnis von Ästhetik, Diskurs und Popkultur in der Musik des Web 2.0
- 170111 VO Lecture on the History of Theatre, Film and Media - Passages to Bollywood. Einführung in den Hindifilm
BA 5 Group of Elective Supplementary Modules
BA 5.1. Supplementary Module Theory and Aesthetics
- 170007 VU How to do things with the history of Performance Art: Strategies of appropriation and dissociation
- 170027 VU Television and Temporality
- 170049 UE Recreation of Actuality and Factuality by Means of Editing - Iconic Turn, Speed and Image in the Realm of Electronic Media
- 170088 UE media and the culture industry
- 170162 VU Realism in the Music Theatre and its influence until today
- 180086 VO-L Lecture Series: The Forgotten Body in Philosophy - Philosophy On Stage
BA 5.2. Supplementary Module History
- 170008 VU Film Music - Historical Perspectives of a Media Phenomenon
- 170048 VU Introduction to the history of opera: 1600-1750
- 170073 UE Viennese Comedy in the 18th century
- 170095 UE History of the Vienna Departement for Theatre Studies - From Establishment to Re-Establishment
- 170109 VU Rossini - Verdi - Puccini. Paradigmatic 19th century Italian Operas
BA 5.3. Supplementary Module Technique
- 170002 UE Stagelighting
- 170029 UE Scientific and artistical workshop with Audio-Visual Media
- 170032 UE Sampling - Mix - Remix
- 170119 UE Scientific and artistical workshop with Audio-Visual Media
- 170126 UE Videopodcast - Teil 1: Web 2.0 und Video 2.0 in Theorie und Praxis
- 170146 UE Videopodcast - Teil 2: Web 2.0 und Video 2.0 in der Praxis
BA 5.4. Supplementary Module Organisation and Law
- 170035 UE Music Theatre in Practice
- 170045 UE Structures and Strategies of Independent Cultural Activities
- 170102 VU Copyright and Remix
BA 5.5. Supplementary Module Fields of Practice and Communication
- 170038 UE AUDIENCING - Centering the Audience
- 170042 UE Film Curatorship / Film in the Museum 1 + 2
- 170046 VU Script editing for/ Producing of TV-movies. Aristoteles in mind, managing the balancing act - claiming intellectual level and / or sucking up the audience.
- 170047 UE NEXT GENERATION - Curatorial practice in contemporary dance, theatre and performance
- 170051 UE Mentoring
- 170052 UE Mentoring
- 170059 UE Music Theatre
- 170098 VU Model: Children's Group for Interpretative Acting I
- 170106 VU screenwriting and scriptconsulting
BA 5.6. Supplementary Module Gender
- 170060 VU Performative lines of flight - Butler, Deleuze and the theatre
- 170061 VU Mind Your Gaze!
- 170066 VU Exoticism and Modernity
- 170099 UE Unevaluated Quality - Contemporary Dance and Performance
- 170116 VU Female Composers New Operas
- 170118 VU Activating the Archives!
BA 5.7. Supplementary Module Global Perspectives
- 170068 VU Opera-Repertoire: from Orfeo to Peter Grimes
- 170069 UE Wolfgang Bauer's Theatre Plays and their international Contextualisation
- 170071 VU Cultural Policies in Europe - zwischen Förderung des europäischen Kulturschaffens und nationalen Identitätskonzepten
- 170072 UE Excursion to Jihlava International Documentary Film Festival (CZ)
- 170243 VU Documentary film, Subalternity and postcolonial Critique
B. Master Degree Programmes History of Theatre, Film and Media
MA (G) 1 Group of Required Modules, Lectures
MA (G) 1.1. Lectures I
- 170004 VO Lecture on the History of Theatre
- 170009 VO Lecture on the History of Theatre, Film and Media - Hollywood in Europa, 1896-1939
- 170013 VO Lecture on the History of Media - Musikvideos 2.0: Zum Verhältnis von Ästhetik, Diskurs und Popkultur in der Musik des Web 2.0
- 170054 VO Lecture on the History of Theatre - Die Gegenwart im Vergangenen: Ritualität und Gesellschaft im Mittelalter
- 170093 VO Lecture on the History of Film - Dokumentarfilm
- 170094 KO Discussion Course on the Lecture History of Theatre - Transformationen der mittelalterlichen scientia theatrica: Konversatorium zum europäischen Theater des Mittelalters
- 170111 VO Lecture on the History of Theatre, Film and Media - Passages to Bollywood. Einführung in den Hindifilm
- 170169 KO Discussion Course on the History of Film - Dokumentarfilm
- 170179 KO Discussion Course on the History of Media
MA (G) 1.2. Lectures II
- 170004 VO Lecture on the History of Theatre
- 170009 VO Lecture on the History of Theatre, Film and Media - Hollywood in Europa, 1896-1939
- 170013 VO Lecture on the History of Media - Musikvideos 2.0: Zum Verhältnis von Ästhetik, Diskurs und Popkultur in der Musik des Web 2.0
- 170111 VO Lecture on the History of Theatre, Film and Media - Passages to Bollywood. Einführung in den Hindifilm
MA (G) 2 Group of Required Modules, Seminars
MA (G) 2.1. Archive and Historiography
- 170024 SE Seminar: Archive and Historiography - Darstellende Künste im Exil
- 170034 SE Seminar: Archive and Historiography - Schaufenster - Geschichte und Präsentationsformen
- 170036 SE Seminar: Archive and Historiography - Theater im Nationalsozialismus
- 170108 SE Seminar: Archive and Historiography - Archiv
MA (G) 2.2. Presence of History
- 170026 SE Seminar: Contemporary History - Robert Siodmak and Film Noir
- 170030 SE Seminar: Contemporary History - Phantome frei setzen II. Lektüreseminar
- 170103 SE Seminar: Contemporary History - Filmerfolgsranglisten als Forschungsinstrumente
- 170107 SE Seminar: Contemporary History - Kontroversen des Musiktheaters
- 170180 SE Seminar: Contemporary History - Anton P. Chekhov and the Social Question
MA (G) 2.3. Fractures of Modernity
- 170104 SE Seminar: Breaking Points of Modernism - Jahrmarktkino in Europa zwischen Tradition und Moderne
- 170139 SE Seminar: Breaking Points of Modernism - Walter Benjamin, "Was ist das epische Theater?"
- 170182 SE Seminar: Breaking Points of Modernism - Intermediale Verfahren in populären und avantgardistischen Theaterformen um 1920
- 170185 SE Seminar: Breaking Points of Modernism - Aus der Not ein Hörspiel machen - Zur Not ein Hörspiel hören. Hörspiel und Hörspieltheorie
- 170186 SE Seminar: Breaking Points of Modernism - Werner Hochbaum. Ein Filmstilist zwischen Arbeiterkino und NS-Unterhaltung
- 170224 SE Seminar: Breaking Points of Modernism - Ödön von Horváth
MA (G) 3 Group of Elective Supplementary Modules
MA (G) 3.1. Theory and Aesthetics
- 170007 VU How to do things with the history of Performance Art: Strategies of appropriation and dissociation
- 170027 VU Television and Temporality
- 170049 UE Recreation of Actuality and Factuality by Means of Editing - Iconic Turn, Speed and Image in the Realm of Electronic Media
- 170086 UE Practical Course "Scientific Writing and Presentation Skills"
- 170088 UE media and the culture industry
- 170162 VU Realism in the Music Theatre and its influence until today
- 180086 VO-L Lecture Series: The Forgotten Body in Philosophy - Philosophy On Stage
MA (G) 3.2. History
- 170008 VU Film Music - Historical Perspectives of a Media Phenomenon
- 170048 VU Introduction to the history of opera: 1600-1750
- 170061 VU Mind Your Gaze!
- 170066 VU Exoticism and Modernity
- 170073 UE Viennese Comedy in the 18th century
- 170095 UE History of the Vienna Departement for Theatre Studies - From Establishment to Re-Establishment
- 170109 VU Rossini - Verdi - Puccini. Paradigmatic 19th century Italian Operas
- 170116 VU Female Composers New Operas
MA (G) 3.3. Technique
- 170002 UE Stagelighting
- 170029 UE Scientific and artistical workshop with Audio-Visual Media
- 170032 UE Sampling - Mix - Remix
- 170119 UE Scientific and artistical workshop with Audio-Visual Media
- 170126 UE Videopodcast - Teil 1: Web 2.0 und Video 2.0 in Theorie und Praxis
- 170146 UE Videopodcast - Teil 2: Web 2.0 und Video 2.0 in der Praxis
MA (G) 3.4. Organisation and Law
- 170035 UE Music Theatre in Practice
- 170045 UE Structures and Strategies of Independent Cultural Activities
- 170102 VU Copyright and Remix
MA (G) 3.5. Fields of Practice and Communication
- 170038 UE AUDIENCING - Centering the Audience
- 170042 UE Film Curatorship / Film in the Museum 1 + 2
- 170046 VU Script editing for/ Producing of TV-movies. Aristoteles in mind, managing the balancing act - claiming intellectual level and / or sucking up the audience.
- 170047 UE NEXT GENERATION - Curatorial practice in contemporary dance, theatre and performance
- 170059 UE Music Theatre
- 170098 VU Model: Children's Group for Interpretative Acting I
- 170106 VU screenwriting and scriptconsulting
MA (G) 3.6. Gender
- 170060 VU Performative lines of flight - Butler, Deleuze and the theatre
- 170099 UE Unevaluated Quality - Contemporary Dance and Performance
- 170118 VU Activating the Archives!
MA (G) 3.7. Global Perspectives
- 170068 VU Opera-Repertoire: from Orfeo to Peter Grimes
- 170069 UE Wolfgang Bauer's Theatre Plays and their international Contextualisation
- 170071 VU Cultural Policies in Europe - zwischen Förderung des europäischen Kulturschaffens und nationalen Identitätskonzepten
- 170072 UE Excursion to Jihlava International Documentary Film Festival (CZ)
- 170243 VU Documentary film, Subalternity and postcolonial Critique
MA (G) 4 Work Module
C. Master Degree Programmes Theory of Theatre, Film and Media
MA (T) 1 Group of Required Modules, Lectures
MA (T) 1.1. Lectures I
- 170004 VO Lecture on the History of Theatre
- 170009 VO Lecture on the History of Theatre, Film and Media - Hollywood in Europa, 1896-1939
- 170013 VO Lecture on the History of Media - Musikvideos 2.0: Zum Verhältnis von Ästhetik, Diskurs und Popkultur in der Musik des Web 2.0
- 170054 VO Lecture on the History of Theatre - Die Gegenwart im Vergangenen: Ritualität und Gesellschaft im Mittelalter
- 170093 VO Lecture on the History of Film - Dokumentarfilm
- 170094 KO Discussion Course on the Lecture History of Theatre - Transformationen der mittelalterlichen scientia theatrica: Konversatorium zum europäischen Theater des Mittelalters
- 170111 VO Lecture on the History of Theatre, Film and Media - Passages to Bollywood. Einführung in den Hindifilm
- 170169 KO Discussion Course on the History of Film - Dokumentarfilm
- 170179 KO Discussion Course on the History of Media
MA (T) 1.2. Lectures II
- 170004 VO Lecture on the History of Theatre
- 170009 VO Lecture on the History of Theatre, Film and Media - Hollywood in Europa, 1896-1939
- 170013 VO Lecture on the History of Media - Musikvideos 2.0: Zum Verhältnis von Ästhetik, Diskurs und Popkultur in der Musik des Web 2.0
- 170111 VO Lecture on the History of Theatre, Film and Media - Passages to Bollywood. Einführung in den Hindifilm
MA (T) 2 Group of Required Modules, Seminars
MA (T) 2.1. Aesthetics and Poetics
- 170001 SE Seminar: Aesthetics and Poetics - Lektüreseminar. Symbolisches und Diabolisches: Weltmodelle und Strukturfiguren im Theater des 17. Jahrhunderts
- 170092 SE Seminar: Aesthetics and Poetics - Viennale
- 170173 SE Seminar: Aesthetics and Poetics - Das tragodiale Handeln: Krisis und Kritik
- 420003 SE Heinrich von Kleist and the Modernity
- 170096 SE Seminar: Aesthetics and Poetics - G. E. Lessings Überlegungen zu Theater, Dramatik und Schauspielkunst
- 170112 SE Seminar: Aesthetics and Poetics - Erzählweisen des amerikanischen Stummfilms
MA (T) 2.2. Circulations of the Political
- 170020 SE Seminar: Circulations of the Political - Profile der Macht im Musical
- 170022 SE Seminar: Circulations of the Political - Kritik der Medien - Medien der Kritik
- 170176 SE Seminar: Circulations of the Political - Aktuelles französisches Kino
MA (T) 2.3. Negotiations of the Subject
- 170018 SE Seminar: Negotiations of the Subject - Forschungsseminar. Thomas Bernhard
- 170021 SE SE MA-T Negotiations of the Subject - Zuschauertheorien in Film, Fernsehen, neuen Medien
- 170080 SE Seminar: Negotiations of the Subject - Forschungsseminar. Publikumsforschung
- 170101 SE Seminar: Negotiations of the Subject - Lektüreseminar. Die Rätselschrift der Kunst. Zu Theodor W. Adornos Ästhetik
- 170160 SE Seminar: Negotiations of the Subject - Forschungsseminar: Pathos d'auteur? - Das Kino Werner Schroeters
MA (T) 3 Group of Elective Supplementary Modules
MA (T) 3.1. Theory and Aesthetics
- 170007 VU How to do things with the history of Performance Art: Strategies of appropriation and dissociation
- 170027 VU Television and Temporality
- 170049 UE Recreation of Actuality and Factuality by Means of Editing - Iconic Turn, Speed and Image in the Realm of Electronic Media
- 170088 UE media and the culture industry
- 170162 VU Realism in the Music Theatre and its influence until today
- 180086 VO-L Lecture Series: The Forgotten Body in Philosophy - Philosophy On Stage
MA (T) 3.2. History
- 170008 VU Film Music - Historical Perspectives of a Media Phenomenon
- 170048 VU Introduction to the history of opera: 1600-1750
- 170061 VU Mind Your Gaze!
- 170066 VU Exoticism and Modernity
- 170073 UE Viennese Comedy in the 18th century
- 170095 UE History of the Vienna Departement for Theatre Studies - From Establishment to Re-Establishment
- 170109 VU Rossini - Verdi - Puccini. Paradigmatic 19th century Italian Operas
- 170116 VU Female Composers New Operas
MA (T) 3.3. Technique
- 170002 UE Stagelighting
- 170029 UE Scientific and artistical workshop with Audio-Visual Media
- 170032 UE Sampling - Mix - Remix
- 170119 UE Scientific and artistical workshop with Audio-Visual Media
- 170126 UE Videopodcast - Teil 1: Web 2.0 und Video 2.0 in Theorie und Praxis
- 170146 UE Videopodcast - Teil 2: Web 2.0 und Video 2.0 in der Praxis
MA (T) 3.4. Organisation and Law
- 170035 UE Music Theatre in Practice
- 170045 UE Structures and Strategies of Independent Cultural Activities
- 170102 VU Copyright and Remix
MA (T) 3.5. Fields of Practice and Communication
- 170038 UE AUDIENCING - Centering the Audience
- 170042 UE Film Curatorship / Film in the Museum 1 + 2
- 170046 VU Script editing for/ Producing of TV-movies. Aristoteles in mind, managing the balancing act - claiming intellectual level and / or sucking up the audience.
- 170047 UE NEXT GENERATION - Curatorial practice in contemporary dance, theatre and performance
- 170059 UE Music Theatre
- 170098 VU Model: Children's Group for Interpretative Acting I
- 170106 VU screenwriting and scriptconsulting
MA (T) 3.6. Gender
- 170060 VU Performative lines of flight - Butler, Deleuze and the theatre
- 170099 UE Unevaluated Quality - Contemporary Dance and Performance
- 170118 VU Activating the Archives!
MA (T) 3.7. Global Perspectives
- 170068 VU Opera-Repertoire: from Orfeo to Peter Grimes
- 170069 UE Wolfgang Bauer's Theatre Plays and their international Contextualisation
- 170071 VU Cultural Policies in Europe - zwischen Förderung des europäischen Kulturschaffens und nationalen Identitätskonzepten
- 170072 UE Excursion to Jihlava International Documentary Film Festival (CZ)
- 170243 VU Documentary film, Subalternity and postcolonial Critique
MA (T) 4 Work Module
D. Diploma Degree Programme in Theatre, Film and Media Studies
First Stage of the Degree Programme
I.1. Introductory Phase
- 170039 UE Practical Course "Techniques of Scientific Work"
- 170041 VO STEOP: Lecture Introduction to Theatre, Film and Media Studies
- 170056 UE Practical Course "Techniques of Scientific Work"
- 170058 VO STEOP: Lecture Forms of Theatre and Media Staging
I.3. Core Subjects
- 170011 UE Practical Course "Medial Analysis" - Hinter den Bildern. Mediale Technologien und ihre Grenzen
- 170012 UE Practical Course "Medial Analysis" - Methods and Concepts in Television Analysis
- 170016 UE Practical Course "Performance and Staging Analysis"
- 170028 PS Introductory Seminar Narrativity in Theatre, Film and Media
- 170033 UE Practical Course "Film Analysis" - What do films want?
- 170040 UE Exercise Course Body Practices and Gender Presentations - The Body in Time and Space - The Body as a Sign in Theatre. Theories, Phenomena, Methods of Analysis
- 170055 PS Introductory Seminar "Theatre Theory"
- 170062 UE Practical Course "Staged Spaces" - Enacted Space in Art an Theatre in the 20th and 21th century: recent positions II
- 170070 UE Practical Course "Media Transitions" - Hybrids of Animation and Live-Action
- 170078 UE Practical Course "Staged Spaces" - The city as research laboratory - Theatrality, perception and representation in the city
- 170079 PS Introduction Seminar "Concepts and Techniques of Acting"
- 170082 UE Practical Course "Media Transitions" - Schiller und die Oper
- 170084 UE Practical Course "Body Practices and Gender Presentations" - Contemporary Dramaturgy
- 170085 PS Introductory Seminar "Theatre and Media Spaces" - Inszenierte Räume. Interferenzen von Bildender Kunst und Theater
- 170091 PS Introductory Seminar "Media Theory" - Grundbegriffe der Medientheorie
- 170097 PS Introductory Seminar Film Theory - Mise-enscène of Government: Theories of Film and Politics
- 170105 UE Practical Course "Film Analysis" - What do films want?
- 170110 PS Introductory Seminar Film Theory - Narrationstheorie
- 170113 PS Introductory Seminar "Media Theory" - theories of television
- 170142 PS Introductory Seminar "Concepts and Techniques of Acting" - The "new man" - theatral/pädagogic plans in the early modern age
- 170156 PS Introductory Seminar "Theatre Theory"
- 170163 UE Practical Course "Performance and Staging Analysis" - Inszenierungskonzepte anhand von aktuellen Aufführungen
- 170166 PS Introductory Seminar "Theatre and Media Spaces" - Main Emphasis Film
- 170172 PS Introductory Seminar "Narrativity in Theatre, Film and Media" - The Bad Clown. Variations of a Narrative on the Stage and on the Screen
- 170196 UE Practical Course "Film Analysis" - Einführung in die Grundlagen der Filmanalyse
- 170228 PS Introductory Seminar "Film Theory" - Apparatus Theory
I.4. Compulsory Elective Courses
- 170008 VU Film Music - Historical Perspectives of a Media Phenomenon
- 170042 UE Film Curatorship / Film in the Museum 1 + 2
- 170046 VU Script editing for/ Producing of TV-movies. Aristoteles in mind, managing the balancing act - claiming intellectual level and / or sucking up the audience.
- 170047 UE NEXT GENERATION - Curatorial practice in contemporary dance, theatre and performance
- 170048 VU Introduction to the history of opera: 1600-1750
- 170060 VU Performative lines of flight - Butler, Deleuze and the theatre
- 170061 VU Mind Your Gaze!
- 170066 VU Exoticism and Modernity
- 170068 VU Opera-Repertoire: from Orfeo to Peter Grimes
- 170069 UE Wolfgang Bauer's Theatre Plays and their international Contextualisation
- 170071 VU Cultural Policies in Europe - zwischen Förderung des europäischen Kulturschaffens und nationalen Identitätskonzepten
- 170073 UE Viennese Comedy in the 18th century
- 170088 UE media and the culture industry
- 170095 UE History of the Vienna Departement for Theatre Studies - From Establishment to Re-Establishment
- 170098 VU Model: Children's Group for Interpretative Acting I
- 170099 UE Unevaluated Quality - Contemporary Dance and Performance
- 170102 VU Copyright and Remix
- 170106 VU screenwriting and scriptconsulting
- 170109 VU Rossini - Verdi - Puccini. Paradigmatic 19th century Italian Operas
- 170116 VU Female Composers New Operas
- 170118 VU Activating the Archives!
- 170162 VU Realism in the Music Theatre and its influence until today
- 170243 VU Documentary film, Subalternity and postcolonial Critique
First and Second Stage of the Degree Programme
I.2 / II.1 Historical Basics
- 170004 VO Lecture on the History of Theatre
- 170009 VO Lecture on the History of Theatre, Film and Media - Hollywood in Europa, 1896-1939
- 170013 VO Lecture on the History of Media - Musikvideos 2.0: Zum Verhältnis von Ästhetik, Diskurs und Popkultur in der Musik des Web 2.0
- 170054 VO Lecture on the History of Theatre - Die Gegenwart im Vergangenen: Ritualität und Gesellschaft im Mittelalter
- 170093 VO Lecture on the History of Film - Dokumentarfilm
- 170111 VO Lecture on the History of Theatre, Film and Media - Passages to Bollywood. Einführung in den Hindifilm
Second Stage of the Degree Programme
II.2. Seminars
- 170001 SE Seminar: Aesthetics and Poetics - Lektüreseminar. Symbolisches und Diabolisches: Weltmodelle und Strukturfiguren im Theater des 17. Jahrhunderts
- 170003 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170015 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170018 SE Seminar: Negotiations of the Subject - Forschungsseminar. Thomas Bernhard
- 170020 SE Seminar: Circulations of the Political - Profile der Macht im Musical
- 170021 SE SE MA-T Negotiations of the Subject - Zuschauertheorien in Film, Fernsehen, neuen Medien
- 170022 SE Seminar: Circulations of the Political - Kritik der Medien - Medien der Kritik
- 170023 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170024 SE Seminar: Archive and Historiography - Darstellende Künste im Exil
- 170026 SE Seminar: Contemporary History - Robert Siodmak and Film Noir
- 170030 SE Seminar: Contemporary History - Phantome frei setzen II. Lektüreseminar
- 170031 SE Seminar for Diploma Candidates, Seminar for Doctoral Candidates, Master-Thesis Presentation - DiplomandInnenseminar, DissertantInnenseminar, Masterarbeitsübung
- 170034 SE Seminar: Archive and Historiography - Schaufenster - Geschichte und Präsentationsformen
- 170036 SE Seminar: Archive and Historiography - Theater im Nationalsozialismus
- 170050 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170057 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170063 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170065 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170074 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170080 SE Seminar: Negotiations of the Subject - Forschungsseminar. Publikumsforschung
- 170087 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170089 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170090 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170092 SE Seminar: Aesthetics and Poetics - Viennale
- 170107 SE Seminar: Contemporary History - Kontroversen des Musiktheaters
- 170108 SE Seminar: Archive and Historiography - Archiv
- 170125 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170128 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170139 SE Seminar: Breaking Points of Modernism - Walter Benjamin, "Was ist das epische Theater?"
- 170160 SE Seminar: Negotiations of the Subject - Forschungsseminar: Pathos d'auteur? - Das Kino Werner Schroeters
- 170173 SE Seminar: Aesthetics and Poetics - Das tragodiale Handeln: Krisis und Kritik
- 170174 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170176 SE Seminar: Circulations of the Political - Aktuelles französisches Kino
- 170177 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170180 SE Seminar: Contemporary History - Anton P. Chekhov and the Social Question
- 170182 SE Seminar: Breaking Points of Modernism - Intermediale Verfahren in populären und avantgardistischen Theaterformen um 1920
- 170185 SE Seminar: Breaking Points of Modernism - Aus der Not ein Hörspiel machen - Zur Not ein Hörspiel hören. Hörspiel und Hörspieltheorie
- 170186 SE Seminar: Breaking Points of Modernism - Werner Hochbaum. Ein Filmstilist zwischen Arbeiterkino und NS-Unterhaltung
- 170207 SE Seminar for Diploma Candidates, Seminar for Doctoral Candidates, Master-Thesis Presentation - DiplomandInnenseminar, DissertantInnenseminar, Masterarbeitsübung
- 170224 SE Seminar: Breaking Points of Modernism - Ödön von Horváth
- 420003 SE Heinrich von Kleist and the Modernity
- 170096 SE Seminar: Aesthetics and Poetics - G. E. Lessings Überlegungen zu Theater, Dramatik und Schauspielkunst
- 170101 SE Seminar: Negotiations of the Subject - Lektüreseminar. Die Rätselschrift der Kunst. Zu Theodor W. Adornos Ästhetik
- 170103 SE Seminar: Contemporary History - Filmerfolgsranglisten als Forschungsinstrumente
- 170104 SE Seminar: Breaking Points of Modernism - Jahrmarktkino in Europa zwischen Tradition und Moderne
- 170112 SE Seminar: Aesthetics and Poetics - Erzählweisen des amerikanischen Stummfilms
II.3. Practical Courses
- 170002 UE Stagelighting
- 170032 UE Sampling - Mix - Remix
- 170035 UE Music Theatre in Practice
- 170045 UE Structures and Strategies of Independent Cultural Activities
- 170046 VU Script editing for/ Producing of TV-movies. Aristoteles in mind, managing the balancing act - claiming intellectual level and / or sucking up the audience.
- 170098 VU Model: Children's Group for Interpretative Acting I
- 170106 VU screenwriting and scriptconsulting
- 170109 VU Rossini - Verdi - Puccini. Paradigmatic 19th century Italian Operas
- 170126 UE Videopodcast - Teil 1: Web 2.0 und Video 2.0 in Theorie und Praxis
- 170146 UE Videopodcast - Teil 2: Web 2.0 und Video 2.0 in der Praxis
II.4. Subjects for Specialization
- 170002 UE Stagelighting
- 170007 VU How to do things with the history of Performance Art: Strategies of appropriation and dissociation
- 170008 VU Film Music - Historical Perspectives of a Media Phenomenon
- 170027 VU Television and Temporality
- 170029 UE Scientific and artistical workshop with Audio-Visual Media
- 170032 UE Sampling - Mix - Remix
- 170035 UE Music Theatre in Practice
- 170038 UE AUDIENCING - Centering the Audience
- 170042 UE Film Curatorship / Film in the Museum 1 + 2
- 170045 UE Structures and Strategies of Independent Cultural Activities
- 170046 VU Script editing for/ Producing of TV-movies. Aristoteles in mind, managing the balancing act - claiming intellectual level and / or sucking up the audience.
- 170047 UE NEXT GENERATION - Curatorial practice in contemporary dance, theatre and performance
- 170048 VU Introduction to the history of opera: 1600-1750
- 170049 UE Recreation of Actuality and Factuality by Means of Editing - Iconic Turn, Speed and Image in the Realm of Electronic Media
- 170059 UE Music Theatre
- 170060 VU Performative lines of flight - Butler, Deleuze and the theatre
- 170061 VU Mind Your Gaze!
- 170066 VU Exoticism and Modernity
- 170068 VU Opera-Repertoire: from Orfeo to Peter Grimes
- 170069 UE Wolfgang Bauer's Theatre Plays and their international Contextualisation
- 170071 VU Cultural Policies in Europe - zwischen Förderung des europäischen Kulturschaffens und nationalen Identitätskonzepten
- 170072 UE Excursion to Jihlava International Documentary Film Festival (CZ)
- 170073 UE Viennese Comedy in the 18th century
- 170088 UE media and the culture industry
- 170094 KO Discussion Course on the Lecture History of Theatre - Transformationen der mittelalterlichen scientia theatrica: Konversatorium zum europäischen Theater des Mittelalters
- 170095 UE History of the Vienna Departement for Theatre Studies - From Establishment to Re-Establishment
- 170098 VU Model: Children's Group for Interpretative Acting I
- 170099 UE Unevaluated Quality - Contemporary Dance and Performance
- 170102 VU Copyright and Remix
- 170106 VU screenwriting and scriptconsulting
- 170116 VU Female Composers New Operas
- 170118 VU Activating the Archives!
- 170119 UE Scientific and artistical workshop with Audio-Visual Media
- 170126 UE Videopodcast - Teil 1: Web 2.0 und Video 2.0 in Theorie und Praxis
- 170146 UE Videopodcast - Teil 2: Web 2.0 und Video 2.0 in der Praxis
- 170162 VU Realism in the Music Theatre and its influence until today
- 170169 KO Discussion Course on the History of Film - Dokumentarfilm
- 170179 KO Discussion Course on the History of Media
- 170243 VU Documentary film, Subalternity and postcolonial Critique
E. Lecture Media Aesthetics in every day use
- 170075 UE media aesthetics in every day use
- 170076 UE media aesthetics in every day use
- 170077 UE media aesthetics in every day use - "You press the button, we do the rest" - Vom Entstehen der Bilder im Alltagsgebrauch
- 170081 UE media aesthetics in every day use
- 170083 VO lecture media aesthetics in every day use - Development of Media and Forms of Communication
- 170100 VO lecture media aesthetics in every day use - Image and Word Combinations in History and Theory
17.02 Doctoral Programme Philosophy (Dr. phil.) / Dissertation Subject Area: Theatre, Film and Media Studies
- 170001 SE Seminar: Aesthetics and Poetics - Lektüreseminar. Symbolisches und Diabolisches: Weltmodelle und Strukturfiguren im Theater des 17. Jahrhunderts
- 170003 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170010 SE Seminar for Doctoral Candidates
- 170015 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170018 SE Seminar: Negotiations of the Subject - Forschungsseminar. Thomas Bernhard
- 170020 SE Seminar: Circulations of the Political - Profile der Macht im Musical
- 170021 SE SE MA-T Negotiations of the Subject - Zuschauertheorien in Film, Fernsehen, neuen Medien
- 170022 SE Seminar: Circulations of the Political - Kritik der Medien - Medien der Kritik
- 170023 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170024 SE Seminar: Archive and Historiography - Darstellende Künste im Exil
- 170026 SE Seminar: Contemporary History - Robert Siodmak and Film Noir
- 170030 SE Seminar: Contemporary History - Phantome frei setzen II. Lektüreseminar
- 170031 SE Seminar for Diploma Candidates, Seminar for Doctoral Candidates, Master-Thesis Presentation - DiplomandInnenseminar, DissertantInnenseminar, Masterarbeitsübung
- 170034 SE Seminar: Archive and Historiography - Schaufenster - Geschichte und Präsentationsformen
- 170036 SE Seminar: Archive and Historiography - Theater im Nationalsozialismus
- 170050 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170053 SE Seminar for Doctoral Candidates
- 170057 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170063 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170065 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170074 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170080 SE Seminar: Negotiations of the Subject - Forschungsseminar. Publikumsforschung
- 170083 VO lecture media aesthetics in every day use - Development of Media and Forms of Communication
- 170087 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170089 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170090 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170092 SE Seminar: Aesthetics and Poetics - Viennale
- 170107 SE Seminar: Contemporary History - Kontroversen des Musiktheaters
- 170108 SE Seminar: Archive and Historiography - Archiv
- 170125 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170128 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170139 SE Seminar: Breaking Points of Modernism - Walter Benjamin, "Was ist das epische Theater?"
- 170160 SE Seminar: Negotiations of the Subject - Forschungsseminar: Pathos d'auteur? - Das Kino Werner Schroeters
- 170173 SE Seminar: Aesthetics and Poetics - Das tragodiale Handeln: Krisis und Kritik
- 170174 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170176 SE Seminar: Circulations of the Political - Aktuelles französisches Kino
- 170177 SE Seminar for Diploma Candidates, Master-Thesis Presentation - DiplomandInnenseminar, Masterarbeitsübung
- 170180 SE Seminar: Contemporary History - Anton P. Chekhov and the Social Question
- 170182 SE Seminar: Breaking Points of Modernism - Intermediale Verfahren in populären und avantgardistischen Theaterformen um 1920
- 170183 SE Seminar for Doctoral Candidates
- 170185 SE Seminar: Breaking Points of Modernism - Aus der Not ein Hörspiel machen - Zur Not ein Hörspiel hören. Hörspiel und Hörspieltheorie
- 170186 SE Seminar: Breaking Points of Modernism - Werner Hochbaum. Ein Filmstilist zwischen Arbeiterkino und NS-Unterhaltung
- 170193 SE Seminar for Doctoral Candidates
- 170207 SE Seminar for Diploma Candidates, Seminar for Doctoral Candidates, Master-Thesis Presentation - DiplomandInnenseminar, DissertantInnenseminar, Masterarbeitsübung
- 170224 SE Seminar: Breaking Points of Modernism - Ödön von Horváth
- 420003 SE Heinrich von Kleist and the Modernity
- 170096 SE Seminar: Aesthetics and Poetics - G. E. Lessings Überlegungen zu Theater, Dramatik und Schauspielkunst
- 170100 VO lecture media aesthetics in every day use - Image and Word Combinations in History and Theory
- 170101 SE Seminar: Negotiations of the Subject - Lektüreseminar. Die Rätselschrift der Kunst. Zu Theodor W. Adornos Ästhetik
- 170103 SE Seminar: Contemporary History - Filmerfolgsranglisten als Forschungsinstrumente
- 170104 SE Seminar: Breaking Points of Modernism - Jahrmarktkino in Europa zwischen Tradition und Moderne
- 170112 SE Seminar: Aesthetics and Poetics - Erzählweisen des amerikanischen Stummfilms
Last modified: We 13.06.2018 00:36